Cinema in Iran, 1900-1979 PDF Download

Author: Mohammad Ali Issari
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 472

View

Book Description

Author: Hamid Naficy
Publisher: Duke University Press
ISBN: 082234775X
Category : History
Languages : en
Pages : 458

View

Book Description
DIVSocial history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena. The first volume focuses on silent era cinema and the transition to sound./div

Author: Hamid Naficy
Publisher: Duke University Press
ISBN: 0822347741
Category : History
Languages : en
Pages : 560

View

Book Description
Social history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena.

Author: Parviz Jahed
Publisher: Bloomsbury Publishing USA
ISBN: 1501369105
Category : Performing Arts
Languages : en
Pages : 249

View

Book Description
The New Wave Cinema in Iran is a historical and analytical study of the Iranian New Wave Cinema (Mowj-e No) as an artistic and intellectual movement that came to its best early productions between 1958 and 1978. As the movement has a long history, Parviz Jahed focuses on the development and the early progression of the movement in the 1960s and explores its emergence and development in the context of the cultural and social conditions of Iran during this period. Jahed first defines the term 'New Wave' in Iran's film culture, in order to identify the root elements that gave traction to this movement. He analyses the degree to which different elements and factors have contributed to the formation of this cinema, accounting for the different approaches of Iranian intellectual filmmakers towards modernity and a modern form of cinema in Iran. The book finishes by studying the works of three intellectual figures and influential filmmakers of the 1960s, Ebrahim Golestan, Farrokh Ghaffari, and Feraydoon Rahnama, who are arguably considered the forerunners of the New Wave Cinema in Iran.

Author: Pedram Partovi
Publisher: Routledge
ISBN: 1315385600
Category : Social Science
Languages : en
Pages : 389

View

Book Description
Critics and academics have generally dismissed the commercial productions of the late Pahlavi era, best known for their songs and melodramatic plots, as shallow, derivative ‘entertainment’. Instead, they have concentrated on the more recent internationally acclaimed art films, claiming that these constitute Iranian ‘national' cinema, despite few Iranians having seen them. Film discourse, and even fan talk, have long attempted to marginalize the mainstream releases of the 1960s and 1970s with the moniker filmfarsi, ironically asserting that such popular favorites were culturally inauthentic. This book challenges the idea that filmfarsi is detached from the past and present of Iranians. Far from being escapist Hollywood fare merely translated into Persian, it claims that the better films of this supposed genre must be taken as both a subject of, and source for, modern Iranian history. It argues that they have an appeal that relies on their ability to rearticulate traditional courtly and religious ideas and forms to problematize in unexpectedly complex and sophisticated ways the modernist agenda that secular nationalist elites wished to impose on their viewers. Taken seriously, these films raise questions about standard treatments of Iran's modern history. By writing popular films into Iranian history, this book advocates both a fresh approach to the study of Iranian cinema, as well as a rethinking of the modernity/tradition binary that has organized the historiography of the recent past. It will appeal to those interested in Iranian cinema, Iranian history and culture, and, more broadly, readers dissatisfied with a dichotomous approach to modernity.

Author: Golbarg Rekabtalaei
Publisher: Cambridge University Press
ISBN: 1108418511
Category : History
Languages : en
Pages : 321

View

Book Description
A unique look at how cinema shaped the cosmopolitan society in Tehran through cultural exchanges between Iran and the world.

Author: Golbarg Rekabtalaei
Publisher: Cambridge University Press
ISBN: 1108307981
Category : History
Languages : en
Pages : 322

View

Book Description
From popular and 'New Wave' pre-revolutionary films of Fereydoon Goleh and Abbas Kiarostami to post-revolutionary films of Mohsen Makhmalbaf, the Iranian cinema has produced a range of films and directors that have garnered international fame and earned a global following. Golbarg Rekabtalaei takes a unique look at Iranian cosmopolitanism and how it transformed in the Iranian imagination through the cinematic lens. By examining the development of Iranian cinema from the early twentieth century to the revolution, Rekabtalaei locates discussions of modernity in Iranian cinema as rooted within local experiences, rather than being primarily concerned with Western ideals or industrialisation. Her research further illustrates how the ethnic, linguistic, and religious diversity of Iran's citizenry shaped a heterogeneous culture and a cosmopolitan cinema that was part and parcel of Iran's experience of modernity. In turn, this cosmopolitanism fed into an assertion of sovereignty and national identity in a modernising Iran in the decades leading up to the revolution.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 64

View

Book Description
Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine.

