Author: Germano Celant
Publisher:
ISBN: 9788881185160
Category : Art
Languages : nl
Pages : 524
Book Description
Claes Oldenburg, Coosje van Bruggen
Author: Germano Celant
Publisher:
ISBN: 9788881185160
Category : Art
Languages : nl
Pages : 524
Book Description
Publisher:
ISBN: 9788881185160
Category : Art
Languages : nl
Pages : 524
Book Description
Claes Oldenburg - Log
Allan Kaprow and Claes Oldenburg
Author: Robert E. Haywood
Publisher:
ISBN: 9780300222609
Category : Art and society
Languages : en
Pages : 0
Book Description
This new interpretation of the structure and meaning of the Happenings produced by Allan Kaprow (1927-2006) and Claes Oldenburg (b. 1929) in the late 1950s and 1960s sheds light on the context, theoretical framework, and working practice unique to this groundbreaking artistic form. Drawing on extensive archival research and including never-before-published drawings by Oldenburg, Robert E. Haywood describes the dialogue - at times contentious - between these two artists about the direction of the Happenings and modern art in general. Through a comprehensive analysis of these often overlooked works, it becomes clear that the Happenings--born in the midst of Cold War tensions and an increased uneasiness with the direction society was taking--challenged the traditional definitions of art in innovative new ways and were a critical component in the development of the art of the 20th century.
Publisher:
ISBN: 9780300222609
Category : Art and society
Languages : en
Pages : 0
Book Description
This new interpretation of the structure and meaning of the Happenings produced by Allan Kaprow (1927-2006) and Claes Oldenburg (b. 1929) in the late 1950s and 1960s sheds light on the context, theoretical framework, and working practice unique to this groundbreaking artistic form. Drawing on extensive archival research and including never-before-published drawings by Oldenburg, Robert E. Haywood describes the dialogue - at times contentious - between these two artists about the direction of the Happenings and modern art in general. Through a comprehensive analysis of these often overlooked works, it becomes clear that the Happenings--born in the midst of Cold War tensions and an increased uneasiness with the direction society was taking--challenged the traditional definitions of art in innovative new ways and were a critical component in the development of the art of the 20th century.
The Accidental Possibilities of the City
Author: Katherine Smith
Publisher: University of California Press
ISBN: 0520305485
Category : Art
Languages : en
Pages : 347
Book Description
Claes Oldenburg’s commitment to familiar objects has shaped accounts of his career, but his associations with Pop art and postwar consumerism have overshadowed another crucial aspect of his work. In this revealing reassessment, Katherine Smith traces Oldenburg’s profound responses to shifting urban conditions, framing his enduring relationship with the city as a critical perspective and conceiving his art as urban theory. Smith argues that Oldenburg adapted lessons of context, gleaned from New York’s changing cityscape in the late 1950s, to large-scale objects and architectural plans. By examining disparate projects from New York to Los Angeles, she situates Oldenburg’s innovations in local geographies and national debates. In doing so, Smith illuminates patterns of urbanization through the important contributions of one of the leading artists in the United States.
Publisher: University of California Press
ISBN: 0520305485
Category : Art
Languages : en
Pages : 347
Book Description
Claes Oldenburg’s commitment to familiar objects has shaped accounts of his career, but his associations with Pop art and postwar consumerism have overshadowed another crucial aspect of his work. In this revealing reassessment, Katherine Smith traces Oldenburg’s profound responses to shifting urban conditions, framing his enduring relationship with the city as a critical perspective and conceiving his art as urban theory. Smith argues that Oldenburg adapted lessons of context, gleaned from New York’s changing cityscape in the late 1950s, to large-scale objects and architectural plans. By examining disparate projects from New York to Los Angeles, she situates Oldenburg’s innovations in local geographies and national debates. In doing so, Smith illuminates patterns of urbanization through the important contributions of one of the leading artists in the United States.
Claes Oldenburg
Author: Nadja Rottner
Publisher: MIT Press
ISBN: 0262516934
Category : Art
Languages : en
Pages : 221
Book Description
Contemporary criticism, interviews, scholarly reassessments, and texts by the artist focusing on Claes Oldenburg's sculptures, installations, and multimedia performances between 1960 and 1965. Claes Oldenburg (born in 1929) is largely known today as a pop art sculptor. Oldenburg himself described his formless canvas and vinyl soft sculptures—gigantic hamburgers and ice cream cones, cushiony toilets and typewriters—as “objects that elude definition.” This collection of writings revisits not only Oldenburg's soft objects from the early to mid 1960s but also his pioneering installations The Street (1960) and The Store (1961–1962) and his often overlooked multimedia performances. As the artist translated his ideas and beliefs into various media and formats, his work drew on a range of styles and schools, including abstract expressionism, Happenings, pop art, minimalism, and postminimalism. Perhaps because of their refusal to be classified, these artworks are as contemporary today as they were when they were created between 1960 and 1965. This collection serves both as a summation of early critical thinking on Oldenburg's art and a starting point for consideration of the artist as a forerunner of current art trends of stylelessness and intermediality. It includes both contemporary criticism and more recent scholarly reassessments, interviews with the artist, and Oldenburg's own unpublished manifesto on the Ray Gun Theater (the artist's name for his performance series in the back of The Store).
