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Author: David Brancaleone Publisher: Bloomsbury Publishing USA ISBN: 1501319922 Category : Performing Arts Languages : en Pages : 672
Book Description
Cesare Zavattini: Selected Writings offers, for the first time in English, a substantive selection of the Italian screenwriter's writings across two volumes. Through translation and detailed cultural and contextual commentary, translator and editor David Brancaleone traces not only Zavattini's theory of the screen, but also his experimentation in new film practices, including the flash-film (film lampo), the inquiry film (film inchiesta), cinema as encounter (cinema d'incontro), the diary film (film diario), the confessional film (film-confessione), and the grass-roots community film (cinema insieme or cinema di tanti per tanti).
Author: David Brancaleone Publisher: Bloomsbury Publishing USA ISBN: 1501319922 Category : Performing Arts Languages : en Pages : 672
Book Description
Cesare Zavattini: Selected Writings offers, for the first time in English, a substantive selection of the Italian screenwriter's writings across two volumes. Through translation and detailed cultural and contextual commentary, translator and editor David Brancaleone traces not only Zavattini's theory of the screen, but also his experimentation in new film practices, including the flash-film (film lampo), the inquiry film (film inchiesta), cinema as encounter (cinema d'incontro), the diary film (film diario), the confessional film (film-confessione), and the grass-roots community film (cinema insieme or cinema di tanti per tanti).
Author: David Brancaleone Publisher: ISBN: 9781501317040 Category : Filmmaking Languages : en Pages : 368
Book Description
"The first volume collects Zavattini's papers and a large selection of his published diary, along with articles, radio broadcasts, and television interviews. Unpublished sources include transcripts of his meetings with filmmaker De Santis during production of Roma, Ore 11 and extracts from Zavattini's production files. Brancaleone's critical introduction links these writings together thematically through a critical and contextual study."--
Author: David Brancaleone Publisher: ISBN: 9781501317088 Category : Filmmaking Languages : en Pages : 464
Book Description
"Volume two brings to the fore Zavattini's ever evolving internal dialogue between diary writer, screenwriter, narrative writer, and political activist since 1944. Bringing together both letters previously published in Italian and hitherto uncollected ones, this volume reveals Zavattini's relationship to producers (Guarini and Ponti), filmmakers (Rossellini, De Santis, Antonioni, De Sica, Pasolini, Blasetti, Grifi, and Paul Strand) to writers (including Vittorini, Attilio Bertolucci, Umberto Saba, Salvatore Quasimodo), film critics, and international filmmakers. Also documented is Bazin's relationship with Zavattini, with the inclusion of an exchange of sixteen letters between the two. The critical and contextual study which introduces this volume explicates underlying logic of Zavattini's many interventions in disparate fields, documented by the translation of primary sources."--
Author: David Brancaleone Publisher: Bloomsbury Publishing USA ISBN: 1501319930 Category : Performing Arts Languages : en Pages : 1011
Book Description
Volume 1 makes available for the first time in English thirty-nine scenarios and two treatments. Each text is preceded by an introduction, providing an essential frame of reference to make these writings entirely accessible to the reader. While nearly all these texts belong to the post-war period, including the stories for major post-war classics, there are also seven pre-war raccontini, the narrative source of Zavattini's Modernist magical realism, several fictional interviews and faux reportage, tinged with irony aimed at Hollywood, complemented by several pre-war scenarios. The book also features scenarios for Luchino Visconti's Bellissima, Alessandro Blasetti's First Communion, De Sica's The Roof and texts encompassing Zavattini's ethnographic vision, from the redactions of Italia mia, interviews for Un paese, illustrated with Paul Strand's photographs, to the scenarios for investigative documentaries, including Why?, The Mysteries of Rome, The Guinea Pig, the Free Newsreel Revolution, and the lucid Before, During After, tackling Aldo Moro's assassination by the Red Brigades. The book includes Zavattini's last word on cinema and society, the testamentary satire La veritàaaa (1982), written, directed and acted by Zavattini himself. Each text is preceded by an introduction, providing an essential frame of reference to make these writings entirely accessible to the reader. Volume 2 brings to the fore Zavattini's ever-evolving internal dialogue between diary writer, screenwriter, narrative writer, and political activist. Essential to trace the origin of Zavattini's ideas on cinema and understand his theorization of Neo-realism is the inclusion of a selection of the filmmaker's pre-war writings. Most of the book provides a substantial anthology of texts translated from Neorealismo ecc. (1979), comprising Zavattini's major essays, conference papers, unpublished production papers, interviews, and vital excerpts from his correspondence and published cinematic diary. Through translation and detailed cultural and contextual commentary, translator and editor David Brancaleone traces not only Zavattini's theory of the screen, but also his experimentation in new film practices, including the flash-film (film lampo), the inquiry film (film inchiesta), cinema as encounter (cinema d'incontro), the diary film (film diario), the confessional film (film-confessione), and the grass-roots community film (cinema insieme or cinema di tanti per tanti). Each text is preceded by an introduction, providing an essential frame of reference to make these writings entirely accessible to the reader.
