Cinema of the Arab World PDF Download

Author: Terri Ginsberg
Publisher: Springer Nature
ISBN: 3030300811
Category : Performing Arts
Languages : en
Pages : 445

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Book Description
This volume engages new films and modes of scholarly research in Arab cinema, and older, often neglected films and critical topics, while theorizing their structural relationship to contemporary developments in the Arab world. The volume considers the relationship of Arab cinema to transnational film production, distribution, and exhibition, in turn recontextualizing the works of acknowledged as well as new directorial figures, and country-specific phenomena. New documentary and experimental practices are referenced and critiqued, while commercial cinema is covered both as an industrial product and as one of several instances of contestation. The volume thus showcases the breadth and depth of Arab film culture and its multilayered connections to local conditions, regional affiliations, and the tendencies and aesthetics of global cinema.

Author: Viola Shafik
Publisher: American Univ in Cairo Press
ISBN: 9789774160653
Category : Art
Languages : en
Pages : 324

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Book Description
Intended for scholars of film and the contemporary Middle East, this title provides a comprehensive overview of cinema in the Arab world, tracing the industry's development, since colonial times. It analyzes the ambiguous relationship with commercial western cinema, and the effect of Egyptian market dominance in the region.

Author: Peter Limbrick
Publisher: Univ of California Press
ISBN: 0520974336
Category : Performing Arts
Languages : en
Pages : 301

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Book Description
Arab Modernism as World Cinema explores the radically beautiful films of Moroccan filmmaker Moumen Smihi, demonstrating the importance of Moroccan and Arab film cultures in histories of world cinema. Addressing the legacy of the Nahda or “Arab Renaissance” of the nineteenth and early twentieth century—when Arab writers and artists reenergized Arab culture by engaging with other languages and societies—Peter Limbrick argues that Smihi’s films take up the spirit of the Nahda for a new age. Examining Smihi’s oeuvre, which enacts an exchange of images and ideas between Arab and non-Arab cultures, Limbrick rethinks the relation of Arab cinema to modernism and further engages debates about the use of modernist forms by filmmakers in the Global South. This original study offers new routes for thinking about world cinema and modernism in the Middle East and North Africa, and about Arab cinema in the world.

Author: Gönül Dönmez-Colin
Publisher: Wallflower Press
ISBN: 9781905674107
Category : History
Languages : en
Pages : 316

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Book Description
"Twenty-four essays on individual selected films, many by scholars and writers based in the region. It explores established film cultures such as those of Turkey and Iran, and also nascent cinemas such as those of Israel, Palestine and Syria. ... Selected films include Cairo Station (Egypt, 1958), Umat (Turkey, 1970), The Runner (Iran, 1989) ... Once upon a time, Beriut (Lebanon, 1994), Chronicle of a disappearance (Palestine, 1996), Circle of dreams (Israel, 2000), Ten (Iran, 2002) and Uzak (Turkey, 2003)."--Page 4 of cover.

Author: Ifdal Elsaket
Publisher: Bloomsbury Publishing
ISBN: 1350163724
Category : History
Languages : en
Pages : 337

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Book Description
Cinema in the Arab world has been the subject of varied and rigorous studies, but most have focused on films as text, providing in-depth analyses of plot, style, ideologies, or examination of the biographies of prominent directors or actors. This innovative new volume shifts the focus on Arab cinema off-screen, to examine the histories, politics, and conditions of distribution, exhibition, and cinema-going in the Arab world. Through broadening the frame of study beyond the screen, the book widens understanding of the cinema, not merely as a collection of films-as-texts, but as a site of cultural and political contestation in the Arab world. Divided into two sections, and guided by interdisciplinary considerations, the contributors examine historical and contemporary issues of Arab cinema in terms of the experience of movie-going and filmmaking. They examine the networks of distribution and exhibition, as well as the contested and multiple meanings that the cinema embodied through diverse historical periods and geographical locations. Part I focuses on new histories of Arab cinema in terms of film production, distribution, exhibition and audience's experiences of cinema-going. Part II deals with more recent issues within scholarship on Arab cinema such as issues of politics, economics, ideologies, as well as issues related to Arab movies' international circulation and screenings at festivals. Together, the chapters enrich our understanding of the cinema in the Arab world, showing how deeply embedded it is within its social, political, and economic contexts.

