Author: Ludwig van Beethoven
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Cello Sonatas Op 5 n.1, Op 5 n.2, Op 69
Complete Cello Sonatas: Op. 5 Nos. 1-2; Op. 69; Op. 102 Nos. 1-2
Author:
Publisher: Edition Peters
ISBN:
Category : Music
Languages : en
Pages : 999
Book Description
Beethoven's complete sonatas for Cello and Piano. Contains Piano Score and separate Cello Part. Sonata No. 1 Op. 5, No. 1 F Major Sonata No. 2 Op. 5, No. 2 G Minor Sonata No. 3 Op. 69 A Major Sonata No. 4 Op. 102, No. 1 C Major Sonata No. 5 Op. 102, No. 2 D Major
Publisher: Edition Peters
ISBN:
Category : Music
Languages : en
Pages : 999
Book Description
Beethoven's complete sonatas for Cello and Piano. Contains Piano Score and separate Cello Part. Sonata No. 1 Op. 5, No. 1 F Major Sonata No. 2 Op. 5, No. 2 G Minor Sonata No. 3 Op. 69 A Major Sonata No. 4 Op. 102, No. 1 C Major Sonata No. 5 Op. 102, No. 2 D Major
The sonatas for cello and piano
Cello Sonata No. 3 in a Major Op. 69
Beethoven: Cello Sonata, Op. 69 & Variations for Piano and Cello
Cello Sonata Op. 69, Cello Sonata Op. 5 No. 1, Cello Sonata Op. 5 No. 2/ CD 19
“A” New Vision for the Genre
Author: Mi Yeon Yun
Publisher:
ISBN:
Category :
Languages : en
Pages : 61
Book Description
Mainstream scholarship teaches that Beethoven's five cello sonatas follow his progression as a composer. The Op. 5 sonatas are considered to belong to the Classical tradition of keyboard domination and cello subordination, and the Op. 69 sonata is held as an important transitional work in which the cello and the piano are first treated as equals. The Op. 102 sonatas, appearing in Beethoven's increasingly chromatic and contrapuntal late period, further integrate the cello into the music making, but many scholars see the cello here as more of an independent voice than a matching partner. A closer look at the sonatas reveals a composer who was more consistent in his thinking. This document will study the relationship between the cello and the piano in each of the five cello sonatas of Ludwig van Beethoven and demonstrate that the equal treatment of both instruments, so widely praised in the Op. 69 sonata, is present in all five works.
Publisher:
ISBN:
Category :
Languages : en
Pages : 61
Book Description
Mainstream scholarship teaches that Beethoven's five cello sonatas follow his progression as a composer. The Op. 5 sonatas are considered to belong to the Classical tradition of keyboard domination and cello subordination, and the Op. 69 sonata is held as an important transitional work in which the cello and the piano are first treated as equals. The Op. 102 sonatas, appearing in Beethoven's increasingly chromatic and contrapuntal late period, further integrate the cello into the music making, but many scholars see the cello here as more of an independent voice than a matching partner. A closer look at the sonatas reveals a composer who was more consistent in his thinking. This document will study the relationship between the cello and the piano in each of the five cello sonatas of Ludwig van Beethoven and demonstrate that the equal treatment of both instruments, so widely praised in the Op. 69 sonata, is present in all five works.
Sonata in A major, op. 69
Ludwig Van Beethoven - Cello Sonata No.2 - Op.5 No.2 - A Score for Cello and Piano
Author: Ludwig Van Beethoven
Publisher: READ BOOKS
ISBN: 9781447440642
Category : Music
Languages : en
Pages : 36
Book Description
Publisher: READ BOOKS
ISBN: 9781447440642
Category : Music
Languages : en
Pages : 36
Book Description