Choreographing Intersubjectivity in Performance Art PDF Download

Author: Victoria Wynne-Jones
Publisher: Springer Nature
ISBN: 3030405850
Category : Performing Arts
Languages : en
Pages : 255

View

Book Description
This book offers new ways of thinking about dance-related artworks that have taken place in galleries, museums and biennales over the past two decades as part of the choreographic turn. It focuses on the concept of intersubjectivity and theorises about what happens when subjects meet within a performance artwork. The resulting relations are crucial to instances of performance art in which embodied subjects engage as spectators, participants and performers in orchestrated art events. Choreographing Intersubjectivity in Performance Art deploys a multi-disciplinary approach across dance choreography and evolving manifestations of performance art. An innovative, overarching concept of choreography sustains the idea that intersubjectivity evolves through places, spaces, performance and spectatorship. Drawing upon international examples, the book introduces readers to performance art from the South Pacific and the complexities of de-colonising choreography. Artists Tino Sehgal, Xavier Le Roy, Jordan Wolfson, Alicia Frankovich and Shigeyuki Kihara are discussed.

Author: Victoria Wynne-Jones
Publisher:
ISBN:
Category : Choreography
Languages : en
Pages : 248

View

Book Description
Increasingly, instances of performance art, either live or recorded, involve the choreography or execution of planned movements and actions, as part an encounter between various individuals, in an exhibition context. Although such artworks can have multiple meanings, the ways in which these works help to produce inter-subjectivity, even tacitly or as secondary effects, allow the emergence of subjecthood to arise in ways that are special or depart in some way from the regulatory structures that usually produce subjecthood. The approach taken by this thesis is to make explicit these tendencies drawn from multidisciplinary perspectives on how to identify subjectivity and intersubjectivity, and how they are related. The main theorists engaged with are: Helen Reese Leahy, Tony Bennett, Michel Foucault, Louis Althusser, Judith Butler, Gilles Deleuze and Félix Guattari, André Lepecki, Amelia Jones, Emmanuel Levinas, Rosi Braidotti, Sara Ahmed and Linda Tuhiwai Smith. The complex nature of choreographed artworks necessitates an approach that is nonreductionist. The choreographed works discussed in this thesis supplement and further elucidate these theories in specific, multi-sensory, kinaesthetic, somatic, affective, ethical, political and regional ways, they are experiential in the full sense rather than restricted to text-based theories. The main works consulted are by choreographers: Tino Sehgal; Xavier Le Roy; Mark Harvey; Sean Curham; Boris Charmatz; Joshua Rutter; Alexandra Bachzetsis and val smith; as well as those by contemporary artists: Jordan Wolfson; Pablo Bronstein; Kalisolaite 'Uhila; Alicia Frankovich; Rebecca Ann Hobbs; Angela Tiatia and Shigeyuki Kihara.

Author: Bojana Cvejic
Publisher: Springer
ISBN: 1137437391
Category : Performing Arts
Languages : en
Pages : 277

View

Book Description
This book illuminates the relationship between philosophy and experimental choreographic practice today in the works of leading European choreographers. A discussion of key issues in contemporary performance from the viewpoint of Deleuze, Spinoza and Bergson is accompanied by intricate analyses of seven groundbreaking dance performances.

Author: Erin Brannigan
Publisher: University of Michigan Press
ISBN: 0472903896
Category : Performing Arts
Languages : en
Pages : 375

View

Book Description
There is a category of choreographic practice with a lineage stretching back to mid-20th century North America that has re-emerged since the early 1990s: dance as a contemporary art medium. Such work belongs as much to the gallery as does video art or sculpture and is distinct from both performance art and its history as well as from theater-based dance. The Persistence of Dance: Choreography as Concept and Material in Contemporary Art clarifies the continuities and differences between the second-wave dance avant-garde in the 1950s‒1970s and the third-wave starting in the 1990s. Through close readings of key artists such as Maria Hassabi, Sarah Michelson, Boris Charmatz, Meg Stuart, Philipp Gehmacher, Adam Linder, Agatha Gothe-Snape, Shelley Lasica and Latai Taumoepeau, The Persistence of Dance traces the relationship between the third-wave and gallery-based work. Looking at these artists highlights how the discussions and practices associated with “conceptual dance” resonate with the categories of conceptual and post-conceptual art as well as with the critical work on the function of visual art categories. Brannigan concludes that within the current post-disciplinary context, there is a persistence of dance and that a model of post-dance exists that encompasses dance as a contemporary art medium.

Author: Julia M. Ritter
Publisher: Oxford University Press
ISBN: 0190051329
Category : Performing Arts
Languages : en
Pages : 384

View

Book Description
Tandem Dances: Choreographing Immersive Performance is the first book to propose dance and choreography as frames through which to examine immersive theatre, more broadly known as immersive performance. Indicative of a larger renaissance in storytelling during the digital age, immersive performance is influenced by emerging computer technologies, such as virtual reality and advances in video-gaming, as well as increased interest in new forms of experiential entertainment. The idea of tandemness suggesting motion that is achieved by two bodies working together and acting in conjunction with one another is critical throughout the book. Author Julia M. Ritter persuasively argues that practitioners of immersive productions deploy choreography as a structural mechanism to mobilize the bodies of cast and audience members to perform together. Furthermore, choreography is contextualized as an effective tool for facilitating audience participation towards immersion as an affect. Through a focus on Western dance histories, theories, and practices, Ritter's close choreographic analysis of immersive productions, along with unique insights from choreographers, directors, performers, and spectators, enlivens discourse across dramaturgy, kinesthesia, affect, and co-authorship. By foregrounding the choreographic in order to examine its specific impact on the evolution of immersive theater, Tandem Dances explores choreography as a discursive domain that is fundamentally related to creative practice, agendas of power and control, and concomitant issues of freedom and agency.

