Author: George Frideric Handel
Publisher: Alfred Music
ISBN: 9781457469022
Category : Music
Languages : en
Pages : 160
Book Description
A choral worship cantata for SATB and SSATB with ST Soli (Orch.) and SATB and SAATTB with SATB Soli (Orch.) composed by George Frideric Handel.
Chandos Anthems, 10. The Lord Is My Light 11. Let God Arise (two versions)
Author: George Frideric Handel
Publisher: Alfred Music
ISBN: 9781457469022
Category : Music
Languages : en
Pages : 160
Book Description
A choral worship cantata for SATB and SSATB with ST Soli (Orch.) and SATB and SAATTB with SATB Soli (Orch.) composed by George Frideric Handel.
Publisher: Alfred Music
ISBN: 9781457469022
Category : Music
Languages : en
Pages : 160
Book Description
A choral worship cantata for SATB and SSATB with ST Soli (Orch.) and SATB and SAATTB with SATB Soli (Orch.) composed by George Frideric Handel.
Anthems and Anthem Composers
Author: Myles Birket Foster
Publisher:
ISBN:
Category : Anthem
Languages : en
Pages : 268
Book Description
Publisher:
ISBN:
Category : Anthem
Languages : en
Pages : 268
Book Description
Handel, Tercentenary Collection
Author: Stanley Sadie
Publisher: University Rochester Press
ISBN: 9780835718332
Category : Music
Languages : en
Pages : 332
Book Description
Publisher: University Rochester Press
ISBN: 9780835718332
Category : Music
Languages : en
Pages : 332
Book Description
Choral-Orchestral Repertoire
Author: Jonathan D. Green
Publisher: Rowman & Littlefield
ISBN: 1442244674
Category : Music
Languages : en
Pages : 747
Book Description
Choral-Orchestral Repertoire: A Conductor’s Guide, Omnibus Edition offers an expansive compilation of choral-orchestral works from 1600 to the present. Synthesizing Jonathan D. Green’s earlier six volumes on this repertoire, this edition updates and adds to the over 750 oratorios, cantatas, choral symphonies, masses, secular works for large and small ensembles, and numerous settings of liturgical and biblical texts for a wide variety of vocal and instrumental combinations. Each entry includes a brief biographical sketch of the composer, approximate duration, text sources, performing forces, available editions, and locations of manuscript materials, as well as descriptive commentary, a discography, and a bibliography. Unique to this edition are practitioner’s evaluations of the performance issues presented in each score. These include the range, tessitura, and nature of each solo role and a determination of the difficulty of the choral and orchestral portions of each composition. There is also a description of the specific challenges, staffing, and rehearsal expectations related to the performance of each work. Choral-Orchestral Repertoire is an essential resource for conductors and students of conducting as they search for repertoire appropriate to their needs and the abilities of their ensembles.
Publisher: Rowman & Littlefield
ISBN: 1442244674
Category : Music
Languages : en
Pages : 747
Book Description
Choral-Orchestral Repertoire: A Conductor’s Guide, Omnibus Edition offers an expansive compilation of choral-orchestral works from 1600 to the present. Synthesizing Jonathan D. Green’s earlier six volumes on this repertoire, this edition updates and adds to the over 750 oratorios, cantatas, choral symphonies, masses, secular works for large and small ensembles, and numerous settings of liturgical and biblical texts for a wide variety of vocal and instrumental combinations. Each entry includes a brief biographical sketch of the composer, approximate duration, text sources, performing forces, available editions, and locations of manuscript materials, as well as descriptive commentary, a discography, and a bibliography. Unique to this edition are practitioner’s evaluations of the performance issues presented in each score. These include the range, tessitura, and nature of each solo role and a determination of the difficulty of the choral and orchestral portions of each composition. There is also a description of the specific challenges, staffing, and rehearsal expectations related to the performance of each work. Choral-Orchestral Repertoire is an essential resource for conductors and students of conducting as they search for repertoire appropriate to their needs and the abilities of their ensembles.
