Chow! Venice PDF Download

Author: Shannon Essa
Publisher:
ISBN: 9781934259009
Category : Bars (Drinking establishments)
Languages : en
Pages : 0

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Travel.

Author: Eva Kit Wah Man
Publisher: Springer
ISBN: 3662465108
Category : Philosophy
Languages : en
Pages : 110

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This book discusses how China’s transformations in the last century have shaped its arts and its philosophical aesthetics. For instance, how have political, economic and cultural changes shaped its aesthetic developments? Further, how have its long-standing beliefs and traditions clashed with modernizing desires and forces, and how have these changes materialized in artistic manifestations? In addition to answering these questions, this book also brings Chinese philosophical concepts on aesthetics into dialogue with those of the West, making an important contribution to the fields of art, comparative aesthetics and philosophy.

Author: Jeanne Boden
Publisher: PUNCT
ISBN: 9464590327
Category : Art
Languages : en
Pages : 249

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Book Description
In the early 1990s artist Xu Bing stamped two pigs with respectively nonsensical Latin words and fake Chinese characters and allowed them to mate in an art gallery. The performance of ‘two creatures, devoid of human consciousness, yet carrying on their bodies the marks of human civilization’, engaging in the ‘most primal form of social intercourse’ confronted the public with the tension between nature and civilization. The work also addresses the tension between China and the West and therefore perfectly fits the core message of this book. Contemporary art in China takes place in a post-socialist (post-Mao) context, and at the same time a post-traditional one, searching for balance between aesthetic legacy and modernization. It also tries to find its position in the post-colonial globalized arena. This book explores the tension between individual artistic freedom and a dominant discourse of central Chinese government, between China’s cultural legacy and modernization, and between China and a global art world still dominated by a Western canon. As a case study it focuses on the artists who participated in the Venice Biennale in 1993, which was the first time contemporary art from mainland China was structurally invited to participate in a global art context. Jeanne Boden has a PhD in Oriental Languages and Cultures. Her research focuses on Eurocentrism, Sinocentrism and contemporary Chinese art. (jeanneboden.com) Cover picture: Xu Bing, A Case Study of Transference, 1993-94

Author: Sir John Francis Davis
Publisher:
ISBN:
Category : China
Languages : en
Pages : 366

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Author: Carlos Rojas
Publisher: Routledge
ISBN: 1134032242
Category : Literary Collections
Languages : en
Pages : 301

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Book Description
Through analyses of a wide range of Chinese literary and visual texts from the beginning of the twentieth century through the contemporary period, the thirteen essays in this volume challenge the view that canonical and popular culture are self-evident and diametrically opposed categories, and instead argue that the two cultural sensibilities are inextricably bound up with one another. An international line up of contributors present detailed analyses of literary works and other cultural products that have previously been neglected by scholars, while also examining more familiar authors and works from provocative new angles.The essays include investigations into the cultural industries and contexts that produce the canonical and popular, the position of contemporary popular works at the interstices of nostalgia and amnesia, and also the ways in which cultural texts are inflected with gendered and erotic sensibilities while at the same time also functioning as objects of desire in its own right. As the only volume of its kind to cover the entire span of the 20th century, and also to consider the interplay of popular and canonical literature in modern China with comparable rigor, Rethinking Chinese Popular Culture is an important resource for students and scholars of Chinese literature and culture.

Author: Ann Menke
Publisher: Morgan James Publishing
ISBN: 1630477591
Category : Fiction
Languages : en
Pages : 300

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“Fasten your seatbelts and get ready for the adventure of a lifetime” in this whirlwind romance of luxury, passion, and intrigue (Melanie Dobson). Anna St. James’s new job is a dream come true: personal flight attendant to billionaire, Stuart Manning. From Venice to Paris to Mai Khao Beach, she’s visiting the world’s hottest destinations. With access to fabulous haute couture fashions, she’s a star attraction herself at movie premieres and parties around the globe. There’s just one thing missing: the true love she left behind. Tennis pro Cade Williams’s own career was put on hold after a tragic accident. Now on the mend, he understands Anna’s commitments—even if the distance between them is hard to reconcile. So is the question he’s afraid to ask: out of the hundreds of women who’d have done anything to be at Manning’s beck and call . . . why Anna? That’s when Anna’s jet-setting life takes a turbulent detour, and she’s ushered into the shadows of a mysterious new stranger. Realizing that Manning could want more than she’s willing to give, Anna wonders what she must do next, and what’s at risk, to stay true to herself and the man she loves.

Author:
Publisher:
ISBN:
Category : Veneto (Italy)
Languages : en
Pages : 318

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Author: Thomas Jenner
Publisher:
ISBN:
Category : Beatitudes
Languages : en
Pages : 68

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Author:
Publisher:
ISBN:
Category : Armed Forces
Languages : en
Pages : 872

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Author: Carlos Rojas
Publisher: Oxford University Press
ISBN: 019976560X
Category : History
Languages : en
Pages : 730

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Book Description
What does it mean for a cinematic work to be "Chinese"? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like "Chinese cinema" difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations, while taking care to address the consequences of grouping together so many disparate histories under a single banner. Offering both a platform for cross-disciplinary dialogue and a mapping of Chinese cinema as an expanded field, this Handbook presents thirty-three essays by leading researchers and scholars intent on yielding new insights and new analyses using three different methodologies. Chapters in Part I investigate the historical periodizations of the field through changing notions of national and political identity — all the way from the industry's beginnings in the 1920s up to its current forms in contemporary Hong Kong, Taiwan, and the global diaspora. Chapters in Part II feature studies centered on the field's taxonomical formalities, including such topics as the role of the Chinese opera in technological innovation, the political logic of the "Maoist film," and the psychoanalytic formula of the kung fu action film. Finally, in Part III, focus is given to the structural elements that comprise a work's production, distribution, and reception to reveal the broader cinematic apparatuses within which these works are positioned. Taken together, the multipronged approach supports a wider platform beyond the geopolitical and linguistic limitations in existing scholarship. Expertly edited to illustrate a representative set of up to date topics and approaches, The Oxford Handbook of Chinese Cinemas provides a vital addition to a burgeoning field still in its formative stages.