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Author: Sylvia Heudecker Publisher: Cambridge Scholars Publishing ISBN: 1527526542 Category : Art Languages : en Pages : 441
Book Description
Cabinets of prints and drawings are found in the earliest art collections of Early Modern Europe. From the sixteenth century onwards, some of them acquired such fame that the necessity for an ordered and scientific display meant that a dedicated keeper was occasionally employed to ensure that fellow enthusiasts, as well as visiting diplomats, courtiers and artists, might have access to the print room. Often collected and displayed together with drawings, the prints formed a substantial part of princely collections which sometimes achieved astounding longevity as a specialised group of collectibles, such as the Florentine Gabinetto Disegni e Stampe at the Uffizi (GDSU). Prints and drawings, both bought and commissioned, were collected by princes and by private amateurs. Like the rest of their collections, the prints and drawings were usually preserved and displayed as part of, or near, the owner’s library in close proximity to scientific instruments, cut gems or small sculptural works of art. Both prints and drawings not only documented an encyclopaedic approach to the knowledge available at the time, but also depicted parts of the collections in the form of a paper museum. Prints and drawings also served as a guide to the collections. They spread their fame, and the renown of their owners, across Europe and into new worlds of collecting, both East and West. This volume explores issues such as: when, how and why did cabinets of prints and drawings become a specialised part of princely and private collections? How important were collections of prints and drawings for the self-representation of a prince or connoisseur among specialists and social peers? Is the presentation of a picture hanging in a gallery, for example by Charles Eisen for the Royal Galleries at Dresden, to be treated as documentary evidence? Are there notable differences in the approach to collecting, presentation and preservation of prints and drawings in diverse parts of the world? What was the afterlife of such collections up to the present day?
Author: Sylvia Heudecker Publisher: Cambridge Scholars Publishing ISBN: 1527526542 Category : Art Languages : en Pages : 441
Book Description
Cabinets of prints and drawings are found in the earliest art collections of Early Modern Europe. From the sixteenth century onwards, some of them acquired such fame that the necessity for an ordered and scientific display meant that a dedicated keeper was occasionally employed to ensure that fellow enthusiasts, as well as visiting diplomats, courtiers and artists, might have access to the print room. Often collected and displayed together with drawings, the prints formed a substantial part of princely collections which sometimes achieved astounding longevity as a specialised group of collectibles, such as the Florentine Gabinetto Disegni e Stampe at the Uffizi (GDSU). Prints and drawings, both bought and commissioned, were collected by princes and by private amateurs. Like the rest of their collections, the prints and drawings were usually preserved and displayed as part of, or near, the owner’s library in close proximity to scientific instruments, cut gems or small sculptural works of art. Both prints and drawings not only documented an encyclopaedic approach to the knowledge available at the time, but also depicted parts of the collections in the form of a paper museum. Prints and drawings also served as a guide to the collections. They spread their fame, and the renown of their owners, across Europe and into new worlds of collecting, both East and West. This volume explores issues such as: when, how and why did cabinets of prints and drawings become a specialised part of princely and private collections? How important were collections of prints and drawings for the self-representation of a prince or connoisseur among specialists and social peers? Is the presentation of a picture hanging in a gallery, for example by Charles Eisen for the Royal Galleries at Dresden, to be treated as documentary evidence? Are there notable differences in the approach to collecting, presentation and preservation of prints and drawings in diverse parts of the world? What was the afterlife of such collections up to the present day?
Author: Christopher Baker Publisher: Routledge ISBN: 9781138275782 Category : Languages : en Pages : 244
Book Description
Prints and drawings have been keenly collected in Europe since at least the early sixteenth century. Relatively modest in price, they offered artists, amateurs and collectors of a systematic turn of mind the opportunity to put together holdings with a wide representation of different hands, schools and types of subject. Prints and drawings are traditionally treated separately, but their collecting is shown here to raise many interrelated issues. Employing a wide range of methodologies, the essays in this volume offer a number of innovative investigations into the collecting, perception, classication and display of works on paper.
Author: Samuel Quiccheberg Publisher: Getty Publications ISBN: 1606064053 Category : Art Languages : en Pages : 162
Book Description
Samuel Quiccheberg’s Inscriptiones, first published in Latin in 1565, is an ambitious effort to demonstrate the pragmatic value of curiosity cabinets, or Wunderkammern, to princely collectors in sixteenth-century Europe and, by so doing, inspire them to develop their own such collections. Quiccheberg shows how the assembly and display of physical objects offered nobles a powerful means to expand visual knowledge, allowing them to incorporate empirical and artisanal expertise into the realm of the written word. But in mapping out the collectability of the material world, Quiccheberg did far more than create a taxonomy. Rather, he demonstrated how organizing objects made their knowledge more accessible; how objects, when juxtaposed or grouped, could tell a story; and how such strategies could enhance the value of any single object. Quiccheberg’s descriptions of early modern collections provide both a point of origin for today’s museums and an implicit critique of their aims, asserting the fundamental research and scholarly value of collections: collections are to be used, not merely viewed. The First Treatise on Museums makes Quiccheberg’s now rare publication available in an English translation. Complementing the translation are a critical introduction by Mark A. Meadow and a preface by Bruce Robertson.
Author: Margaret Holben Ellis Publisher: Rowman Altamira ISBN: 9780761991366 Category : Antiques & Collectibles Languages : en Pages : 270
Book Description
Step-by-step instructions and enlightening photos and diagrams thoroughly educate you on parchment and paper care; mattings, hinging and framing; storage; basic conservation procedures; and other relevant topics.
