Author: Christopher Curtis Mead
Publisher: MIT Press (MA)
ISBN:
Category : Architecture
Languages : en
Pages : 360
Book Description
By making systematic use of the mostly unpublished Opera Archive, Mead fills in the missing links to previous investigations and unlocks the significance of this seminal masterpiece.
Charles Garnier's Paris Opéra
Charles Garnier
Charles Garnier's Opéra
Author: Gérard Fontaine
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 196
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 196
Book Description
Paris Opera
Eiffel
Author: David I Harvie
Publisher: The History Press
ISBN: 0752495054
Category : Biography & Autobiography
Languages : en
Pages : 141
Book Description
Presenting the story of Gustave Eiffel, this book examines the conception, and controversial construction of the tower that bears his name, one of the most famous tall buildings in the world. Just at the point of his greatest success, he signed contracts for the project which was to bring scandal on his name - the Panama Canal.
Publisher: The History Press
ISBN: 0752495054
Category : Biography & Autobiography
Languages : en
Pages : 141
Book Description
Presenting the story of Gustave Eiffel, this book examines the conception, and controversial construction of the tower that bears his name, one of the most famous tall buildings in the world. Just at the point of his greatest success, he signed contracts for the project which was to bring scandal on his name - the Panama Canal.
The Architecture of the Ecole Des Beaux-arts
Author: Richard Chafee
Publisher: MIT Press (MA)
ISBN:
Category : Architecture
Languages : en
Pages : 536
Book Description
Here, for the first time in this century, is an opportunity to reexamine the philosophy of the Beaux-Arts school of architecture, whose two-hundred-year history represented the body of ideas and buildings against which the modern movement rebelled. Based on the doctrines of architecture formulated by the French Academy during the eighteenth century, the Ecole des Beaux-Arts system of instruction stressed drawing as the primary means of visualizing architectural form. The Concours du Grand Prix de Romewas the ultimate test of ability, and thus the index of the Academy's ideals throughout this period. This book reproduces, in more than 200 drawings, projects for the Grand Prix and for virtually every other type of competition or assignment at the Ecole des Beaux-Arts. Included are drawings by students who subsequently became preeminent as professional architects—among them Henri Labrouste, architect of the Bibliotheque Sainte-Genevieve, and Charles Garnier, architect of the Paris Opera. All illustrations are accompanied by extensive explanatory captions, and a selection of important larger studies appear on specially folded inserts, enabling the reader to view them in unusually clear and precise detail. Complementing the student work reproduced here is a selection of photographs by major Beaux-Arts buildings executed in France and the United States. In all, the book contains 423 illustrations, 23 in color, and 10 inserts. The Architecture of the Ecole des Beaux-Artsoffers an enlightening analysis of the school. The authors examine Beaux-Arts concepts of theory and practice and assess major work by each of the school's main factions. The essay by Richard Chafee covers the school's complex political and administrative history and is followed by a survey of the school's evolving notions of architectural composition—from Charles Percier through Garnier—by David Van Zanten. Neil Levine discusses the emergence of the Neo-Grecand the ideas of Labrouste, which in their preoccupation with literature and meaning in architecture parallel some recent concerns. In the final essay, Arthur Drexler examines such issues as the uses of the past, the ethical implications of style versus "non-style," and the techniques of visualizing buildings that have influenced the development of modern architecture.
Publisher: MIT Press (MA)
ISBN:
Category : Architecture
Languages : en
Pages : 536
Book Description
Here, for the first time in this century, is an opportunity to reexamine the philosophy of the Beaux-Arts school of architecture, whose two-hundred-year history represented the body of ideas and buildings against which the modern movement rebelled. Based on the doctrines of architecture formulated by the French Academy during the eighteenth century, the Ecole des Beaux-Arts system of instruction stressed drawing as the primary means of visualizing architectural form. The Concours du Grand Prix de Romewas the ultimate test of ability, and thus the index of the Academy's ideals throughout this period. This book reproduces, in more than 200 drawings, projects for the Grand Prix and for virtually every other type of competition or assignment at the Ecole des Beaux-Arts. Included are drawings by students who subsequently became preeminent as professional architects—among them Henri Labrouste, architect of the Bibliotheque Sainte-Genevieve, and Charles Garnier, architect of the Paris Opera. All illustrations are accompanied by extensive explanatory captions, and a selection of important larger studies appear on specially folded inserts, enabling the reader to view them in unusually clear and precise detail. Complementing the student work reproduced here is a selection of photographs by major Beaux-Arts buildings executed in France and the United States. In all, the book contains 423 illustrations, 23 in color, and 10 inserts. The Architecture of the Ecole des Beaux-Artsoffers an enlightening analysis of the school. The authors examine Beaux-Arts concepts of theory and practice and assess major work by each of the school's main factions. The essay by Richard Chafee covers the school's complex political and administrative history and is followed by a survey of the school's evolving notions of architectural composition—from Charles Percier through Garnier—by David Van Zanten. Neil Levine discusses the emergence of the Neo-Grecand the ideas of Labrouste, which in their preoccupation with literature and meaning in architecture parallel some recent concerns. In the final essay, Arthur Drexler examines such issues as the uses of the past, the ethical implications of style versus "non-style," and the techniques of visualizing buildings that have influenced the development of modern architecture.
