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Author: Cecilia Vicuña Publisher: ISBN: 9783956793226 Category : Feminism in art Languages : en Pages : 0
Book Description
From the 1970s to the present, Chilean artist, poet and filmmaker Cecilia Vicuas (b. 1948) work has used red thread to visually and poetically engage with rituals from Aboriginal Australia, South Africa, Paleolithic Europe and pre-Columbian America. Vicuas performances, site-specific installations, paintings and drawings relate to the symbolic function of textile and language in terms of femininity, maternity and the support and continuation of life. Published on the occasion of Vicuas installation in Athens for dOCUMENTA (14), Read Thread tells the story of the sanguine thread in Vicuas worka kind of weaving-as-writingand conveys the tension of ecological disaster and reparation as well as a bodily sense of the cosmic scale of landscape, history and time. Alongside historical and recent documentation of Vicuas large-scale installations, the softcover publication extensively illustrates her drawings, poetic texts and narratives relating the works to their political and historical context. Essays by dOCUMENTA (14) curator Dieter Roelstraete and art historian Jos de Nordenflycht Concha complete the book.
Author: Cecilia Vicuña Publisher: ISBN: 9783956793226 Category : Feminism in art Languages : en Pages : 0
Book Description
From the 1970s to the present, Chilean artist, poet and filmmaker Cecilia Vicuas (b. 1948) work has used red thread to visually and poetically engage with rituals from Aboriginal Australia, South Africa, Paleolithic Europe and pre-Columbian America. Vicuas performances, site-specific installations, paintings and drawings relate to the symbolic function of textile and language in terms of femininity, maternity and the support and continuation of life. Published on the occasion of Vicuas installation in Athens for dOCUMENTA (14), Read Thread tells the story of the sanguine thread in Vicuas worka kind of weaving-as-writingand conveys the tension of ecological disaster and reparation as well as a bodily sense of the cosmic scale of landscape, history and time. Alongside historical and recent documentation of Vicuas large-scale installations, the softcover publication extensively illustrates her drawings, poetic texts and narratives relating the works to their political and historical context. Essays by dOCUMENTA (14) curator Dieter Roelstraete and art historian Jos de Nordenflycht Concha complete the book.
Author: Cecilia Vicuña Publisher: ISBN: 9781937027032 Category : Poetry Languages : en Pages : 0
Book Description
Poetry/Performance. Latino/Latina Studies. Art. Edited by Rosa Alcala. SPIT TEMPLE collects texts and transcriptions of Vicuna's uncategorizable improvised performances, which combine singing, movement, chants, and stories. Also included are a critical introduction by Rosa Alcala, a poetic memoir by Vicuna (translated by Alcala) addressing her life
Author: Cecilia Vicuña Publisher: ISBN: 9780932716873 Category : Poetry Languages : en Pages : 0
Book Description
Poetry. Latinx Studies. Art. Edited by Rosa Alcalá. NEW AND SELECTED POEMS OF CECILIA VICUÑA is a telling of old cultures, modern nation states and lives in exile. Rodrigo Toscano calls Vicuña's poetry "the outer out, beyond nation states, passed 'inter state' affairs, in other words, close in, as close as we get to our fair planet's sources, and to each other." In this bilingual collection, Vicuña and her translator, Rosa Alcalá, are artist witnesses to a natural world that is a storehouse of sacred words, seeds, threads and songs. Present everywhere, they are sources for a rebalancing in human relationships and for new forms of grace and healing. In Vicuña's vision, art is life and intimacy with it is transformative.
Author: Cecilia Vicuña Publisher: ISBN: 9781930068506 Category : Chilean poetry Languages : en Pages : 0
Book Description
Poetry. Latino/Latina Studies. Art. First published in 1973, two months after the military coup in Chile, Cecilia Vicuna's SABORAMI is a document of the times and the way in which history can change art. It is filled with the urgent hope that art, too, can change history. Put together when Vicuna was just twenty-five years old, the poems, paintings, and objects of SABORAMI enact a complex and multidimensional conversation. The meanings of the works (which were created over a seven year period) shifted radically after the events of September 11, 1973. Their meanings continue to shift and resonate in light of political events today. This recreation of the original SABORAMI is published with a new afterword Vicuna wrote especially for this edition."
Author: Julia Bryan-Wilson Publisher: University of Chicago Press ISBN: 0226077829 Category : Art Languages : en Pages : 335
Book Description
In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists in the United States and Chile turned to sewing, braiding, knotting, and quilting amid the rise of global manufacturing, Julia Bryan-Wilson argues that textiles unravel the high/low divide and urges us to think flexibly about what the politics of textiles might be. Her case studies from the 1970s through the 1990s—including the improvised costumes of the theater troupe the Cockettes, the braided rag rugs of US artist Harmony Hammond, the thread-based sculptures of Chilean artist Cecilia Vicuña, the small hand-sewn tapestries depicting Pinochet’s torture, and the NAMES Project AIDS Memorial Quilt—are often taken as evidence of the inherently progressive nature of handcrafted textiles. Fray, however, shows that such methods are recruited to often ambivalent ends, leaving textiles very much “in the fray” of debates about feminized labor, protest cultures, and queer identities; the malleability of cloth and fiber means that textiles can be activated, or stretched, in many ideological directions. The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles—high and low, untrained and highly skilled, conformist and disobedient, craft and art.
Author: Cecilia Vicuña Publisher: Kelsey Street Press ISBN: Category : Poetry Languages : en Pages : 100
Book Description
Poetry. Art. Includes drawings by the writer. Cecilia Vicuna's INSTAN is composed in handwrittenlines that move across the page with the instantaneousfeeling of marks in a private journal, the booktransmits the energy of her performative works, wherethread and poetic lines play at being one. The word/drawings are certain and fragile. In theirpower to preserve and transform, they offer hope inart and daily speech for radical change. "Cecilia Vicuna, born and raised in Santiago de Chile, has been an exile since the early 1970s. Vicuna has never accepted the boundaries between cultural disciplines, creating a terrain of her own ..." Lucy Lippard, "The Precarious" The Art and Poetry of Cecilia Vicuna."
Author: Cecilia Vicuña
Author: Cecilia Vicuña
Author: M. Catherine de Zegher
Author: Cecilia Vicuña
Author: Cecilia Vicuña
Author: Cecilia Vicuña
Author: Cecilia Vicuña
Author: Cecilia Vicuña
Author: Cecilia Vicuña
Author: Julia Bryan-Wilson
Author: Cecilia Vicuña