Author: Xiaohuan Zhao
Publisher: Routledge
ISBN: 1000516776
Category : Performing Arts
Languages : en
Pages : 464
Book Description
Chinese Theatre: An Illustrated History Through Nuoxi and Mulianxi is the first book in any language entirely devoted to a historical inquiry into Chinese theatre through Nuoxi and Mulianxi, the two most representative and predominant forms of Chinese temple theatre. Volume Two is a continuation of the historical inquiry into Chinese theatre with focus shifted from Mulian storytelling to Mulian story-acting. Thus, this volume traces the historical trajectory of xiqu from Northern dramas to Southern dramas and from elite court theatre to mass regional theatre with pivotal forms and functions of Mulianxi examined, explicated and illustrated in association with the development of corresponding genres of xiqu. In so doing, every aspect of Mulianxi is considered not in the margins of xiqu but in and of itself. While this volume is primarily concerned with Mulianxi, references are also made to other forms of Chinese performing arts and temple theatre, Nuoxi in particular, as Mulianxi has been performed since the twelfth century as, or in company with, Nuoxi, to cleanse the community of evil spirits and epidemic diseases. This is an interdisciplinary book project that is aimed to help researchers and students of theatre history understand the ritual origins of Chinese theatre and the dynamic relationships among myth, ritual, religion and theatre.
Chinese Theatre: An Illustrated History Through Nuoxi and Mulianxi
Author: Xiaohuan Zhao
Publisher: Routledge
ISBN: 1000516776
Category : Performing Arts
Languages : en
Pages : 464
Book Description
Chinese Theatre: An Illustrated History Through Nuoxi and Mulianxi is the first book in any language entirely devoted to a historical inquiry into Chinese theatre through Nuoxi and Mulianxi, the two most representative and predominant forms of Chinese temple theatre. Volume Two is a continuation of the historical inquiry into Chinese theatre with focus shifted from Mulian storytelling to Mulian story-acting. Thus, this volume traces the historical trajectory of xiqu from Northern dramas to Southern dramas and from elite court theatre to mass regional theatre with pivotal forms and functions of Mulianxi examined, explicated and illustrated in association with the development of corresponding genres of xiqu. In so doing, every aspect of Mulianxi is considered not in the margins of xiqu but in and of itself. While this volume is primarily concerned with Mulianxi, references are also made to other forms of Chinese performing arts and temple theatre, Nuoxi in particular, as Mulianxi has been performed since the twelfth century as, or in company with, Nuoxi, to cleanse the community of evil spirits and epidemic diseases. This is an interdisciplinary book project that is aimed to help researchers and students of theatre history understand the ritual origins of Chinese theatre and the dynamic relationships among myth, ritual, religion and theatre.
Publisher: Routledge
ISBN: 1000516776
Category : Performing Arts
Languages : en
Pages : 464
Book Description
Chinese Theatre: An Illustrated History Through Nuoxi and Mulianxi is the first book in any language entirely devoted to a historical inquiry into Chinese theatre through Nuoxi and Mulianxi, the two most representative and predominant forms of Chinese temple theatre. Volume Two is a continuation of the historical inquiry into Chinese theatre with focus shifted from Mulian storytelling to Mulian story-acting. Thus, this volume traces the historical trajectory of xiqu from Northern dramas to Southern dramas and from elite court theatre to mass regional theatre with pivotal forms and functions of Mulianxi examined, explicated and illustrated in association with the development of corresponding genres of xiqu. In so doing, every aspect of Mulianxi is considered not in the margins of xiqu but in and of itself. While this volume is primarily concerned with Mulianxi, references are also made to other forms of Chinese performing arts and temple theatre, Nuoxi in particular, as Mulianxi has been performed since the twelfth century as, or in company with, Nuoxi, to cleanse the community of evil spirits and epidemic diseases. This is an interdisciplinary book project that is aimed to help researchers and students of theatre history understand the ritual origins of Chinese theatre and the dynamic relationships among myth, ritual, religion and theatre.
