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Author: Publisher: ISBN: 9781540061935 Category : Music Languages : en Pages : 0
Book Description
(Peermusic Classical). Many of Miguel del Aguila's works reflect on South America and its history. Here, his evocation of the charango, a lute-like Andean stringed instrument, plays a central part. The meditative opening section seems to invite us to a remote, pre-Columbian place high in the Andes. A hint of sadness is interrupted by an upbeat Andean-inspired theme introduced by the charango (the piano). This theme gathers momentum and builds in intensity through shifting rhythms and colorful orchestrations. Before the dance flies out of control, the solo cello reappears with the meditative theme as distant bells (also played by the piano) restore the peace.
Author: Publisher: ISBN: 9781540061935 Category : Music Languages : en Pages : 0
Book Description
(Peermusic Classical). Many of Miguel del Aguila's works reflect on South America and its history. Here, his evocation of the charango, a lute-like Andean stringed instrument, plays a central part. The meditative opening section seems to invite us to a remote, pre-Columbian place high in the Andes. A hint of sadness is interrupted by an upbeat Andean-inspired theme introduced by the charango (the piano). This theme gathers momentum and builds in intensity through shifting rhythms and colorful orchestrations. Before the dance flies out of control, the solo cello reappears with the meditative theme as distant bells (also played by the piano) restore the peace.
Author: Publisher: ISBN: 9781540070012 Category : Music Languages : en Pages : 0
Book Description
(Peermusic Classical). Program Notes: Charango Capriccioso for piano and string quartet was written in 2016. It is based on a previous version of the work which was commissioned by the Austin Chamber Music Center, where it was premiered on July 11, 2006 by Cuarteto Latinoamericano, Felicity Coltman, Heather Coltman and Margaret Coltman. The previous version is scored for piano 4-hands, string quartet and a second cello. As with many of my works, Charango Capriccioso reflects on South America and its history. The work opens with a mysterious theme, which - in an enigmatic tongue - seems to invite us to a remote place high in the Andes. The piano and later the solo viola take us to a quiet beautiful landscape where soon the solo viola meditates about the sad events that took place there starting with the Spanish conquest. A charango (suggested by the piano) introduces an Andean-inspired upbeat theme which gains momentum after dancing through shifting rhythms and colorful orchestrations. At this point, the engimatic theme returns with a new, almost disturbing character. Before the dance flies out of control, the solo cello reappears with the meditative theme as distant bells (played by the piano) restore the peace. Miguel del Aguila
Author: Graham Wade Publisher: Alma Books ISBN: 0714544841 Category : Music Languages : en Pages : 289
Book Description
First published in 1980, Traditions of the Classical Guitar has been described as the first book to examine in detail the many traditions of one of today's most popular instruments. With its central focus on Andres Segovia's pioneering work in establishing the guitar as an international concert instrument, it goes on to examine in detail its subsequent developments with reference to great artists such as Bream, Williams, Diaz and Yepes.Traditions of the Classical Guitar continues to be a classic of twentieth-century guitar scholarship, offering a challenging assessment to perceptions of the guitar's progress throughout the ages. It is also a timely reminder of the glorious years of Segovia's concert career between 1909 and 1987; Segovia himself said of the work: "e;Graham Wade has shown his love for the guitar from the first page to the last; true love and understanding"e;.
Author: Fernando Rios Publisher: Oxford University Press, USA ISBN: 0190692278 Category : Music Languages : en Pages : 297
Book Description
"For several decades now, the Andean conjunto has been the preeminent format for 'Andean folk music' groups in the major cities of the world. Easily identified through the musicians' colorful ponchos and indigenous-associated instruments such as the panpipe, these 4-6 member ensembles interpret the music of the Andes in a style that bears little resemblance to traditional indigenous music, notwithstanding the efforts of "world music" labels to market their recordings as if they accurately reproduce indigenous expressions. Developed mainly by criollo and mestizo musicians, the Andean conjunto tradition has taken root in many Latin American countries, from Argentina to Mexico, but it is only in Bolivia that mainstream society has long regarded ensembles in this mold as exemplars of national folkloric music. As this book reveals, Bolivia's adoption of the Andean conjunto as a national musical expression in the late 1960s represents the culmination of over four decades of local folkloric activities that at various points articulated with transnational artistic currents, especially those emanating from Argentina, Chile, France, Mexico, and Peru, as well as with Bolivian state initiatives and nation-building projects. By elucidating these connections through an examination of La Paz city's musical scene from the 1920s to 1960s, this book not only sheds light on the rise of a prominent manifestation of Bolivian national culture, but also also offers the first detailed historical study of the Bolivian folkloric music movement that documents how it developed in dialogue with Bolivian state projects and transnational artistic trends in this period"--
Author: James Tyler Publisher: Indiana University Press ISBN: 0253005019 Category : Music Languages : en Pages : 173
Book Description
James Tyler offers a practical manual to aid guitar players and lutenists in transitioning from modern stringed instruments to the baroque guitar. He begins with the physical aspects of the instrument, addressing tuning and stringing arrangements and technique before considering the fundamentals of baroque guitar tablature. In the second part of the book Tyler provides an anthology of representative works from the repertoire. Each piece is introduced with an explanation of the idiosyncrasies of the particular manuscript or source and information regarding any performance practice issues related to the piece itself -- represented in both tablature and staff notation. Tyler's thorough yet practical approach facilitates access to this complex body of work.
Author: Maurice Waite Publisher: Oxford University Press, USA ISBN: 0199560811 Category : Foreign Language Study Languages : en Pages : 1074
Book Description
"The leading single-volume English thesaurus explores the richness of the English language with hundreds of thousands of synonyms and antonyms, and thousands of example sentences drawn from the Oxford English Corpus; finds the word you need quickly with carefully chosen and arranged synonyms; broadens your vocabulary and finds solutions to word puzzles and crosswords with hundreds of thematic word lists; and helps express yourself more accurately with hundreds of 'Choose the Right Word' boxes exploring the difference between similar words." --Book Jacket.
Author: DK Publisher: Penguin ISBN: 0744073855 Category : Music Languages : en Pages : 482
Book Description
Produced in association with the Smithsonian and including images from The National Music Museum in South Dakota, Music: The Definitive Visual History guides readers through the progression of music since its prehistoric beginnings, discussing not just Western classical music, but music from all around the world. Telling the story of musical developments, era by era, linking musical theory, technology, and human genius into the narrative, Music: The Definitive Visual History profiles the lives of groundbreaking musicians from Mozart to Elvis, takes an in-depth look at the history and function of various instruments, and includes listening suggestions for each music style. Anyone with an interest in music will enjoy learning about the epic journey the art has taken over the years and will learn to appreciate music with a new ear.
Author: Francisco Tarrega Publisher: Chanterelle ISBN: 9780204702375 Category : Languages : en Pages : 351
Book Description
This new collected edition contains all Trrega's compositions which were published in early Spanish editions. They are presented as unaltered Reprints dating from 1902-1920.
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Author: Graham Wade
Author: Fernando Rios
Author: James Tyler
Author: Maurice Waite
Author: Library of Congress
Author: DK
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Author: Francisco Tarrega