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Author: Mary Lindemann Publisher: BRILL ISBN: 9004476040 Category : History Languages : en Pages : 243
Book Description
"Knowing" itself is a problematic concept and what was once seen as the clear objective of "knowing," that is to discover "truth" or "reality," has become increasingly less certain. This is even more the case when scholars move from the present to examine epistemology in the past. Two fundamental questions arise: What constituted knowledge in the context of early modern Germany and how was knowledge gathered, assembled, organized, deployed, and interpreted? Ways of Knowing seeks to answer these questions. Taking their cues from a range of interdisciplinary perspectives, including art, German literature, social, political, medical, and religious history, the contributors offer readers a rich and insightful portrait of knowing and knowledge in early modern Germany. Investigators look at what people “knew” in early modern Germany and how they “knew” it. Four essays in part one consider how knowledge was created and organized. In part two, six authors examine how knowledge was evaluated and how it functioned, especially in the realms of belief, law, politics, and medicine. Contributors include: Robert Beachy, Susan R. Boettcher, Jason Coy, Pia F. Cuneo, Mitchell Lewis Hammond, Mary Lindemann, Francisca Loetz, Terence McIntosh, Janice L. Neri, Elisabeth Wåghäll Nivre, and Helen Watanabe-O’Kelly.
Author: Mary Lindemann Publisher: BRILL ISBN: 9004476040 Category : History Languages : en Pages : 243
Book Description
"Knowing" itself is a problematic concept and what was once seen as the clear objective of "knowing," that is to discover "truth" or "reality," has become increasingly less certain. This is even more the case when scholars move from the present to examine epistemology in the past. Two fundamental questions arise: What constituted knowledge in the context of early modern Germany and how was knowledge gathered, assembled, organized, deployed, and interpreted? Ways of Knowing seeks to answer these questions. Taking their cues from a range of interdisciplinary perspectives, including art, German literature, social, political, medical, and religious history, the contributors offer readers a rich and insightful portrait of knowing and knowledge in early modern Germany. Investigators look at what people “knew” in early modern Germany and how they “knew” it. Four essays in part one consider how knowledge was created and organized. In part two, six authors examine how knowledge was evaluated and how it functioned, especially in the realms of belief, law, politics, and medicine. Contributors include: Robert Beachy, Susan R. Boettcher, Jason Coy, Pia F. Cuneo, Mitchell Lewis Hammond, Mary Lindemann, Francisca Loetz, Terence McIntosh, Janice L. Neri, Elisabeth Wåghäll Nivre, and Helen Watanabe-O’Kelly.
Author: Publisher: ISBN: Category : Languages : en Pages : 136
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author: Christopher S. Wood Publisher: Princeton University Press ISBN: 0691204764 Category : Art Languages : en Pages : 472
Book Description
"In this authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. The book shows that the pioneering chroniclers of the Italian Renaissance--Lorenzo Ghiberti and Giorgio Vasari--measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however--Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich--struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline. Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history."--from book jacket
Author: Charissa Bremer-David Publisher: Getty Publications ISBN: 160606052X Category : Architecture Languages : en Pages : 169
Book Description
Published to accompany an exhibition on view at the J. Paul Getty Museum, Los Angeles, Apr. 26-Aug. 7, 2011, and at the Museum of Fine Arts, Houston, Sept. 18-Dec. 10, 2011.
Author: Mary Lindemann
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