Chinese Theatre: An Illustrated History Through Nuoxi and Mulianxi
Author: Xioahuan Zhao
Publisher: Routledge
ISBN: 1315460270
Category : Performing Arts
Languages : en
Pages : 338
Book Description
Chinese Theatre: An Illustrated History Through Nuoxi and Mulianxi is the first book in any language entirely devoted to a historical inquiry into Chinese theatre through Nuoxi and Mulianxi, the two most representative and predominant forms of Chinese temple theatre. With a view to evaluating the role of temple theatre in the development of xiqu or traditional Chinese theatre and drama from myth to ritual to ritual drama to drama, Volume One provides a panoramic perspective that allows every aspect of Nuoxi to be considered, not in the margins of xiqu but in and of itself. Thus, this volume traces xiqu history from its shamanic roots in exorcism rituals of Nuo to various forms of ritual and theatrical performance presented at temple fairs, during community and calendrical festivals or for ceremonial functions over the course of imperial history, and into the twenty-first century, followed by an exploration of the scriptural origins and oral traditions of Mulianxi, with pivotal forms and functions of Nuoxi and Mulian storytelling, examined, explicated and illustrated in association with the development of corresponding genres of Chines performance literature and performing arts. This is an interdisciplinary book project that is aimed to help researchers and students of theatre history understand the ritual origins of Chinese theatre and the dynamic relationships among myth, ritual, religion, and theatre.
Publisher: Routledge
ISBN: 1315460270
Category : Performing Arts
Languages : en
Pages : 338
Book Description
Chinese Theatre: An Illustrated History Through Nuoxi and Mulianxi is the first book in any language entirely devoted to a historical inquiry into Chinese theatre through Nuoxi and Mulianxi, the two most representative and predominant forms of Chinese temple theatre. With a view to evaluating the role of temple theatre in the development of xiqu or traditional Chinese theatre and drama from myth to ritual to ritual drama to drama, Volume One provides a panoramic perspective that allows every aspect of Nuoxi to be considered, not in the margins of xiqu but in and of itself. Thus, this volume traces xiqu history from its shamanic roots in exorcism rituals of Nuo to various forms of ritual and theatrical performance presented at temple fairs, during community and calendrical festivals or for ceremonial functions over the course of imperial history, and into the twenty-first century, followed by an exploration of the scriptural origins and oral traditions of Mulianxi, with pivotal forms and functions of Nuoxi and Mulian storytelling, examined, explicated and illustrated in association with the development of corresponding genres of Chines performance literature and performing arts. This is an interdisciplinary book project that is aimed to help researchers and students of theatre history understand the ritual origins of Chinese theatre and the dynamic relationships among myth, ritual, religion, and theatre.
Chinese Theatre
Author: Taylor & Francis Group
Publisher:
ISBN: 9781032171364
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781032171364
Category :
Languages : en
Pages :
Book Description
Chindian Myth of Mulian Rescuing His Mother – On Indic Origins of the Yulanpen Sūtra
Author: Xiaohuan Zhao
Publisher: Anthem Press
ISBN: 1839986972
Category : Religion
Languages : en
Pages : 106
Book Description
This book addresses the thorny issue regarding the authenticity of the Yulanpen Sūtra, the scriptural source for the Yulanpen Festival or Hungry Ghost Festival in East Asia. The sūtra, which features Mulian (Skr. Maudgalyāyana) adventuring into the Preta realm to rescue his mother, is catalogued in the Chinese Buddhist bibliography with the Indo-Scythian Dharmarakṣa (Ch. Zhu Fahu, ca. 266–308) given as the translator. However, in modern Chinese, Japanese, and Western scholarship, the sūtra is more often than not regarded as a Chinese Buddhist apocryphal scripture and the Mulian myth as an apocryphal story created by Chinese Buddhists to foster the sinicisation and transformation of Indian Buddhism mainly on the grounds that there is no extant Yulanpen Sūtra in Indic sources and that the sūtra stresses Confucian filial piety and ancestor worship. This book challenges these widely held beliefs by demonstrating that filial piety and ancestor worship are not peculiar to Confucian China but also inherent in Indic traditions and that the sūtra is a Chinese creative translation rather than an indigenous Chinese composition.
