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Author: Derek Sculthorpe Publisher: McFarland ISBN: 1476630690 Category : Biography & Autobiography Languages : en Pages : 198
Book Description
Claire Trevor (1910–2000) is best remembered as the alluring blonde femme fatale in such iconic noir films as Murder, My Sweet (1944) and Raw Deal (1948). Yet she was a versatile performer who brought rare emotional depth to her art. She was effective in a range of diverse roles, from an outcast prostitute in John Ford’s classic Stagecoach (1939) to the ambitious tennis mother in Hard, Fast and Beautiful (1951) to the embittered wife of a landowner in William Wellman’s overlooked gem My Man and I (1952). Nominated for three Oscars, she deservedly won Best Supporting Actress for her portrayal of Gaye Dawn, a gangster’s broken-down moll in Key Largo (1948). The author covers her life and career in detail, recognizing her as one of the finest actresses of her generation.
Author: Derek Sculthorpe Publisher: McFarland ISBN: 1476630690 Category : Biography & Autobiography Languages : en Pages : 198
Book Description
Claire Trevor (1910–2000) is best remembered as the alluring blonde femme fatale in such iconic noir films as Murder, My Sweet (1944) and Raw Deal (1948). Yet she was a versatile performer who brought rare emotional depth to her art. She was effective in a range of diverse roles, from an outcast prostitute in John Ford’s classic Stagecoach (1939) to the ambitious tennis mother in Hard, Fast and Beautiful (1951) to the embittered wife of a landowner in William Wellman’s overlooked gem My Man and I (1952). Nominated for three Oscars, she deservedly won Best Supporting Actress for her portrayal of Gaye Dawn, a gangster’s broken-down moll in Key Largo (1948). The author covers her life and career in detail, recognizing her as one of the finest actresses of her generation.
Author: Carolyn McGivern Publisher: Reel Publications ISBN: 9781905764174 Category : Actresses Languages : en Pages : 0
Book Description
Claire Trevor was unparalleled throughout a Hollywood acting career that spanned seven decades. She found reward and critical acclaim hard to come by despite being unexpectedly Oscar nominated as Best Supporting Actress for just a few seconds of powerful dialogue in the movie Dead End (1937), and although she eventually won an Oscar for her portrayal of a down and out gangsters moll in Key Largo (1948), she never really 'made it' to the stratospheric heights of stardom that others took for granted. Despite her magnificently sensitive portrayal of Dallas opposite John Wayne in Fords Stagecoach (1939), a cursory glance in her direction might suggest she was subsequently type-cast in Poverty Row Westerns even as she later transformed into the bad-girl of Film Noire. However she was gloriously successful as a stage performer, radio celebrity and television star and fully deserving of this modern retrospective. The diversity of roles she was prepared to tackle and take in her stride set her apart from more glamorous colleagues and made her the go-to darling of those leading producers and directors who sought out a thoroughly professional and unfussy actress.It seemed that she could almost effortlessly raise the level of what might otherwise have been a humdrum characterisation into one of heart-wrenching clarity. Here, McGivern investigates Trevors many screen representations in detail, often focussing on contemporary dominant historically specific concepts of American society and culture that gave rise to the Western and Film Noire. She delves deep into the life and image of Claire Trevor, looking at how her starring roles often seemed to reflect the tensions, paradoxes and contradictions of a bleak and uncertain future for many Americans who existed in a period of unprecedented national power and prosperity.
Author: Carolyn Mcgivern Publisher: ISBN: 9781905764198 Category : Languages : en Pages : 400
Book Description
Claire Trevor was unparalleled throughout a Hollywood acting career that spanned seven decades. She found reward and critical acclaim hard to come by despite being unexpectedly Oscar nominated as Best Supporting Actress for just a few seconds of powerful dialogue in the movie Dead End (1937), and although she eventually won an Oscar for her portrayal of a down and out gangsters moll in Key Largo (1948), she never really 'made it' to the stratospheric heights of stardom that others took for granted. Despite her magnificently sensitive portrayal of Dallas opposite John Wayne in Fords Stagecoach (1939), a cursory glance in her direction might suggest she was subsequently type-cast in Poverty Row Westerns even as she later transformed into the bad-girl of Film Noire. However she was gloriously successful as a stage performer, radio celebrity and television star and fully deserving of this modern retrospective. The diversity of roles she was prepared to tackle and take in her stride set her apart from more glamorous colleagues and made her the go-to darling of those leading producers and directors who sought out a thoroughly professional and unfussy actress. It seemed that she could almost effortlessly raise the level of what might otherwise have been a humdrum characterisation into one of heart-wrenching clarity. Here, McGivern investigates Trevors many screen representations in detail, often focussing on contemporary dominant historically specific concepts of American society and culture that gave rise to the Western and Film Noire. She delves deep into the life and image of Claire Trevor, looking at how her starring roles often seemed to reflect the tensions, paradoxes and contradictions of a bleak and uncertain future for many Americans who existed in a period of unprecedented national power and prosperity.
