Author: Ellen Johnston Laing
Publisher: University of Michigan Press
ISBN: 0472901486
Category : Language Arts & Disciplines
Languages : en
Pages : 555
Book Description
In the second half of the twentieth century, studies in Chinese painting history have been greatly aided by several major lists of Chinese artists and their works. Published between 1956 and 1980, these lists were limited to Imperial China. The current index covers the period from 1912 to around 1980. It includes the names of approximately 3,500 traditional-style artists along with lists of their works, reproduced in some 264 monographs, books, journals, and catalogs published from the 1920s to around 1980. With a few exceptions, artists working after 1949 outside continental China are excluded. Revised Edition, 1998; first published by the Asian Studies Program, University of Oregon, 1984.
An Index to Reproductions of Paintings by Twentieth-Century Chinese Artists
Author: Ellen Johnston Laing
Publisher: University of Michigan Press
ISBN: 0472901486
Category : Language Arts & Disciplines
Languages : en
Pages : 555
Book Description
In the second half of the twentieth century, studies in Chinese painting history have been greatly aided by several major lists of Chinese artists and their works. Published between 1956 and 1980, these lists were limited to Imperial China. The current index covers the period from 1912 to around 1980. It includes the names of approximately 3,500 traditional-style artists along with lists of their works, reproduced in some 264 monographs, books, journals, and catalogs published from the 1920s to around 1980. With a few exceptions, artists working after 1949 outside continental China are excluded. Revised Edition, 1998; first published by the Asian Studies Program, University of Oregon, 1984.
Publisher: University of Michigan Press
ISBN: 0472901486
Category : Language Arts & Disciplines
Languages : en
Pages : 555
Book Description
In the second half of the twentieth century, studies in Chinese painting history have been greatly aided by several major lists of Chinese artists and their works. Published between 1956 and 1980, these lists were limited to Imperial China. The current index covers the period from 1912 to around 1980. It includes the names of approximately 3,500 traditional-style artists along with lists of their works, reproduced in some 264 monographs, books, journals, and catalogs published from the 1920s to around 1980. With a few exceptions, artists working after 1949 outside continental China are excluded. Revised Edition, 1998; first published by the Asian Studies Program, University of Oregon, 1984.
Chinese Ceramics, Jade, Works of Art & Furniture
Author: Sotheby's Hong Kong, Ltd
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 750
Book Description
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 750
Book Description
A Collection of Ancient Chinese and Persian Porcelain and Pottery, Persian Miniature Paintings, Books and Manuscripts, Consigned on Account of the European War
Author: Anderson Galleries, Inc
Publisher:
ISBN:
Category : Pottery, Asian
Languages : en
Pages : 148
Book Description
Publisher:
ISBN:
Category : Pottery, Asian
Languages : en
Pages : 148
Book Description
The Collector's Book of Snuff Bottles
Author: Bob C. Stevens
Publisher: Weatherhill, Incorporated
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 340
Book Description
Out of print for more than 10 years, this exceptional book has become a rare item sought after by collectors for many years. This important limited edition reprint is inevitable and fulfills the growing need of new collectors for reliable and useful reference on the subject. This book is produced in Japan with high quality to ensure the superb feel of the original edition. Each copy is hand-numbered. It covers snuff bottles made of all the various precious materials and discusses the fundamentals of collecting and details of the symbolism, motifs, reign marks, and seals. Moreover, it includes extensive bibliography useful for further research.
Publisher: Weatherhill, Incorporated
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 340
Book Description
Out of print for more than 10 years, this exceptional book has become a rare item sought after by collectors for many years. This important limited edition reprint is inevitable and fulfills the growing need of new collectors for reliable and useful reference on the subject. This book is produced in Japan with high quality to ensure the superb feel of the original edition. Each copy is hand-numbered. It covers snuff bottles made of all the various precious materials and discusses the fundamentals of collecting and details of the symbolism, motifs, reign marks, and seals. Moreover, it includes extensive bibliography useful for further research.
Arts of Asia
Fine Chinese Ceramics and Works of Art
Author: Sotheby's (Firm)
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 622
Book Description
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 622
Book Description
Collecting Inspiration: Edward C. Moore at Tiffany & Co.
