Author: Gunnar JohanssonPublisher:
ISBN:
Category :
Languages : en
Pages : 27
Book Description
Perception of Motion and Changing Form : a Study of Visual Perception Transformations of a Solid Angle of Light at the Eye
Author: Gunnar JohanssonPerception of Motion and Changing Form
Author: Gunnar JohanssonChanging the Angle of Perception
Author: Cecilia CS TwanmoPublisher:
ISBN:
Category : Asian Americans
Languages : en
Pages : 0
Book Description
Lectures on Perception
Author: Michael T. TurveyPublisher: Routledge
ISBN: 0429813384
Category : Psychology
Languages : en
Pages : 444
Book Description
Lectures on Perception: An Ecological Perspective addresses the generic principles by which each and every kind of life form—from single celled organisms (e.g., difflugia) to multi-celled organisms (e.g., primates)—perceives the circumstances of their living so that they can behave adaptively. It focuses on the fundamental ability that relates each and every organism to its surroundings, namely, the ability to perceive things in the sense of how to get about among them and what to do, or not to do, with them. The book’s core thesis breaks from the conventional interpretation of perception as a form of abduction based on innate hypotheses and acquired knowledge, and from the historical scientific focus on the perceptual abilities of animals, most especially those abilities ascribed to humankind. Specifically, it advances the thesis of perception as a matter of laws and principles at nature’s ecological scale, and gives equal theoretical consideration to the perceptual achievements of all of the classically defined ‘kingdoms’ of organisms—Archaea, Bacteria, Protoctista, Fungi, Plantae, and Animalia.
Foundations of Sensation and Perception
Author: George MatherPublisher: Psychology Press
ISBN: 1317372557
Category : Psychology
Languages : en
Pages : 481
Book Description
Do you wonder how movies – sequences of static frames – appear to move, or why 3-D films look different from traditional movies? Why does ventriloquism work, and why can airliner flights make you feel disoriented? The answers to these and other questions about the human senses can be found within the pages of Foundations of Sensation and Perception. This third edition maintains the standard for clarity and accessibility combined with rigor which was set in previous editions, making it suitable for a wide range of students. As in the previous editions, the early chapters allow students to grasp fundamental principles in relation to the relatively simple sensory systems (smell, taste, touch and balance) before moving on to more complex material in hearing and vision. The text has been extensively updated, and this new edition includes: a new chapter devoted to attention and perception over 200 new references over 30 new figures and improved, more colorful, visual presentation a new companion website with a range of resources for students and lecturers The book contains a range of pedagogical features, including tutorial sections at the end of each chapter. This distinctive feature introduces areas of the subject which are rarely included in student texts, but are crucial for establishing a firm foundation of knowledge. Some tutorials are devoted to more advanced and technical topics (optics, light measurement, Bayesian inference), but treated in an accessible manner, while others cover topics a little outside of the mainstream (music perception, consciousness, visual art). Foundations of Sensation and Perception will enable the reader to achieve a firm grasp of current knowledge concerning the processes that underlie our perception of the world and will be an invaluable resource for those studying psychology, neuroscience, and related disciplines.
Working Models of Human Perception
Author: Ben A.G. ElsendoornPublisher: Academic Press
ISBN: 148328848X
Category : Science
Languages : en
Pages : 531
Book Description
This book devotes attention to both theoretical and applied problems simultaneously. Many applied problems turn out to be very difficult and they often need deep theoretical insight in order to get solved. In fact, applied problems often serve as a source of inspiration for theoretical work, since they usually are beyond reach of present theories and may show us in what direction theories need to be developed.The layout of the book is a reflection of the three main areas of research at the Institute for Perception Research: Hearing and Speech, Vision and Reading, Cognition and Communication. Following the set-up of the workshop, the organization of the papers is in pairs, such that the odd-numbered chapters are generally reactions to the even-numbered chapters.
Space and Time in Perception and Action
Author: Romi NijhawanPublisher: Cambridge University Press
ISBN: 052186318X
Category : Medical
Languages : en
Pages : 583
Book Description
Brings together cutting edge experiments and theoretical treatments regarding space, time and motion in visual neuroscience and psychophysics.