Author: Ruth E. Iskin Publisher: Bloomsbury Publishing USA ISBN: 150133851X Category : Art Languages : en Pages : 304
Book Description
Why did collectors seek out posters and collect ephemera during the late-nineteenth and the twentieth centuries? How have such materials been integrated into institutional collections today? What inspired collectors to build significant holdings of works from cultures other than their own? And what are the issues facing curators and collectors of digital ephemera today? These are among the questions tackled in this volume-the first to examine the practices of collecting prints, posters, and ephemera during the modern and contemporary periods. A wide range of case studies feature collections of printed materials from the United States, Latin America, France, Germany, Great Britain, China, Japan, Russia, Iran, and Cuba. Fourteen essays and one roundtable discussion, all specially commissioned from art historians, curators, and collectors for this volume, explore key issues such as the roles of class, politics, and gender, and address historical contexts, social roles, value, and national and transnational aspects of collecting practices. The global scope highlights cross-cultural connections and contributes to a new understanding of the place of prints, posters and ephemera within an increasingly international art world.
Author: Audrey Geisel Publisher: Random House ISBN: 0679434488 Category : Art Languages : en Pages : 100
Book Description
These fabulous, whimsical paintings, created for his own pleasure and never shown to the public, show Geisel (a.k.a. Dr. Seuss) in a whole new light. Depicting outlandish creatures in otherworldly settings, the paintings use a dazzling rainbow of hues not seen in the primary-color palette of his books for children, and exhibit a sophisticated and often quite unrestrained side of the artist. 65 color illustrations.
Author: Matthew K. Manning Publisher: Simon and Schuster ISBN: 164722134X Category : Art Languages : en Pages : 240
Book Description
Explore the robust library of Sideshow Collectibles’ exclusive, one-of-a-kind art prints with this deluxe collection. Sideshow Collectibles’ limitless passion for creativity and entertainment has led them to become a leading source of premium, highly sought after pop-culture collectibles—and their collection of art prints is no exception. Working with top artists such as Alex Ross, Adi Granov, Stanley “Artgerm” Lau, and more, Sideshow has developed a series of beautifully crafted prints based on films, comics, TV, and animation. These officially licensed illustrations are inspired by countless fan-favorite properties, including everything from Marvel, DC, and Star Wars, to iconic classics like Terminator, Alien, Transformers, and more. , Collecting the very best of Sideshow prints in one extraordinary volume, this book is a must have for art enthusiasts and pop-culture fans everywhere.
Author: Teio Meedendorp Publisher: Leiden University Press ISBN: Category : Art Languages : en Pages : 464
Book Description
The prints and drawings of Vincent van Gogh (1853-90) include some of the world's best-known, most popular, and most valuable pieces. This volume is a catalog of van Gogh drawings and prints that are currently under the care of the Kröller-Müller Museum, located near the village of Otterlo in the Netherlands. Catalogued for the first time in 1917, these works have undergone four different editions of the cataloguing process by four different members of the museum staff since World War II alone, and always in the company of van Gogh's more famous paintings. Now, for the first time, the drawings have been studied independently, and the information gathered here presents a remarkably clear overview of the present scholarship and art historical research on the authenticity, dating, provenance, and exhibitions of the work. Differing in many ways from the last collection catalog of van Gogh's drawings and paintings (which was published nearly thirty years ago), this volume not only produces new information on the provenance of certain works, but frequently comes up with a sharper analysis of the techniques and materials used by the artist, as well as new dates for individual drawings. Doubts that have arisen about the authenticity of certain juvenilia by van Gogh are here provided with a well-reasoned foundation, and with the publication of this edition--which complements a 2003 catalog of van Gogh's paintings--a period of intensive research on van Gogh's works in the collection has been brought to a close, culminating in this impeccably researched catalog and its accompanying wealth of full-color images.
Author: Christopher Baker Publisher: Routledge ISBN: 1351571591 Category : Art Languages : en Pages : 270
Book Description
Prints and drawings have been keenly collected in Europe since at least the early sixteenth century. Relatively modest in price, they offered artists, amateurs and collectors of a systematic turn of mind the opportunity to put together holdings with a wide representation of different hands, schools and types of subject. Prints and drawings are traditionally treated separately, but their collecting is shown here to raise many interrelated issues. Employing a wide range of methodologies, the essays in this volume offer a number of innovative investigations into the collecting, perception, classication and display of works on paper.
Author: Ashley E. Dunn Publisher: Metropolitan Museum of Art ISBN: 1588396800 Category : Art Languages : en Pages : 179
Book Description
Known as the master of French Romanticism for his energetic paintings, Eugène Delacroix (1798–1863) was also a consummate draftsman. Yet his drawings remained largely unknown to the public during his lifetime. Beginning with a posthumous studio sale in 1864, however, these drawings have been sought after and widely appreciated for the incomparable insight they afford into the artist’s process. This handsome book, one of the few to explore the topic in depth, provides new insight into Delacroix’s drawing practice, paying particular attention to his methods and the ways in which he pushed the boundaries of the medium. It showcases a selection of more than one hundred drawings, many of which have been rarely seen, from Karen B. Cohen’s world-renowned collection. The works highlighted here range from finished watercolors to sketches, from copies after old masters and popular prints to drawings preparatory to many of Delacroix’s most important painting and print projects. Illustrated with a wealth of comparative images, the book examines the essential role of drawing in the artist’s formation and aesthetic practice, while two shorter texts trace the history of the collecting of Delacroix’s work at the Metropolitan Museum and present important new research on his materials and techniques. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Author: Sylvia Heudecker
Author: Sylvia Heudecker
Author: Christopher Baker
Author: Samuel Quiccheberg
Author: Margaret Holben Ellis
Author: Ruth E. Iskin
Author: Audrey Geisel
Author: Matthew K. Manning
Author: Teio Meedendorp
Author: Christopher Baker
Author: Ashley E. Dunn