Marina Abramovic: 7 Deaths of Maria Callas
Author: Marina Abramovic
Publisher: Damiani Limited
ISBN: 9788862087315
Category : Art
Languages : en
Pages : 176
Book Description
A clothbound companion to Marina Abramovic's tribute to Maria Callas, a new performance that recreates the iconic opera diva's famous onstage death scenes An opera production conceived by the legendary performance artist Marina Abramovic (born 1946), 7 Deaths of Maria Callasis a continuation of the artist's lifelong meditation on the female body as a source of both power and pain. Here Abramovic turns her focus to renowned opera singer Maria Callas, whose stunning soprano voice captivated audiences around the world in the mid-20th century. Though she remains one of opera's greatest singers, Callas' life was beset by struggle and scandal. Today, the opera diva is remembered for having been a figure of both talent and tragedy. Through a mix of narrative opera and film, Abramovic recreates seven iconic death scenes from the American-born Greek singer's most important roles--in La Traviata, Tosca, Otello, Madame Butterfly, Carmen, Lucia di Lammermoorand Norma--followed by an interpretive recreation of Callas' own death performed onstage by Abramovic herself. This clothbound volume serves as a companion to the live performance and provides insight into the conception, planning and execution of Abramovic's project, probing the many creative elements that make up this dynamic exploration of female suffering.
Publisher: Damiani Limited
ISBN: 9788862087315
Category : Art
Languages : en
Pages : 176
Book Description
A clothbound companion to Marina Abramovic's tribute to Maria Callas, a new performance that recreates the iconic opera diva's famous onstage death scenes An opera production conceived by the legendary performance artist Marina Abramovic (born 1946), 7 Deaths of Maria Callasis a continuation of the artist's lifelong meditation on the female body as a source of both power and pain. Here Abramovic turns her focus to renowned opera singer Maria Callas, whose stunning soprano voice captivated audiences around the world in the mid-20th century. Though she remains one of opera's greatest singers, Callas' life was beset by struggle and scandal. Today, the opera diva is remembered for having been a figure of both talent and tragedy. Through a mix of narrative opera and film, Abramovic recreates seven iconic death scenes from the American-born Greek singer's most important roles--in La Traviata, Tosca, Otello, Madame Butterfly, Carmen, Lucia di Lammermoorand Norma--followed by an interpretive recreation of Callas' own death performed onstage by Abramovic herself. This clothbound volume serves as a companion to the live performance and provides insight into the conception, planning and execution of Abramovic's project, probing the many creative elements that make up this dynamic exploration of female suffering.
Architecture in France 1800-1900
Author: Bertrand Lemoine
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 206
Book Description
Covers the history of French architecture during the 19th century.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 206
Book Description
Covers the history of French architecture during the 19th century.
Making Modern Paris
Author: Christopher Curtis Mead
Publisher: University of Pennsylvania Press
ISBN: 9780271050874
Category : Architecture
Languages : en
Pages : 332
Book Description
Investigates how architecture, technology, politics, and urban planning came together in French architect Victor Baltard's creation of the Central Markets of Paris. Presents a case study of the historical process that produced modern Paris between 1840 and 1870.
Publisher: University of Pennsylvania Press
ISBN: 9780271050874
Category : Architecture
Languages : en
Pages : 332
Book Description
Investigates how architecture, technology, politics, and urban planning came together in French architect Victor Baltard's creation of the Central Markets of Paris. Presents a case study of the historical process that produced modern Paris between 1840 and 1870.
Buildings for Music
Author: Michael Forsyth
Publisher: CUP Archive
ISBN: 9780521268622
Category : Architecture
Languages : en
Pages : 410
Book Description
The book focuses on how musical taste and style affected architecture and acoustics influenced musical composition.
Publisher: CUP Archive
ISBN: 9780521268622
Category : Architecture
Languages : en
Pages : 410
Book Description
The book focuses on how musical taste and style affected architecture and acoustics influenced musical composition.