Publisher: Anthem Press
ISBN: 1839986972
Category : Religion
Languages : en
Pages : 106
Book Description
This book addresses the thorny issue regarding the authenticity of the Yulanpen Sūtra, the scriptural source for the Yulanpen Festival or Hungry Ghost Festival in East Asia. The sūtra, which features Mulian (Skr. Maudgalyāyana) adventuring into the Preta realm to rescue his mother, is catalogued in the Chinese Buddhist bibliography with the Indo-Scythian Dharmarakṣa (Ch. Zhu Fahu, ca. 266–308) given as the translator. However, in modern Chinese, Japanese, and Western scholarship, the sūtra is more often than not regarded as a Chinese Buddhist apocryphal scripture and the Mulian myth as an apocryphal story created by Chinese Buddhists to foster the sinicisation and transformation of Indian Buddhism mainly on the grounds that there is no extant Yulanpen Sūtra in Indic sources and that the sūtra stresses Confucian filial piety and ancestor worship. This book challenges these widely held beliefs by demonstrating that filial piety and ancestor worship are not peculiar to Confucian China but also inherent in Indic traditions and that the sūtra is a Chinese creative translation rather than an indigenous Chinese composition.
Staging Tianxia
Author: Lanlan Kuang
Publisher: Indiana University Press
ISBN: 0253070910
Category : Art
Languages : en
Pages : 260
Book Description
Staging Tianxia explores the ancient Chinese vision of world order known as tianxia (all under heaven) by focusing on the historical, performative, and rhetorical processes of expressive arts and cultural heritages that inform a vision of China as a historically multiethnic and cosmopolitan nation. Author Lanlan Kuang unites multimedia ethnographic research and theoretical insights from ethnomusicology, philosophy, religious studies, performance studies, and cognitive science, with a focus on Dunhuang bihua yuewu, a modern interpretation inserted into the Chinese classical dance and theatrical arts tradition. Staging Tianxia thus aims to redefine Silk Road studies and Dunhuangology, a transdisciplinary field dedicated to studying the texts and art of Dunhuang, a UNESCO World Heritage Site that connected China via the Silk Road with Central Asia, South Asia, Europe, and the Middle East. Staging Tianxia is a careful ethnographic study that looks at the importance of performance tradition and poetics in the arts and aesthetic theory of China.
Publisher: Indiana University Press
ISBN: 0253070910
Category : Art
Languages : en
Pages : 260
Book Description
Staging Tianxia explores the ancient Chinese vision of world order known as tianxia (all under heaven) by focusing on the historical, performative, and rhetorical processes of expressive arts and cultural heritages that inform a vision of China as a historically multiethnic and cosmopolitan nation. Author Lanlan Kuang unites multimedia ethnographic research and theoretical insights from ethnomusicology, philosophy, religious studies, performance studies, and cognitive science, with a focus on Dunhuang bihua yuewu, a modern interpretation inserted into the Chinese classical dance and theatrical arts tradition. Staging Tianxia thus aims to redefine Silk Road studies and Dunhuangology, a transdisciplinary field dedicated to studying the texts and art of Dunhuang, a UNESCO World Heritage Site that connected China via the Silk Road with Central Asia, South Asia, Europe, and the Middle East. Staging Tianxia is a careful ethnographic study that looks at the importance of performance tradition and poetics in the arts and aesthetic theory of China.
Contemporary Chinese Queer Performance
Author: Hongwei Bao
Publisher: Taylor & Francis
ISBN: 1000635732
Category : Political Science
Languages : en
Pages : 176
Book Description
In this ground-breaking study, Hongwei Bao analyses queer theatre and performance in contemporary China. This book documents various forms of queer performance – including music, film, theatre, and political activism – in the first two decades of the twenty first century. In doing so, Bao argues for the importance of performance for queer identity and community formation. This trailblazing work uses queer performance as an analytical lens to challenge heteronormative modes of social relations and hegemonic narratives of historiography. It will be of great interest to students and scholars of theatre and performance studies, gender and sexuality studies and Asian studies.
Publisher: Taylor & Francis
ISBN: 1000635732
Category : Political Science
Languages : en
Pages : 176
Book Description
In this ground-breaking study, Hongwei Bao analyses queer theatre and performance in contemporary China. This book documents various forms of queer performance – including music, film, theatre, and political activism – in the first two decades of the twenty first century. In doing so, Bao argues for the importance of performance for queer identity and community formation. This trailblazing work uses queer performance as an analytical lens to challenge heteronormative modes of social relations and hegemonic narratives of historiography. It will be of great interest to students and scholars of theatre and performance studies, gender and sexuality studies and Asian studies.