Author: Jack G. Shaheen
Publisher: Interlink Publishing
ISBN: 1623710065
Category : Performing Arts
Languages : en
Pages : 637

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Book Description
A groundbreaking book that dissects a slanderous history dating from cinema’s earliest days to contemporary Hollywood blockbusters that feature machine-gun wielding and bomb-blowing "evil" Arabs Award-winning film authority Jack G. Shaheen, noting that only Native Americans have been more relentlessly smeared on the silver screen, painstakingly makes his case that "Arab" has remained Hollywood’s shameless shorthand for "bad guy," long after the movie industry has shifted its portrayal of other minority groups. In this comprehensive study of over one thousand films, arranged alphabetically in such chapters as "Villains," "Sheikhs," "Cameos," and "Cliffhangers," Shaheen documents the tendency to portray Muslim Arabs as Public Enemy #1—brutal, heartless, uncivilized Others bent on terrorizing civilized Westerners. Shaheen examines how and why such a stereotype has grown and spread in the film industry and what may be done to change Hollywood’s defamation of Arabs.

Author: Malek Khouri
Publisher: American Univ in Cairo Press
ISBN: 9789774163548
Category : Performing Arts
Languages : en
Pages : 310

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Book Description
In a major addition to the academic library on the cinema of Youssef Chahine and on Arab and Egyptian cinema in general, Malek Khouri here presents the most comprehensive and up-to-date study on Chahine's work to appear since his death in 2008. The methodological approach of the book, and more precisely the discussion of the theme of Arab national unity from a post-colonial point of view, emphasizes the ideological underpinnings of this Egyptian director's themes as well as his esthetics. The author focuses on the interaction between Chahine's personal and political preoccupations, his eclectic cinematic style, and his devotion to connecting with a wide audience of filmgoers. The Arab National Project in Youssef Chahine's Cinema is an important contribution to original scholarship in the fields of cultural studies, sociology of film, and history of cinema, and will be of great interest to scholars, students, and cinema lovers all over the world.

Author: Terri Ginsberg
Publisher: Rowman & Littlefield
ISBN: 1538139057
Category : Performing Arts
Languages : en
Pages : 705

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Book Description
To a substantial degree cinema has served to define the perceived character of the peoples and nations of the Middle East. This book covers the production and exhibition of the cinema of Morocco, Algeria, Tunisia, Egypt, Palestine, Jordan, Lebanon, Syria, Iraq, the United Arab Emirates, Saudi Arabi, Yemen, Kuwait, and Bahrain, as well as the non-Arab states of Turkey and Iran, and the Jewish state of Israel. This second edition of Historical Dictionary of Middle Eastern Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on individual films, filmmakers, actors, significant historical figures, events, and concepts, and the countries themselves. It also covers the range of cinematic modes from documentary to fiction, representational to animation, generic to experimental, mainstream to avant-garde, and entertainment to propaganda. This book is an excellent resource for students, researchers, and anyone wanting to know more about Middle Eastern cinema.

Author: Noha Mellor
Publisher: John Wiley & Sons
ISBN: 0745637361
Category : Social Science
Languages : en
Pages : 308

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Book Description
This book provides a clear and authoritative introduction to the emerging Arab media industries in the context of globalization and its impacts, with a focus on publishing, press, broadcasting, cinema and new media. Through detailed discussions of the regulation and economics of these industries, the authors argue that the political, technological and cultural changes on the global media scene have resulted in the reorganization of the Arab media field. They provide striking examples of this through the particular effects on media policies, media technology and the content and genres developed for the new generation of media consumers. As part of the book's overview of the contemporary characteristics of Arab media, the authors outline the development of the role of modern Arab media from a tool of mobilizing the public to a tool of commercial and symbolic profit. Overall, the volume illustrates how the Arab region represents a unique case where the commercialization and liberalization of selected media industries has gone hand in hand with continuous state intervention and an increasing self censorship. Written for students without prior knowledge of the topic, Arab Media will be essential reading for all interested in the contemporary global media industries.

Author: Ali Ahmad
Publisher: Routledge
ISBN: 1317389611
Category : Social Science
Languages : en
Pages : 183

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Book Description
This book collates a comprehensive range of fascinating essays by leading authors on film from across the Muslim world. Responding to political and theoretical misconceptions about Islam and Muslim culture, it covers North African, Arab and Asian cinemas in a rich series of industry histories, single film studies and detailed analyses of celebrated directors. Cinema in Muslim Societies is innovative and timely in its explicit engagement with vexing questions of Islamic aesthetics, political activism, socialism and the role of women in Muslim contexts. The authors explore a wide variety of topics, from cinematic art and poetry to religious identity and pornography. Debated extensively at a programme of public talks and screenings at the Institute of Contemporary Arts in London in 2011, this volume remains supremely relevant in a world of polarising identities and political violence engulfing Muslim societies and the West. This book was originally published as a special issue of Third Text.