Referent control of action and perception
Author: Anatol G. FeldmanPublisher: Springer
ISBN: 1493927361
Category : Medical
Languages : en
Pages : 254
Book Description
Empirical data on neural control of motor action and perception have not yet been put into the context of a coherent theory. Dr. Feldman's goal for the proposed book is to illustrate that the field is now at a stage where the data can be used to formulate some core principles that underlie action and perception and to present the foundation of a scientific theory of motor control. Dr. Feldman is a well-known expert and has been active in the field for a long time. In the proposed book he will outline an approach to the analysis of action and perception that he and his colleagues have been using for the past 50 years or so. His theoretical approach will not only help to explain past empirical research, but should also help to inform and provide a structure for future empirical studies.
Perception and Imaging
Author: Richard D. ZakiaPublisher: Taylor & Francis
ISBN: 1136092374
Category : Photography
Languages : en
Pages : 424
Book Description
How do you experience a photograph? What do you want a viewer to feel when they look at your image? Perception and Imaging explains how we see and what we don't see. Relevant psychological principles will help you predict your viewer's emotional reaction to your photographic images, giving you more power, control, and tools for communicating your desired message. Knowing how our minds work helps photographers, graphic designers, videographers, animators, and visual communicators both create and critique sophisticated works of visual art. Benefit from this insight in your work. Topics covered in this book: gestalt grouping, memory and association, space, time, color, contours, illusion and ambiguity, morphics, personality, subliminals, critiquing photographs, and rhetoric.
Perceiving in Depth, Volume 3: Other Mechanisms of Depth Perception
Author: Ian P. HowardPublisher: Oxford University Press
ISBN: 019987736X
Category : Psychology
Languages : en
Pages : 399
Book Description
The three-volume work Perceiving in Depth is a sequel to Binocular Vision and Stereopsis and to Seeing in Depth, both by Ian P. Howard and Brian J. Rogers. This work is much broader in scope than the previous books and includes mechanisms of depth perception by all senses, including aural, electrosensory organs, and the somatosensory system. Volume 1 reviews sensory coding, psychophysical and analytic procedures, and basic visual mechanisms. Volume 2 reviews stereoscopic vision. Volume 3 reviews all mechanisms of depth perception other than stereoscopic vision. The three volumes are extensively illustrated and referenced and provide the most detailed review of all aspects of perceiving the three-dimensional world. Volume 3 addresses all depth-perception mechanisms other than stereopsis. The book starts with an account of monocular cues to depth, including accommodation, vergence eye movements, perspective, interposition, shading, and motion parallax. A chapter on constancies in depth perception, such as the ability to perceive the sizes and shapes of objects as they move or rotate in depth, is followed by a chapter on the ways in which depth cues interact. The next chapter reviews sources of information, such as changing disparity, image looming, and vergence eye movements, used in the perception of objects moving in depth. Various pathologies of depth perception, including visual neglect, stereoanomalies, and albanism are reviewed. Visual depth-perception mechanisms through the animal kingdom are described, starting with insects and progressing through crustaceans, fish, amphibians, reptiles, birds, and mammals. The chapter includes a discussion of how stereoscopic vision may have evolved. The next chapter describes how visual depth perception is used to guide reaching movements of the hand, avoiding obstacles, and walking to a distant object. The next three chapters review non-visual mechanisms of depth perception. Auditory mechanisms include auditory localization, echolocation in bats and marine mammals, and the lateral-line system of fish. Some fish emit electric discharges and then use electric sense organs to detect distortions of the electric field produced by nearby objects. Some beetles and snakes use heat-sensitive sense organs to detect sources of heat. The volume ends with a discussion of mechanisms used by animals to navigate to a distant site. Ants find their way back to the nest by using landmarks and by integrating their walking movements. Several animals navigate by the stars or by polarized sunlight. It seems that animals in several phyla navigate by detecting the Earths magnetic field.