Author: Bojana Cvejic
Publisher: Palgrave Macmillan
ISBN: 9781137437389
Category : Performing Arts
Languages : en
Pages : 296

View

Book Description
Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance illuminates the relationship between the philosophy of Gilles Deleuze and experimental dance and performance in the works of leading European choreographers, Xavier Le Roy, Jonathan Burrows, Boris Charmatz, Eszter Salamon, Mette Ingvartsen, Jefta van Dinther, and Jan Ritsema. Combining intricate analysis of seven groundbreaking works, including Self Unfinished by Le Roy (1998) and Weak Dance Strong Questions (2001) by Burrows and Ritsema, with a philosophical discussion of the body, movement and time in performance, as well as the notions of theatricality, affect, improvisation and process, the capacity of choreography to 'express' thought is unravelled. Choreographing problems involves composing ruptures between movement, the body and duration in performance such that they engender a shock upon sensibility, one that inhibits recognition. This book offers a practical insight into the matters of choreography: it allows both the versed and the non-trained spectator to observe in detail how the thought and the practices of making, performing and attending reinvent performance and dance today.

Author: Bojana Cvejic
Publisher: Palgrave Macmillan
ISBN: 9781349556106
Category : Performing Arts
Languages : en
Pages : 262

View

Book Description
This book illuminates the relationship between philosophy and experimental choreographic practice today in the works of leading European choreographers. A discussion of key issues in contemporary performance from the viewpoint of Deleuze, Spinoza and Bergson is accompanied by intricate analyses of seven groundbreaking dance performances.

Author: Victoria Hunter
Publisher: Routledge
ISBN: 131753249X
Category : Art
Languages : en
Pages : 572

View

Book Description
Moving Sites explores site-specific dance practice through a combination of analytical essays and practitioner accounts of their working processes. In offering this joint effort of theory and practice, it aims to provide dance academics, students and practitioners with a series of discussions that shed light both on approaches to making this type of dance practice, and evaluating and reflecting on it. The edited volume combines critical thinking from a range of perspectives including commentary and observation from the fields of dance studies, human geography and spatial theory in order to present interdisciplinary discourse and a range of critical and practice-led lenses through which this type of work can be considered and explored. In so doing, this book addresses the following questions: · How do choreographers make site-specific dance performance? · What occurs when a moving body engages with site, place and environment? · How might we interpret, analyse and evaluate this type of dance practice through a range of theoretical lenses? · How can this type of practice inform wider discussions of embodiment, site, space, place and environment? This innovative and exciting book seeks to move beyond description and discussion of site-specific dance as a spectacle or novelty and considers site-dance as a valid and vital form of contemporary dance practice that explores, reflects, disrupts, contests and develops understandings and practices of inhabiting and engaging with a range of sites and environments. Dr Victoria Hunter is Senior Lecturer in Dance at the University of Chichester.

Author: Diana F. Green
Publisher: Human Kinetics Publishers
ISBN: 9780736076197
Category : Education
Languages : en
Pages : 305

View

Book Description
"Choreographing From Within: Developing a Habit of Inquiry as an Artist" presents an inquiry-based approach to creating movement. Students explore the elements of energy, space, and time; discover how to synthesize those concepts using music, transitions, and formulas; and experiment with discoveries to find the unique artist within themselves.

Author: Susan Foster
Publisher: Routledge
ISBN: 1136893458
Category : Art
Languages : en
Pages : 293

View

Book Description
"This is an urgently needed book – as the question of choreographing behavior enters into realms outside of the aesthetic domains of theatrical dance, Susan Foster writes a thoroughly compelling argument." – André Lepecki, New York University "May well prove to be one of Susan Foster’s most important works." – Ramsay Burt, De Montford University, UK What do we feel when we watch dancing? Do we "dance along" inwardly? Do we sense what the dancer’s body is feeling? Do we imagine what it might feel like to perform those same moves? If we do, how do these responses influence how we experience dancing and how we derive significance from it? Choreographing Empathy challenges the idea of a direct psychophysical connection between the body of a dancer and that of their observer. In this groundbreaking investigation, Susan Foster argues that the connection is in fact highly mediated and influenced by ever-changing sociocultural mores. Foster examines the relationships between three central components in the experience of watching a dance – the choreography, the kinesthetic sensations it puts forward, and the empathetic connection that it proposes to viewers. Tracing the changing definitions of choreography, kinesthesia, and empathy from the 1700s to the present day, she shows how the observation, study, and discussion of dance have changed over time. Understanding this development is key to understanding corporeality and its involvement in the body politic.