Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 160
Book Description
Chesapeake & Ohio Railway Co., Plaintiff in Error, Against Katherine Greaver, Defendant in Error
The Southeastern Reporter
Author:
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 2264
Book Description
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 2264
Book Description
The American and English Railroad Cases
Author:
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 866
Book Description
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 866
Book Description
American and English Railroad Cases, New Series
Author:
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 872
Book Description
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 872
Book Description
History of Chester County, Pennsylvania
Author: J. Smith Futhey
Publisher:
ISBN:
Category : Chester County (Pa.)
Languages : en
Pages : 1250
Book Description
Publisher:
ISBN:
Category : Chester County (Pa.)
Languages : en
Pages : 1250
Book Description
History of Delaware
Author: J. Thomas Scharf
Publisher: Рипол Классик
ISBN: 5870942411
Category : History
Languages : en
Pages : 418
Book Description
Publisher: Рипол Классик
ISBN: 5870942411
Category : History
Languages : en
Pages : 418
Book Description
Annals of Bath County, Virginia
Author: Oren F. Morton
Publisher:
ISBN:
Category : Bath County (Va.)
Languages : en
Pages : 226
Book Description
Bath has a small number of people, and a considerable share of this small number is a new element. To many individuals of the latter class a history of the county will appeal very little. For the above reasons we confine ourselves to a presentation of the more striking and important features in the story of this county. But if, in a commercial sense, this county seemed only a moderately promising field for a local history, it remains very true that Bath is one of the best known counties of the Old Dominion. It is one of the older counties in the Alleghany belt, and it lies on a natural highway of travel and commerce. The story of its evolution is one of much interest. -- Foreword.
Publisher:
ISBN:
Category : Bath County (Va.)
Languages : en
Pages : 226
Book Description
Bath has a small number of people, and a considerable share of this small number is a new element. To many individuals of the latter class a history of the county will appeal very little. For the above reasons we confine ourselves to a presentation of the more striking and important features in the story of this county. But if, in a commercial sense, this county seemed only a moderately promising field for a local history, it remains very true that Bath is one of the best known counties of the Old Dominion. It is one of the older counties in the Alleghany belt, and it lies on a natural highway of travel and commerce. The story of its evolution is one of much interest. -- Foreword.
The Chesapeake & Ohio Railway Company, Plaintiff in Error, Versus the Commonwealth of Kentucky, Defendant in Error
Author: Chesapeake and Ohio Railroad Company
Publisher:
ISBN:
Category : Kentucky
Languages : en
Pages : 17
Book Description
Publisher:
ISBN:
Category : Kentucky
Languages : en
Pages : 17
Book Description
The Chesapeake and Ohio Railway Co., Plaintiff in Error, Vs. Andrew Wilson's Admx., Defendant in Error
Hollywood Highbrow
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.