Author: Medill Higgins Harvey
Publisher: Metropolitan Museum of Art
ISBN: 1588396908
Category : Art
Languages : en
Pages : 313
Book Description
Edward C. Moore (1827–1891) was the creative leader who brought Tiffany & Co. to unparalleled originality and success during the late nineteenth century. A silversmith, designer, and prodigious collector, Moore sought out exceptional objects from around the world, which he then used as inspiration for Tiffany’s innovative silver designs. This informative, richly illustrated volume, the first study of Moore’s life, collection, and influence, presents more than 170 examples from his vast collection, ranging from Greek and Roman glass to Spanish vases, Islamic metalwork, and Japanese textiles. These are juxtaposed with sixty magnificent silver objects created by the designers and artisans at Tiffany who were inspired by Moore’s acquisitions. Included among them are the world-famous Bryant Vase drawing upon Greek examples, a love cup featuring ornate “Saracenic” decoration, and a chocolate pot incorporating novel techniques influenced by Japanese ceramics and lacquerware. The illuminating texts have been enriched by groundbreaking research into contemporary sources such as newspapers and periodicals, the Tiffany & Co. Archives, and a newly identified technical manual and supervisor’s diaries, all of which provide an intimate look at the firm’s design processes and Moore’s role in shaping them. A valuable contribution to the history of American decorative arts, Collecting Inspiration illuminates both the legendary Tiffany aesthetic and the legacy of a significant collector, designer, and entrepreneur of the Gilded Age.
Publisher: Metropolitan Museum of Art
ISBN: 1588396908
Category : Art
Languages : en
Pages : 313
Book Description
Edward C. Moore (1827–1891) was the creative leader who brought Tiffany & Co. to unparalleled originality and success during the late nineteenth century. A silversmith, designer, and prodigious collector, Moore sought out exceptional objects from around the world, which he then used as inspiration for Tiffany’s innovative silver designs. This informative, richly illustrated volume, the first study of Moore’s life, collection, and influence, presents more than 170 examples from his vast collection, ranging from Greek and Roman glass to Spanish vases, Islamic metalwork, and Japanese textiles. These are juxtaposed with sixty magnificent silver objects created by the designers and artisans at Tiffany who were inspired by Moore’s acquisitions. Included among them are the world-famous Bryant Vase drawing upon Greek examples, a love cup featuring ornate “Saracenic” decoration, and a chocolate pot incorporating novel techniques influenced by Japanese ceramics and lacquerware. The illuminating texts have been enriched by groundbreaking research into contemporary sources such as newspapers and periodicals, the Tiffany & Co. Archives, and a newly identified technical manual and supervisor’s diaries, all of which provide an intimate look at the firm’s design processes and Moore’s role in shaping them. A valuable contribution to the history of American decorative arts, Collecting Inspiration illuminates both the legendary Tiffany aesthetic and the legacy of a significant collector, designer, and entrepreneur of the Gilded Age.
Chinese Snuff Bottles (in Slipcase)
Author: Denis S. Low
Publisher: Laurence King
ISBN:
Category : Art
Languages : en
Pages : 424
Book Description
Imperial Court of the Manchus (Qing Dynasty 1642-1911). Powdered snuff was regarded as having medicinal qualities and with Court patronage, rapidly grew in popularity. Ornate and intricate bottles to hold and dispense the "medicinal" snuff were designed by Chinese craftsmen using a bewildering array of materials: porcelain, enamel, metal, wood, jadeite, ivory and glass, often employing techniques known only in China at the time. Snuff bottles are elaborately decorated, invariably miniature and admired for their tactile qualities. The surviving examples are highly prized by collectors and students of the history of arts and crafts in China. This book is the third catalogue of the vast Denis Low collection of snuff bottles, which numbers more than 1000. Its publication coincides with an exhibition of 355 snuff bottles from this world-renowned collection at the Asian Civilisations Museum of Singapore from July to November 2007. Largely organised by the material of fabrication, each snuff bottle is carefully described and provenance details are given. Although this book is not meant to be a scholarly study of snuff bottles, much research has been done by Denis Low, the results of which can be seen from the notes he presents on the style, design, decoration, use or uniqueness of each example featured here.
Publisher: Laurence King
ISBN:
Category : Art
Languages : en
Pages : 424
Book Description
Imperial Court of the Manchus (Qing Dynasty 1642-1911). Powdered snuff was regarded as having medicinal qualities and with Court patronage, rapidly grew in popularity. Ornate and intricate bottles to hold and dispense the "medicinal" snuff were designed by Chinese craftsmen using a bewildering array of materials: porcelain, enamel, metal, wood, jadeite, ivory and glass, often employing techniques known only in China at the time. Snuff bottles are elaborately decorated, invariably miniature and admired for their tactile qualities. The surviving examples are highly prized by collectors and students of the history of arts and crafts in China. This book is the third catalogue of the vast Denis Low collection of snuff bottles, which numbers more than 1000. Its publication coincides with an exhibition of 355 snuff bottles from this world-renowned collection at the Asian Civilisations Museum of Singapore from July to November 2007. Largely organised by the material of fabrication, each snuff bottle is carefully described and provenance details are given. Although this book is not meant to be a scholarly study of snuff bottles, much research has been done by Denis Low, the results of which can be seen from the notes he presents on the style, design, decoration, use or uniqueness of each example featured here.