Anthems and anthem composers, an essay upon the development of the anthem from the time of the Reformation
Chandos Anthem No. 1 -- O Be Joyful in the Lord
Author:
Publisher: Alfred Music Publishing
ISBN: 9780769244754
Category : Music
Languages : de
Pages : 0
Book Description
A choral worship cantata for STB with STB Soli composed by George Frideric Handel.
Publisher: Alfred Music Publishing
ISBN: 9780769244754
Category : Music
Languages : de
Pages : 0
Book Description
A choral worship cantata for STB with STB Soli composed by George Frideric Handel.
Handel
Author: Anthony Hicksd
Publisher: Springer
ISBN: 1349091391
Category : Music
Languages : en
Pages : 319
Book Description
Publisher: Springer
ISBN: 1349091391
Category : Music
Languages : en
Pages : 319
Book Description
O Praise the Lord with One Consent (Chandos Anthem No.9), HWV 254
Author: George Frideric Handel
Publisher: Serenissima Music, Inc.
ISBN: 9781932419115
Category : Anthems
Languages : en
Pages : 76
Book Description
O Praise the Lord with One Consent was composed in 1718 while Handel was residing in Cannons Park. Like the other Chandos Anthems, it was comissioned by the Earl of Carnarvon James Brydges, subsequently named First Duke of Chandos. The anthem was first performed that year under the composer's direction ay St. Lawrence's Church in Cannons Park. The text is taken from Psalms 117, 135, and 148 in Nahum Tate and Nicolas Brady's 1696 New Versions of the Psalms. This complete vocal and pano score, edited by Max Seiffert with a piano reduction by Karl Pasler, is an unabridged reprint of the score first issued by Breitkopf & Hartel, Leipzig ca.1900. Matching orchestral parts and full score are now also available from Serenissima Music (95139).
Publisher: Serenissima Music, Inc.
ISBN: 9781932419115
Category : Anthems
Languages : en
Pages : 76
Book Description
O Praise the Lord with One Consent was composed in 1718 while Handel was residing in Cannons Park. Like the other Chandos Anthems, it was comissioned by the Earl of Carnarvon James Brydges, subsequently named First Duke of Chandos. The anthem was first performed that year under the composer's direction ay St. Lawrence's Church in Cannons Park. The text is taken from Psalms 117, 135, and 148 in Nahum Tate and Nicolas Brady's 1696 New Versions of the Psalms. This complete vocal and pano score, edited by Max Seiffert with a piano reduction by Karl Pasler, is an unabridged reprint of the score first issued by Breitkopf & Hartel, Leipzig ca.1900. Matching orchestral parts and full score are now also available from Serenissima Music (95139).
Let God Arise
Handel's Oratorios and Eighteenth-Century Thought
Author: Ruth Smith
Publisher: Cambridge University Press
ISBN: 0521402654
Category : Music
Languages : en
Pages : 502
Book Description
In this wide-r anging and challenging book, Ruth Smith claims that the words to Handel's oratorios reflect the events and ideas of their time and have far greater meaning than has hitherto been realised. She explores eighteenth-century literature, music, aesthetics, politics and religion to reveal Handel's texts as conduits for the thought and sensibility of their time. The book thus enriches our understanding of Handel, his times, and the close relationship between music and its intellectual contexts.
Publisher: Cambridge University Press
ISBN: 0521402654
Category : Music
Languages : en
Pages : 502
Book Description
In this wide-r anging and challenging book, Ruth Smith claims that the words to Handel's oratorios reflect the events and ideas of their time and have far greater meaning than has hitherto been realised. She explores eighteenth-century literature, music, aesthetics, politics and religion to reveal Handel's texts as conduits for the thought and sensibility of their time. The book thus enriches our understanding of Handel, his times, and the close relationship between music and its intellectual contexts.