Author: David Brancaleone Publisher: ISBN: 9781501317033 Category : Filmmaking Languages : en Pages : 368
Book Description
"The first volume collects Zavattini's papers and a large selection of his published diary, along with articles, radio broadcasts, and television interviews. Unpublished sources include transcripts of his meetings with filmmaker De Santis during production of Roma, Ore 11 and extracts from Zavattini's production files. Brancaleone's critical introduction links these writings together thematically through a critical and contextual study."--
Author: David Brancaleone Publisher: Bloomsbury Publishing USA ISBN: 1501317008 Category : Biography & Autobiography Languages : en Pages : 310
Book Description
How many Zavattinis are there? During a life spanning most of the twentieth century, the screenwriter who wrote Sciuscià, Bicycle Thieves, Miracle in Milan, and Umberto D. was also a pioneering magazine publisher in 1930s Milan, a public intellectual, a theorist, a tireless campaigner for change within the film industry, a man of letters, a painter and a poet. This intellectual biography is built on the premise that in order to understand Zavattini's idea of cinema and his legacy of ethical and political cinema (including guerrilla cinema), we must also tease out the multi-faceted strands of his interventions and their interplay over time. The book is for general readers, students and film historians, and anyone with an interest in cinema and its fate.
Author: Guido Bonsaver Publisher: Oxford University Press ISBN: 019884946X Category : History Languages : en Pages : 575
Book Description
When America began to emerge as a world power at the end of the nineteenth century, Italy was a young nation, recently unified. The technological advances brought about by electricity and the combustion engine were vastly speeding up the capacity of news, ideas, and artefacts to travel internationally. Furthermore, improved literacy and social reforms had produced an Italian working class with increased time, money, and education. At the turn of the century, if Italy's ruling elite continued the tradition of viewing Paris as a model of sophistication and good taste, millions of lowly-educated Italians began to dream of America, and many bought a transatlantic ticket to migrate there. By the 1920s, Italians were encountering America through Hollywood films and, thanks to illustrated magazines, they were mesmerised by the sight of Manhattan's futuristic skyline and by news of American lifestyle. The USA offered a model of modernity which flouted national borders and spoke to all. It could be snubbed, adored, or transformed for one's personal use, but it could not be ignored. Perversely, Italy was by then in the hands of a totalitarian dictatorship, Mussolini's Fascism. What were the effects of the nationalistic policies and campaigns aimed at protecting Italians from this supposedly pernicious foreign influence? What did Mussolini think of America? Why were jazz, American literature, and comics so popular, even as the USA became Italy's political enemy? America in Italian Culture provides a scholarly and captivating narrative of this epochal shift in Italian culture.
Author: Robert C. Pirro Publisher: Bloomsbury Publishing USA ISBN: 144112506X Category : Political Science Languages : en Pages : 256
Book Description
This study of the political significance of theories of tragedy and ordinary language uses of "tragedy" offers a fresh perspective on democracy in contemporary times.
Author: Stefania Parigi Publisher: Manchester University Press ISBN: 152614123X Category : Performing Arts Languages : en Pages : 182
Book Description
A journey to the Italian cinema that overturns established views and opens up new perspectives and interpretations. Its itinerary is organized in four stages. The first is an analysis of the theories of Cesare Zavattini on neorealism which overturns widely accepted positions both on Zavattini and on neorealism. The second confronts a key film of the post-war Italian cinema, Roberto Rossellini’s Paisà, by examining the nature of its realism. The third is dedicated to Luchino Visconti: to questions of the use of language exemplified in his La terra trema, the use of settings, costume and light as agents of meaning in his Il Gattopardo and Vaghe stelle dell’Orsa. The final voyage of the film is to the physical and symbolic construction of heaven and earth in the work of Pasolini. Particular attention is given to the representation of the body in his last four films: the grotesque and mythical bodies in popular tradition in his Trilogia di vita and the tortured bodies destroyed by the mass media in Salò.
Author: David Brancaleone
Author: David Brancaleone
Author: David Brancaleone
Author: David Brancaleone
Author: David Brancaleone
Author: David Brancaleone
Author: David Brancaleone
Author: Guido Bonsaver
Author: Cesare Zavattini
Author: Robert C. Pirro
Author: Stefania Parigi