Author: Manochehr Dorraj
Publisher: Bloomsbury Publishing USA
ISBN: 1567207405
Category : Social Science
Languages : en
Pages : 580

View

Book Description
Iran dominates the media headlines once again and has taken center stage in the U.S. and European Union strategy toward the Middle East. A more nuanced understanding of Iranian society has assumed even greater significance and urgency. Iran Today: An Encyclopedia of Life in the Islamic Republic offers crucial insight for students and the general reader into an often misunderstood and complex country that is shrouded in mystery and misperception. Heir to a long history and a great culture and civilization, Iran embodies a rich, complex, and diverse mosaic that defines its national identity. Diversity is also the operative word that describes Iranian landscapes and geography, its multiple ethnic groups and their varied cultures and traditions, as well as the uneven and vastly different levels of economic and industrial development, conflicting political tendencies, and different and often contradictory social and cultural outlooks. Because of its tumultuous recent political history, Iran appears to encapsulate all of these internal differences and stark contrasts somewhat more distinctly than most of its neighbors. The 1978-1979 revolution transformed the society and culture in fundamental ways and redefined social life. It created new institutions of governance and Islamicized the culture, education and the legal system in an attempt to create a new society that would usher in the reign of piety and virtue. Yet, Islamization had to come to terms with pre-Islamic and illustrious Persian history and culture, as well as the realities of an interdependent, postmodern, globalized world in which, as a developing country, Iran resides in the periphery. Within this framework, the dynamics and complexity of social life in the Islamic Republic unfold. This encyclopedia is the source for up-to-date, authoritative information on a full range of critical topics of interest. Coverage of the Islamic Republic here falls into the general categories of history, politics, economics, society and culture. The most significant aspects of the life in Iran since the revolution-the era of the Islamic Republic so far-are stressed. The wide range of entries shows the richness and complexity of Iranian society, its multiple and varied facets, its expressions and outward manifestations, and its nuanced responses to political repression, instability, war, pervasive crisis and the chronic tension between modernity and tradition. Some of the entries designed to highlight these important phenomena revolve around the country's ethnic mosaic, the social role and position of women, veiling, the educational system, sports, intellectuals, the arts and artistic expression, literature, poetry, cuisine, healthcare, and the family. Other entries range from regionalism and urban development to the petroleum industry, agriculture, the banking system, issues of wealth and poverty, class structure and economic mobility, and the private sector. In a number of significant areas economic, social and cultural phenomena intersect. These intersections are reflected in entries on broadcasting and communications technology, the Internet, public relations, electronic and print media, and family planning and healthcare. A chronology, selected bibliography, and photos complement the entries.

Author: Michelle Langford
Publisher: Bloomsbury Publishing
ISBN: 0755648161
Category : History
Languages : en
Pages : 473

View

Book Description
This volume brings together scholarship from both established scholars and early career academics to provide fresh insights and new research on the cinema of Iran. The book is organised around eight broad themes including cinema before and after the revolution, stylistic innovation, documentary, gender, and genre. Encompassing a diverse range of methodological approaches and disciplinary frameworks including film studies, cultural studies, and political economy, each chapter is a self-contained study on a specific topic engaging with the national and transnational history of Iranian cinema which combined provide readers with original new insights into Iranian film and filmmakers, from fiction films to art house and popular cinema. The Handbook includes analysis of the works of established filmmakers such as Bahram Beyzaie, Rakhshan Banetemad, Abbas Kiarostami and Mohsen Makhmalbaf, as well as the output of emerging voices such as Ida Panahandeh and Shahram Mokri. Covering well-known topics as well as cutting edge ones such the sonic and visual manifestations of the urban environment in Iranian films, this book is a vital resource for understanding Iran and its unique cinematic culture.