Author: Richard Hamilton
Publisher:
ISBN:
Category :
Languages : de
Pages : 127
Book Description
Collaborations of CH. Rotham, by Richard Hamilton and Dieter Roth
Richard Hamilton and/or Dieter Roth
Collaborations of Ch. Rotham
Richard Hamilton And/or Dieter Roth
Collaborations of Ch. Rotham
Author: Richard Hamilton
Publisher:
ISBN:
Category : Artistic collaboration
Languages : en
Pages : 132
Book Description
Published as the catalogue of a travelling exhibition, 1976 and 1977.
Publisher:
ISBN:
Category : Artistic collaboration
Languages : en
Pages : 132
Book Description
Published as the catalogue of a travelling exhibition, 1976 and 1977.
Collaborations
Author: Dieter Roth
Publisher: Edition Hansjorg Mayer
ISBN:
Category : Art
Languages : de
Pages : 222
Book Description
Publisher: Edition Hansjorg Mayer
ISBN:
Category : Art
Languages : de
Pages : 222
Book Description
Richard Hamilton
Author: Richard Hamilton
Publisher: Richter Verlag
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
Artwork by Richard Hamilton. Edited by Dieter Schwarz. Text by Stephen Coppel, Eitenne Lullin.
Publisher: Richter Verlag
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
Artwork by Richard Hamilton. Edited by Dieter Schwarz. Text by Stephen Coppel, Eitenne Lullin.
Roth Time
Author: Dirk Dobke
Publisher: The Museum of Modern Art
ISBN: 9780870700354
Category : Architecture
Languages : en
Pages : 312
Book Description
Sculptor, poet, diarist, graphic designer, pioneer artist's book maker, performer, publisher, musician, and, most of all, provocateur, Dieter Roth has long been beloved as an artist's artist. Known for his mistrust of all art institutions and commercial galleries--he once referred to museums as funeral homes--he was also known for his generosity to friends, his collaborative spirit, and for including his family in his art making. Much to the frustration of any gallery that tried to exhibit his work (supposedly none more than once), Roth thumbed his nose at those who valued high purpose and permanence in art. Constantly trying to undo his art education, he would set up systems that discouraged the conventional and the consistent: he drew with both hands at once, preserved the discarded, and reveled in the transitory. Grease stains, mold formations, insect borings, and rotting foodstuffs were just some of the materials used, both out of a fascination with their painterly, textural aspects and for their innate ability to make time visible and play to chance. "More is better," he once said, and more there always was. Roth never stopped working, and he believed that everything could be art, from his sketch pad to the table he sat at, the telephone he talked on, or his friend's kitchen (the kitchen was later sold to a museum). Roth Time: A Dieter Roth Retrospective is published to mark the first major survey exhibition of the artist's work since his death in 1998. Five decades of drawings, graphics, books, paintings, objects, installations, films and video works are represented. The publication offers a window into Roth's creative world, reflecting him and his era. The exhibition is organized by the Schaulager with The Museum of Modern Art, New York and the Museum Ludwig, Cologne.
Publisher: The Museum of Modern Art
ISBN: 9780870700354
Category : Architecture
Languages : en
Pages : 312
Book Description
Sculptor, poet, diarist, graphic designer, pioneer artist's book maker, performer, publisher, musician, and, most of all, provocateur, Dieter Roth has long been beloved as an artist's artist. Known for his mistrust of all art institutions and commercial galleries--he once referred to museums as funeral homes--he was also known for his generosity to friends, his collaborative spirit, and for including his family in his art making. Much to the frustration of any gallery that tried to exhibit his work (supposedly none more than once), Roth thumbed his nose at those who valued high purpose and permanence in art. Constantly trying to undo his art education, he would set up systems that discouraged the conventional and the consistent: he drew with both hands at once, preserved the discarded, and reveled in the transitory. Grease stains, mold formations, insect borings, and rotting foodstuffs were just some of the materials used, both out of a fascination with their painterly, textural aspects and for their innate ability to make time visible and play to chance. "More is better," he once said, and more there always was. Roth never stopped working, and he believed that everything could be art, from his sketch pad to the table he sat at, the telephone he talked on, or his friend's kitchen (the kitchen was later sold to a museum). Roth Time: A Dieter Roth Retrospective is published to mark the first major survey exhibition of the artist's work since his death in 1998. Five decades of drawings, graphics, books, paintings, objects, installations, films and video works are represented. The publication offers a window into Roth's creative world, reflecting him and his era. The exhibition is organized by the Schaulager with The Museum of Modern Art, New York and the Museum Ludwig, Cologne.
ARTISTIC COLLABORATIONS 20TH
Author: Cynthia Jaffee McCabe
Publisher: Smithsonian Books (DC)
ISBN:
Category : Avant-garde (Aesthetics)
Languages : en
Pages : 232
Book Description
The myth of the solitary artist, particularly in the twentieth century, is the focus of this volume. Collaboration, according to Cynthia Jaffee McCabe, has been a vital and heretofore little recognised component of avant-garde artistic development in the visual arts throughout the 20th century. A European phenomenon during the early part of the century, collaboration among artist is now an integral part of the international scene.
Publisher: Smithsonian Books (DC)
ISBN:
Category : Avant-garde (Aesthetics)
Languages : en
Pages : 232
Book Description
The myth of the solitary artist, particularly in the twentieth century, is the focus of this volume. Collaboration, according to Cynthia Jaffee McCabe, has been a vital and heretofore little recognised component of avant-garde artistic development in the visual arts throughout the 20th century. A European phenomenon during the early part of the century, collaboration among artist is now an integral part of the international scene.
Wait, Later this Will be Nothing
Author: Sarah J. S. Suzuki
Publisher: The Museum of Modern Art
ISBN: 0870708503
Category : Art
Languages : en
Pages : 97
Book Description
Catalog of an exhibition held Feb. 13-June 24, 2013.
Publisher: The Museum of Modern Art
ISBN: 0870708503
Category : Art
Languages : en
Pages : 97
Book Description
Catalog of an exhibition held Feb. 13-June 24, 2013.