Author: Carolyn McGivern Publisher: ISBN: 9781980635505 Category : Languages : en Pages : 153
Book Description
McGivern investigates Trevor's many screen representations in detail, often focusing on contemporary dominant historically specific concepts of American society and culture that gave rise to the Western and Film Noir. She delves deep into the life and image of Claire Trevor, looking at how her starring roles often seemed to reflect the tensions, paradoxes and contradictions of a bleak and uncertain future for many Americans who existed in a period of unprecedented national power and prosperity.
Author: Publisher: ISBN: Category : Languages : en Pages : 180
Book Description
Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.
Author: Ray Hagen Publisher: McFarland ISBN: 0786480734 Category : Performing Arts Languages : en Pages : 281
Book Description
No delicate ingenues, these. In the middle of the twentieth century, the Mary Pickfords of the movie world were replaced by a different sort of woman--drop-dead gorgeous, witty, not afraid to speak their minds, they could slay you with a look--and if that didn't work, look out for the pistol in the garter. These ground-breaking actresses helped change the course of movie history, charting a path for generations to come. These profiles of fifteen leading ladies--Lucille Ball, Lynn Bari, Joan Blondell, Ann Dvorak, Gloria Grahame, Jean Hagen, Adele Jergens, Ida Lupino, Marilyn Maxwell, Mercedes McCambridge, Jane Russell, Ann Sheridan, Barbara Stanwyck, Claire Trevor and Marie Windsor--include overviews of their lives and careers, and excerpts from interviews. Five photos supplement each profile. Jane Russell (one of the actresses profiled) provides a foreword.
Author: Emily Mann Publisher: ReadHowYouWant.com ISBN: 1458781356 Category : Drama Languages : en Pages : 162
Book Description
Emily Mann is one of our most urgently engaging, provocative and significant American playwrights.'' - Joyce Carol Oates ''Elizabeth Packard emerges as a vibrant, passionate force of nature.'' - The New York Times Illinois, 1861; Without proof of insanity, Elizabeth Packard is committed by her husband to an asylum. Based on historical events, Emily Mann's play tells of one woman's struggle to right a system gone wrong in this winner of the Kennedy Center Fund for New American Plays Award. Emily Mann is a playwright and director, now in her nineteenth season as artistic director of McCarter Theatre. Her award-winning plays have been produced throughout the world.
Author: Michael B Druxman Publisher: ISBN: Category : Languages : en Pages : 60
Book Description
Claire Trevor was one of the finest character actresses of her day.Often cast as "a lady of the night," or the alluring blonde female fatale, she co-starred in such classic films as DEAD END with Humphrey Bogart, STAGECOACH with John Wayne, MURDER, MY SWEET with Dick Powell, KEY LARGO with Bogart and Edward G. Robinson, for which she won an Academy Award, and THE HIGH AND THE MIGHTY with Wayne and an all-star cast.Michael B. Druxman's one-woman play, CLAIRE TREVOR, finds the actress lamenting the fact that her recent return to the stage in THE KILLING OF SISTER GEORGE did not go well. As she seriously considers retirement from show business, she thinks back over her long career and how she never quite became the major star she wanted to be.
Author: Karen Burroughs Hannsberry Publisher: McFarland ISBN: 0786491590 Category : Performing Arts Languages : en Pages : 1298
Book Description
Though often thought of as primarily a male vehicle, the film noir offered some of the most complex female roles of any movies of the 1940s and 1950s. Stars such as Barbara Stanwyck, Gene Tierney and Joan Crawford produced some of their finest performances in noir movies, while such lesser known actresses as Peggie Castle, Hope Emerson and Helen Walker made a lasting impression with their roles in the genre. These six women and 43 others who were most frequently featured in films noirs are profiled here, focusing primarily on their work in the genre and its impact on their careers. A filmography of all noir appearances is provided for each actress.
Author: David J. Hogan Publisher: Hal Leonard Corporation ISBN: 1480343056 Category : Music Languages : en Pages : 430
Book Description
(FAQ). Film Noir FAQ celebrates and reappraises some 200 noir thrillers representing 20 years of Hollywood's Golden Age. Noir pulls us close to brutal cops and scheming dames, desperate heist men and hardboiled private eyes, and the unlucky innocent citizens that get in their way. These are exciting movies with tough guys in trench coats and hot tomatoes in form-fitting gowns. The moon is a streetlamp and the narrow streets are prowled by squad cars and long black limousines. Lives are often small but people's plans are big sometimes too big. Robbery, murder, gambling; the gun and the fist; the grift and the con game; the hard kiss and the brutal brush-off. Film Noir FAQ brings lively attention to story, mood, themes, and technical detail, plus behind-the-scenes stories of the production of individual films. Featuring numerous stills and posters many never before published in book form highlighting key moments of great noir movies. Film Noir FAQ serves up insights into many of the most popular and revered names in Hollywood history, including noir's greatest stars, supporting players, directors, writers, and cinematographers. Pour a Scotch, light up a smoke, and lean back with your private guide to film noir.
Author: Derek Sculthorpe
Author: Derek Sculthorpe
Author: Carolyn McGivern
Author: Carolyn Mcgivern
Author: Carolyn McGivern
Author: 
Author: Ray Hagen
Author: Emily Mann
Author: Michael B Druxman
Author: Karen Burroughs Hannsberry
Author: David J. Hogan