Classical Antiquity in the Painting of Arnold Böcklin PDF Download

Author: Elizabeth Barnes Putz
Publisher:
ISBN:
Category : Classical antiquities in art
Languages : en
Pages : 466

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Author: Elizabeth Barnes Putz
Publisher:
ISBN:
Category : Classicism in art
Languages : en
Pages : 431

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Author: Elizabeth Barnes Putz
Publisher:
ISBN:
Category :
Languages : en
Pages : 352

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Author: Maria Tsaneva
Publisher: CreateSpace
ISBN: 9781505562613
Category :
Languages : en
Pages : 96

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Arnold Böcklin was a Swiss symbolist painter, influenced by Romanticism. His painting is symbolist with mythological subjects often related with the Pre-Raphaelites. He depicts fantastical figures alongside classical buildings, frequently revealing an obsession with death, creating a strange, fantasy world. Art critics have constantly found it not easy to categorize this original and eccentric artist. Böcklin hated giving titles to his pictures and declared that he painted in order to make people dream: "Just as it is poetry's task to express feelings, painting must provoke them too. A picture must give the spectator as much food for thought as a poem and must make the same kind of impression as a piece of music..."

Author: Lenia Kouneni
Publisher: Cambridge Scholars Publishing
ISBN: 1443867748
Category : Art
Languages : en
Pages : 295

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Recent years have seen an increase of interest in classicism and the reception and survival of antiquity. Classical Reception Studies is a rapidly developing field of research and teaching, and a growing number of new scholars are investigating issues of reception of classical texts, ideas, performance, and material culture across different cultural contexts and in different media. This volume adds new perspectives in this growing field of scholarship. This collection of essays explores the uses of the past from a wide range of perspectives. The papers are drawn from a spectrum of cultures and chronological periods; from medieval to modern times, from Italian to Byzantine, from French to British. The characters involved in each case study accessed the past through different means, employing varying combinations of texts, oral traditions, iconographic representations, and visible remains of the landscape. It is a snapshot of a field in movement, illustrative of current directions and hopeful of producing new ones. The legacy of antiquity is omnipresent, and is as multifaceted as suggested by the wide range of the papers. This volume presents new perspectives, dealing with ever-elusive enigmas and opening the way for future research and investigation to all those who seek to explore the constant fascination with the antique.

Author: Arnold Böcklin
Publisher:
ISBN:
Category :
Languages : de
Pages : 264

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Author: Craig W. Kallendorf
Publisher: John Wiley & Sons
ISBN: 1444334166
Category : Literary Criticism
Languages : en
Pages : 513

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A Companion to the Classical Tradition accommodates the pressing need for an up-to-date introduction and overview of the growing field of reception studies. A comprehensive introduction and overview of the classical tradition - the interpretation of classical texts in later centuries Comprises 26 newly commissioned essays from an international team of experts Divided into three sections: a chronological survey, a geographical survey, and a section illustrating the connections between the classical tradition and contemporary theory

Author: Richard Warren
Publisher: Bloomsbury Publishing
ISBN: 1350042366
Category : Art
Languages : en
Pages : 367

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This book explores Symbolist artists' fascination with ancient Greek art and myth, and how the erotic played a major role in this. For a brief period at the end of the 19th century the Symbolist movement inspired artists to turn inwards to the unconscious mind, endeavouring to unveil the secrets of human nature through their symbolic art. But above all their greatest interest, and fear, was man (and woman's) sexuality. Building upon the traditions of Academic neoclassicism, but fired with a new zeal, they turned back to Greek art and myth for inspiration. That classical legacy was once again a vehicle for artists to express their dreams, ideas and revelries. And so too their anxieties. For at times the frightening spectre of the sexual unconscious drove them to a new and innovative engagement with antiquity, including in ways never before tried in the history of the classical tradition. The unnerving sirens of Gustave Moreau, unearthly heroines of Odilon Redon, or leering fauns of Felicien Rops all played their role, among others, in this novel and unprecedented chapter in that tradition. This book shows how in their painting, drawing and sculpture the Symbolists re-invented Greek statuary and transposed it to new and unwonted contexts, as the imaginary inner worlds of artists were mapped onto the landscapes of Greek myth. It shows how they made of the Greek body, whether female, male, androgyne or sexual other, at once an object of beauty, desire, fear, and - at times - of horror.

Author: Patricia Mainardi
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 76

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Author: Suzanne Marchand
Publisher: LSU Press
ISBN: 9780807129791
Category : History
Languages : en
Pages : 350

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The phrase fin de siècle conjures up images of artistic experimentation and political decadence. The contributors to this volume argue that Wilhelmine Germany—best known for its industrial and military muscle—also shared these traits. Their essays look back to the years between 1885 and 1914 to find in Germany a mixture of sociopolitical malaise and experimental exhilaration that was similar in many ways to the better-known cases of France and Austria. Revising the view that the German Second Reich was merely a precursor to the Third, this broad-scoped study presents pre–World War I Germany in its own fascinating and often contradictory terms. The foundations of the antiliberal passions that would plague the Weimar Republic are evident, but Wilhelmine society also had a lighter, more playful and moderate spirit, one that was largely extinguished by the Great War. Blending social, cultural, and intellectual history, the contributors—a distinguished cross-section of older and younger scholars—trace changing German views on liberalism, penal reform, race, women, art, popular culture, and technology. They juxtapose better-known figures such as Max Weber, Thomas Mann, and Martin Heidegger with now-forgotten individuals like the Jewish feminist novelist Grete Meisel-Hess and the iconoclastic Swiss painter Arnold Böcklin. Their essay topics range from the esoteric and erotic poetry of Stefan George to the Jewish comedy of the Herrnfeld Theater. “Modernity” is examined from the perspectives of bourgeois cinema-goers and judicial reformers, as well as from the viewpoint of Carl Jung. The result is a variegated picture of an unsettled world, rich in its innovations, ambitious in its undertakings, and often apocalyptic in its dreams.