The Arts of China
Author: Michael Sullivan
Publisher: Univ of California Press
ISBN: 9780520218765
Category : Art
Languages : en
Pages : 358
Book Description
"From the Neolithic to the avant-garde, and through all the brilliant centuries in between, Michael Sullivan's newly revised introduction to Chinese art history is unmatched in its clarity, balance, and sure grasp of the subject. Whether for the classroom student or the casual reader, its remarkable range and elegant style make this book a wonderful way for anyone to begin learning about Chinese art." --Jerome Silbergeld, Professor of Art History, University of Washington, and author of Chinese Painting Style "A concise, comprehensive, and highly readable overview of Chinese art extending from its Neolithic roots down to its modern engagement with the West."--Maxwell Hearn, Curator of Chinese Art, Metropolitan Museum of Art, and author of Splendors of Imperial China "I have used this text in my class for thirty years. With full revisions and additions reflecting recent archaeology and art historical scholarship, the fourth edition will continue to be the best one-volume history of Chinese art in the English language. No other historian of Chinese art today commands such a wide range of knowledge as Michael Sullivan."--Richard Barnhart, John M. Schiff Professor of the History of Art, Yale University, and editor of Three Thousand Years of Chinese Painting "This is the most comprehensive study of Chinese art, giving up-to-date information from the Stone Age to the twentieth century. Professor Michael Sullivan is a leading scholar in this field, and this is an indispensable textbook for all students of Asian art history." --Wang Qingli, Professor of Chinese Art History, University of Hong Kong, and author of A History of Nineteenth-Century Chinese Art
Publisher: Univ of California Press
ISBN: 9780520218765
Category : Art
Languages : en
Pages : 358
Book Description
"From the Neolithic to the avant-garde, and through all the brilliant centuries in between, Michael Sullivan's newly revised introduction to Chinese art history is unmatched in its clarity, balance, and sure grasp of the subject. Whether for the classroom student or the casual reader, its remarkable range and elegant style make this book a wonderful way for anyone to begin learning about Chinese art." --Jerome Silbergeld, Professor of Art History, University of Washington, and author of Chinese Painting Style "A concise, comprehensive, and highly readable overview of Chinese art extending from its Neolithic roots down to its modern engagement with the West."--Maxwell Hearn, Curator of Chinese Art, Metropolitan Museum of Art, and author of Splendors of Imperial China "I have used this text in my class for thirty years. With full revisions and additions reflecting recent archaeology and art historical scholarship, the fourth edition will continue to be the best one-volume history of Chinese art in the English language. No other historian of Chinese art today commands such a wide range of knowledge as Michael Sullivan."--Richard Barnhart, John M. Schiff Professor of the History of Art, Yale University, and editor of Three Thousand Years of Chinese Painting "This is the most comprehensive study of Chinese art, giving up-to-date information from the Stone Age to the twentieth century. Professor Michael Sullivan is a leading scholar in this field, and this is an indispensable textbook for all students of Asian art history." --Wang Qingli, Professor of Chinese Art History, University of Hong Kong, and author of A History of Nineteenth-Century Chinese Art
Japanese & Oriental Ceramic
Author: Hazel H. Gorham
Publisher: Tuttle Publishing
ISBN: 1462903851
Category : Antiques & Collectibles
Languages : en
Pages : 355
Book Description
Japanese and Oriental Ceramics was first published in print form by Tuttle Publishing in 1971. This comprehensive and profusely illustrated work tells how to distinguish Japanese porcelains from Chinese, and how to recognize modern reproductions of genuine old wares. It is completely indexed, contains a lengthy bibliography, and lists Chinese dates important in any discussion of Oriental ceramics. Crammed with information on the history, esthetics, and technical aspects of the ceramics of Japan and the Orient, the book is an invaluable guide to scholars, collectors and dealers. It is in fact a work of art in itself.
Publisher: Tuttle Publishing
ISBN: 1462903851
Category : Antiques & Collectibles
Languages : en
Pages : 355
Book Description
Japanese and Oriental Ceramics was first published in print form by Tuttle Publishing in 1971. This comprehensive and profusely illustrated work tells how to distinguish Japanese porcelains from Chinese, and how to recognize modern reproductions of genuine old wares. It is completely indexed, contains a lengthy bibliography, and lists Chinese dates important in any discussion of Oriental ceramics. Crammed with information on the history, esthetics, and technical aspects of the ceramics of Japan and the Orient, the book is an invaluable guide to scholars, collectors and dealers. It is in fact a work of art in itself.