Cézanne and Poussin PDF Download

Author: Richard Verdi
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 208

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Author: Kurt Badt
Publisher: Univ of California Press
ISBN:
Category : CEZANNE, PAUL,1839-1906
Languages : en
Pages : 390

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An analytical study of the work of Cezanne throwing light on the entire scope, individuality, and significance of his art.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1

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Author: Pierre Rosenberg
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 340

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Book Description
Presents 100 color plates and 180 comparative illustrations, with bibliography, index, and biographies of the 66 artists represented in the exhibition. Explores three centuries (1615-1900) of French drawing beginning with the late mannerist style and continuing through the triumph of Impressionism. The collection was assembled by Louis-Antoine and Ve?ronique Prat of Paris. Works by Poussin, Lorrain, Watteau, Boucher, Fragonard, David, Ingres, Daumier, Manet, Degas, Ce?zanne, and Seurat are presented. This work also includes a selection of French school drawing -- landscapes, portraits, as well as mythological, literary, and biblical subjects -- executed in a variety of media, including red and black chalk, graphite, and pen and ink. Eighteenth-century sketches, known as "pense?es" or ?first thoughts? are featured along with celebrated drawings, such as Nicolas Poussin s masterpiece of the 1640s, The Abduction of Proserpine by Pluto, and Magdalene in the Desert by Claude Lorrain.

Author: Carol Armstrong
Publisher: Getty Publications
ISBN: 0892366230
Category : Art
Languages : en
Pages : 166

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Book Description
In the last years of his life Paul Cézanne produced a stunning series of watercolors, many of them sill lifes. Still Life with Blue Pot is one of these late masterpieces that is now in the collection of the Getty Museum. In Cézanne in the Study: Still Life in Watercolors, Carol Armstrong places this great painting within the context of Cezanne’s artistic and psychological development and of the history of the genre of still life in France. Still life—like the medium of watercolor—was traditionally considered to be “low” in the hierarchy of French academic paintings. Cézanne chose to ignore this hierarchy, creating monumental still-life watercolors that contained echoes of grand landscapes and even historical paintings in the manner of Poussin—the “highest” of classical art forms. In so doing he changed his still lifes with new meanings, both in terms of his own notoriously difficult personality and in the way he used the genre to explore the very process of looking at, and creating, art. Carol Armstrong’s study is a fascinating exploration of the brilliant watercolor paintings that brought Cézanne’s career to a complex, and triumphant, conclusion, The book includes new photographic studies of the Getty’s painting that allow the reader to encounter this great watercolor as never before, in all of its richness and detail.

Author: Paul Cézanne
Publisher: Univ of California Press
ISBN: 9780520225176
Category : Art
Languages : en
Pages : 326

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This book gathers the commentary of people who knew the painter Paul Cezanne, especially in his later years. Now seen as one of the most influential of modern painters, in his 40s he returned to his village of Aix-en-Provence where, he worked in near obscurity and with great dedication until his death in 1906.

Author: Richard Kendall
Publisher: Burns & Oates
ISBN: 9781850754039
Category : Art, French
Languages : en
Pages : 149

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Author: David Carrier
Publisher: Penn State Press
ISBN: 9780271041674
Category :
Languages : en
Pages : 304

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Employing the methodologies of the new art history as well as some tools provided by poststructuralism, historiography, and analytic philosophy, Poussin's Paintings offers a novel approach to the art of Poussin. David Carrier begins with a comprehensive analysis of Poussin's self-portraits, which provides the starting point for a critical discussion of the traditional strategies of Poussin scholarship and for an evaluation of the status of this artist. Carrier shows that Poussin can be properly understood only by seeing how his visual and political culture differs from ours. Carrier examines the traditional approaches of Poussin scholars, noting the limitations of their views and showing how they not only shape our image of the artist but also restrict out ability to properly grasp his concerns. Carrier also considers the important conceptual claims of connoisseurs and reveals how their work invokes an implicit theory of Poussin's development. Carrier then focuses on a group of paintings concerned with erotic themes, demonstrating the inadequacy of traditional accounts of these pictures. He extends his analysis to a discussion of Poussin's landscapes, which have a different and more important place in his development than the older accounts claim. Carrier places Poussin within the artistic and political culture of seventeenth-century Rome. He asserts that artists of the time were concerned with the problem of belatedness and that Poussin attempted to return to the tradition of the High Renaissance, reworking images from that tradition in response to his own visual culture. Carrier argues that Poussin's art is thus best understood as a response to that setting for baroque art, and he relates Poussin's work to the later tradition of French history painting.

Author: Jon Whiteley
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 122

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Book Description
The drawings in this handbook have been selected to indicate the range and quality of works at the Ashmolean Museum, Oxford. The choice includes landscapes, figures, portraits and studies for prints and paintings by many famous French artists.

Author: Louis-Antoine Prat
Publisher:
ISBN: 9780883971451
Category :
Languages : en
Pages : 327

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