Circles of Confusion PDF Download

Author: Hollis Frampton
Publisher: Visual Studies Workshop
ISBN: 9780898220209
Category : Cinematography.
Languages : en
Pages : 199

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Author: April Henry
Publisher:
ISBN: 9780060192044
Category : Fiction
Languages : en
Pages : 294

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Book Description
When DMV employee/sleuth Claire Montrose inherits a painting that looks as if it might be valuable, she encounters two men who are a little too eager to assist her in its appraisal.

Author: Ken Griffiths
Publisher: UNSW Press
ISBN: 9780868406725
Category : Nature
Languages : en
Pages : 164

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Book Description
Featuring images of the natural world from Australia, Canada and Antarctica, this text is a how-to guide by a widely-published amateur nature photographer, packed with lots of ideas and practical information for photography enthusiasts.

Author: United States Department of the Army
Publisher:
ISBN:
Category :
Languages : en
Pages : 184

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Author: United States. Department of the Army
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 184

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Book Description
This guide introduces military personnel to the theory of light and optics, the camera, the principles of photographic exposure, characteristics of sensitized photographic materials, photographic chemistry, photographic processing, and pictorial operations under extreme climatic conditions.

Author: United States. Bureau of Naval Personnel
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 496

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Author: Sean T. McHugh
Publisher: No Starch Press
ISBN: 1593278942
Category : Photography
Languages : en
Pages : 242

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Book Description
Comprehensive, heavily illustrated volume introduces the concepts and techniques of digital image capture, including exposure, composition, histograms, depth of field, advanced lighting, lens filters, shutter speed, and autofocus. Learn the core concepts and techniques you need to know to take better photos, from choosing the best lens for your stylistic goals to selecting the right camera settings for different lighting conditions. With clear explanations and highly visual examples, Sean T. McHugh takes you from basic concepts like exposure and depth of field to more advanced topics, such as how camera lenses and sensors capture light to produce images. You'll learn not only which camera settings to use in different situations but also the reasons why. Learn how to: - Choose lenses that give greater control over perspective - Minimize image noise by understanding how digital sensors work - Get the exposure you want even in fog, mist, or haze - Improve hand-held shots by mastering shutter speed and autofocus - Use tripods, lens filters, and flash to enhance image capture Whether you want to understand digital photography at a deeper level or simply want to take better photos, Understanding Photography will help you get the most out of your camera.

Author: Paul Wheeler
Publisher: Taylor & Francis
ISBN: 1136056696
Category : Performing Arts
Languages : en
Pages : 226

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Book Description
Filmmaking is an art, but, like so many art forms, there are basic underlying tools and techniques and a body theoretical knowledge that must be understood and mastered before artistic expression can flourish. This book is an invaluable resource for all aspiring DoPs. Practical Cinematography can be dipped into for quick reference - perhaps to answer a specific question or deal with practical problems relating to a shoot - or read from cover to cover. It discusses the principles of cinematography and the expertise which is unique to the Director of Photography (DoP). It deals with all the basic theory such as color temperature and sensitometry, and all the practical things a DoP needs to know, from the make-up of the crew to how to prepare an equipment list.

Author: Michael Zryd
Publisher: MIT Press
ISBN: 0262543575
Category : Art
Languages : en
Pages : 296

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Book Description
The first collection of critical writing on the work of experimental filmmaker Hollis Frampton. Hollis Frampton (1936–1984) was one of the most important experimental filmmakers and theorists of his time, and in his navigation of artistic media and discourses, he anticipated the multimedia boundary blurring of today’s visual culture. Indeed, his photography continues to be exhibited, and a digital edition of his films was issued by the Criterion Collection. This book offers the first collection of critical writings on Frampton’s work. It complements On the Camera Arts and Consecutive Matter, published in the MIT Press’s Writing Art series, which collected Frampton’s own writings. October was as central to Frampton as he was to it. He was both a frequent contributor—appearing in the first issue in 1976—and a frequent subject of contributions by others. Some of these important and incisive writings on Frampton’s work are reprinted here. The essays collected in this volume consider Frampton’s photographic practice, which continued even after he turned to film; survey his film work from the 1960s to the late 1970s; and explore Frampton’s grounding in poetics and language. Two essays by the late Annette Michelson, one of the twentieth century’s most influential writers on experimental film, place Frampton in relation to film and art history. Contributors George Derk, Ken Eisenstein, Hollis Frampton, Peter Gidal, Barry Goldensohn, Brian Henderson, Bruce Jenkins, Annette Michelson, Christopher Phillips, Melissa Ragona, Allen S. Weiss, Federico Windhausen, Lisa Zaher, Michael Zryd

Author: James Monaco
Publisher: Oxford University Press
ISBN: 0199755795
Category : Performing Arts
Languages : en
Pages : 737

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Book Description
Richard Gilman referred to How to Read a Film as simply "the best single work of its kind." And Janet Maslin in The New York Times Book Review marveled at James Monaco's ability to collect "an enormous amount of useful information and assemble it in an exhilaratingly simple and systematic way." Indeed, since its original publication in 1977, this hugely popular book has become the definitive source on film and media. Now, James Monaco offers a special anniversary edition of his classic work, featuring a new preface and several new sections, including an "Essential Library: One Hundred Books About Film and Media You Should Read" and "One Hundred Films You Should See." As in previous editions, Monaco once again looks at film from many vantage points, as both art and craft, sensibility and science, tradition and technology. After examining film's close relation to other narrative media such as the novel, painting, photography, television, and even music, the book discusses the elements necessary to understand how films convey meaning, and, more importantly, how we can best discern all that a film is attempting to communicate. In addition, Monaco stresses the still-evolving digital context of film throughout--one of the new sections looks at the untrustworthy nature of digital images and sound--and his chapter on multimedia brings media criticism into the twenty-first century with a thorough discussion of topics like virtual reality, cyberspace, and the proximity of both to film. With hundreds of illustrative black-and-white film stills and diagrams, How to Read a Film is an indispensable addition to the library of everyone who loves the cinema and wants to understand it better.