The Syncretic Religion of Lin Chao-En
Author: Judith A. Berling
Publisher:
ISBN: 9780231942409
Category :
Languages : en
Pages : 354
Book Description
Looks at syncretism in religion in China where three traditions (Confucianism, Buddhism, and Taoism) dominated the spectrum of religious history.
Publisher:
ISBN: 9780231942409
Category :
Languages : en
Pages : 354
Book Description
Looks at syncretism in religion in China where three traditions (Confucianism, Buddhism, and Taoism) dominated the spectrum of religious history.
The Wiley-Blackwell Companion to Chinese Religions
Author: Randall L. Nadeau
Publisher: John Wiley & Sons
ISBN: 144436197X
Category : Religion
Languages : en
Pages : 513
Book Description
Comprising the most up-to-date, interdisciplinary research on the study of Chinese religious beliefs and cultural practices, this volume explores the rich and complex religious and philosophical traditions that have developed and flourished in one of the world's oldest civilizations. Covers the main Chinese traditions of Confucianism, Taoism, and Buddhism as well as Christianity and Islam Features a unique organizational structure, with groups of readings focused on historical, traditions-based, and topical elements of Chinese religion Explores a number of contemporary religious topics, including gender, nature, asceticism, material culture, and gods and spirits Brings together a team of authors who are experts in their sub-fields, providing readers with the latest research in a rapidly growing discipline
Publisher: John Wiley & Sons
ISBN: 144436197X
Category : Religion
Languages : en
Pages : 513
Book Description
Comprising the most up-to-date, interdisciplinary research on the study of Chinese religious beliefs and cultural practices, this volume explores the rich and complex religious and philosophical traditions that have developed and flourished in one of the world's oldest civilizations. Covers the main Chinese traditions of Confucianism, Taoism, and Buddhism as well as Christianity and Islam Features a unique organizational structure, with groups of readings focused on historical, traditions-based, and topical elements of Chinese religion Explores a number of contemporary religious topics, including gender, nature, asceticism, material culture, and gods and spirits Brings together a team of authors who are experts in their sub-fields, providing readers with the latest research in a rapidly growing discipline
Museum-based Art Therapy
Author: Mitra Reyhani Ghadim
Publisher: Routledge
ISBN: 100047920X
Category : Psychology
Languages : en
Pages : 228
Book Description
This practical and inspirational resource offers a wide range of information about museum-based art therapy and wellness programming in various museums. Featuring contributions from art therapists and access professionals from various museum-based wellness programs, the book describes museum-based art therapy, education, access, and inclusion to enlarge the scope of professional development and higher education training in art therapy and its relation to museum studies. Chapter examples of successful museum art therapy and wellness initiatives increase awareness about the role of art therapy in museums and the role of museums in building healthy societies and improving lives. The text also contributes to the field of art therapy by deconstructing traditional narratives about therapy being conceived only as a clinical treatment, and by introducing arts-based approaches and strategies in museums as expanding territories for being proactive in community health and wellness. Museum-based Art Therapy is a valuable guide for art students who are interested in working in museum education, access and disabilities, or museum studies, and graduates and professionals working across the disciplines of museums, art therapy, and disability studies.
Publisher: Routledge
ISBN: 100047920X
Category : Psychology
Languages : en
Pages : 228
Book Description
This practical and inspirational resource offers a wide range of information about museum-based art therapy and wellness programming in various museums. Featuring contributions from art therapists and access professionals from various museum-based wellness programs, the book describes museum-based art therapy, education, access, and inclusion to enlarge the scope of professional development and higher education training in art therapy and its relation to museum studies. Chapter examples of successful museum art therapy and wellness initiatives increase awareness about the role of art therapy in museums and the role of museums in building healthy societies and improving lives. The text also contributes to the field of art therapy by deconstructing traditional narratives about therapy being conceived only as a clinical treatment, and by introducing arts-based approaches and strategies in museums as expanding territories for being proactive in community health and wellness. Museum-based Art Therapy is a valuable guide for art students who are interested in working in museum education, access and disabilities, or museum studies, and graduates and professionals working across the disciplines of museums, art therapy, and disability studies.