Publisher: MIT Press
ISBN: 0262516934
Category : Art
Languages : en
Pages : 221
Book Description
Contemporary criticism, interviews, scholarly reassessments, and texts by the artist focusing on Claes Oldenburg's sculptures, installations, and multimedia performances between 1960 and 1965. Claes Oldenburg (born in 1929) is largely known today as a pop art sculptor. Oldenburg himself described his formless canvas and vinyl soft sculptures—gigantic hamburgers and ice cream cones, cushiony toilets and typewriters—as “objects that elude definition.” This collection of writings revisits not only Oldenburg's soft objects from the early to mid 1960s but also his pioneering installations The Street (1960) and The Store (1961–1962) and his often overlooked multimedia performances. As the artist translated his ideas and beliefs into various media and formats, his work drew on a range of styles and schools, including abstract expressionism, Happenings, pop art, minimalism, and postminimalism. Perhaps because of their refusal to be classified, these artworks are as contemporary today as they were when they were created between 1960 and 1965. This collection serves both as a summation of early critical thinking on Oldenburg's art and a starting point for consideration of the artist as a forerunner of current art trends of stylelessness and intermediality. It includes both contemporary criticism and more recent scholarly reassessments, interviews with the artist, and Oldenburg's own unpublished manifesto on the Ray Gun Theater (the artist's name for his performance series in the back of The Store).
One for Me and One to Share
Author: Gregory Elgstrand
Publisher: Yyz Books
ISBN: 9780920397527
Category : Art and society
Languages : en
Pages : 0
Book Description
Illustrated with over thirty-six colour reproductions, the essays and interviews in One For Me and Once To Share: Artists' Multiples and Editions addresses artists' multiples as a new means of reproduction, circulations, and reception.
Publisher: Yyz Books
ISBN: 9780920397527
Category : Art and society
Languages : en
Pages : 0
Book Description
Illustrated with over thirty-six colour reproductions, the essays and interviews in One For Me and Once To Share: Artists' Multiples and Editions addresses artists' multiples as a new means of reproduction, circulations, and reception.
Large-scale Projects
Author: Claes Oldenburg
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 576
Book Description
320 illustrations
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 576
Book Description
320 illustrations
A Bottle of Notes and Some Voyages
Author: Germano Celant
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 0
Book Description
Claes Oldenburg
Claes Oldenburg's Theater of Vision
Author: Nadja Rottner
Publisher: Taylor & Francis
ISBN: 1000998894
Category : Art
Languages : en
Pages : 317
Book Description
In four chronologically organized chapters, this study traces the conceptual dependence and deep connectivity among Claes Oldenburg’s poetry, sculpture, films, and performance art between 1956 and 1965. This research-intensive book argues that Oldenburg’s art relies on machine vision and other metaphors to visualize the structure and image content of human thought as an artistic problem. Anchored in new oral history interviews and extensive archival material, it brings together understudied visual and concrete poetry, experimental films, fifteen group performances (commonly referred to as happenings), and a close analysis of his well-known installations of The Street (1960) and The Store (1961–62), effectively setting in place a reexamination of Oldenburg’s pop art from the street, store, home, and cinema years. The book will be of interest to scholars working in art history, film studies, performance studies, literature, intermedia studies, and media theory.
Publisher: Taylor & Francis
ISBN: 1000998894
Category : Art
Languages : en
Pages : 317
Book Description
In four chronologically organized chapters, this study traces the conceptual dependence and deep connectivity among Claes Oldenburg’s poetry, sculpture, films, and performance art between 1956 and 1965. This research-intensive book argues that Oldenburg’s art relies on machine vision and other metaphors to visualize the structure and image content of human thought as an artistic problem. Anchored in new oral history interviews and extensive archival material, it brings together understudied visual and concrete poetry, experimental films, fifteen group performances (commonly referred to as happenings), and a close analysis of his well-known installations of The Street (1960) and The Store (1961–62), effectively setting in place a reexamination of Oldenburg’s pop art from the street, store, home, and cinema years. The book will be of interest to scholars working in art history, film studies, performance studies, literature, intermedia studies, and media theory.