O Praise the Lord with One Consent (Chandos Anthem No.9), HWV 254 PDF Download
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Author: Karl Päsler Publisher: Serenissima Music, Inc. ISBN: 9781932419115 Category : Music Languages : en Pages : 76
Book Description
O Praise the Lord with One Consent was composed in 1718 while Handel was residing in Cannons Park. Like the other Chandos Anthems, it was comissioned by the Earl of Carnarvon James Brydges, subsequently named First Duke of Chandos. The anthem was first performed that year under the composer's direction ay St. Lawrence's Church in Cannons Park. The text is taken from Psalms 117, 135, and 148 in Nahum Tate and Nicolas Brady's 1696 New Versions of the Psalms. This complete vocal and pano score, edited by Max Seiffert with a piano reduction by Karl Pasler, is an unabridged reprint of the score first issued by Breitkopf & Hartel, Leipzig ca.1900. Matching orchestral parts and full score are now also available from Serenissima Music (95139).
Author: Karl Päsler Publisher: Serenissima Music, Inc. ISBN: 9781932419115 Category : Music Languages : en Pages : 76
Book Description
O Praise the Lord with One Consent was composed in 1718 while Handel was residing in Cannons Park. Like the other Chandos Anthems, it was comissioned by the Earl of Carnarvon James Brydges, subsequently named First Duke of Chandos. The anthem was first performed that year under the composer's direction ay St. Lawrence's Church in Cannons Park. The text is taken from Psalms 117, 135, and 148 in Nahum Tate and Nicolas Brady's 1696 New Versions of the Psalms. This complete vocal and pano score, edited by Max Seiffert with a piano reduction by Karl Pasler, is an unabridged reprint of the score first issued by Breitkopf & Hartel, Leipzig ca.1900. Matching orchestral parts and full score are now also available from Serenissima Music (95139).
Author: Peter Williams Publisher: Cambridge University Press ISBN: 9780521252171 Category : Music Languages : en Pages : 392
Book Description
1985 celebrated the 300th anniversary of the births of Bach, Handel and Scarlatti. This volume covers all three composers and contains essays from an international team of scholars. Some essays make a contribution towards a better understanding of one or other composer, but at least half of them are concerned with ideas connecting two or even all three of them. The essays are concerned with many aspects of the music - technical, chronological, critical, speculative, theoretical and (importantly) practical - and the distinguished contributors have often endeavoured to ask questions rather than jump to conclusions. Every essay makes fresh points and can open up new avenues for players and (in the broadest sense) students, especially in the present climate of wishing to return to 'authentic conditions of performance'.
Author: Karl Päsler
Author: Karl Päsler
Author: George Frideric Handel
Author: George Frideric Handel
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Author: Joseph Haydn
Author: Cambridge univ, King's coll
Author: Ernst Pauer
Author: 
Author: Peter Williams
Author: