Author: Gaius Valerius Catullus
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 412
Book Description
TIBULUS (Albius, c. 54-19 B.C.), of equestrian rank and a friend of Horace, enjoyed the patronage of Marcus Valerius Messalla Corvinus, whom he several times apostrophizes. Three books of elegies have come down to us under his name, of which only the first two are authentic. Book I mostly proclaims his love for Delia, Book 2 his passion for Nemesis. The third book consists of a miscellany of poems from the archives of Messalla; it is very doubtful whether any come from the pen of Tibullus himself. But a special interest attaches to a group of them which concern a girl called Sulpicia: some of the poems are written by her lover Cerinthus, while others purport to be her own composition.
Catullus, Tibullus, and Pervigilium Veneris
Author: Gaius Valerius Catullus
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 412
Book Description
TIBULUS (Albius, c. 54-19 B.C.), of equestrian rank and a friend of Horace, enjoyed the patronage of Marcus Valerius Messalla Corvinus, whom he several times apostrophizes. Three books of elegies have come down to us under his name, of which only the first two are authentic. Book I mostly proclaims his love for Delia, Book 2 his passion for Nemesis. The third book consists of a miscellany of poems from the archives of Messalla; it is very doubtful whether any come from the pen of Tibullus himself. But a special interest attaches to a group of them which concern a girl called Sulpicia: some of the poems are written by her lover Cerinthus, while others purport to be her own composition.
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 412
Book Description
TIBULUS (Albius, c. 54-19 B.C.), of equestrian rank and a friend of Horace, enjoyed the patronage of Marcus Valerius Messalla Corvinus, whom he several times apostrophizes. Three books of elegies have come down to us under his name, of which only the first two are authentic. Book I mostly proclaims his love for Delia, Book 2 his passion for Nemesis. The third book consists of a miscellany of poems from the archives of Messalla; it is very doubtful whether any come from the pen of Tibullus himself. But a special interest attaches to a group of them which concern a girl called Sulpicia: some of the poems are written by her lover Cerinthus, while others purport to be her own composition.
Catullus Tibullus and Pervigilium Veneris (Classic Reprint)
Author: Gaius Valerius Catullus
Publisher: Forgotten Books
ISBN: 9781334377600
Category : Poetry
Languages : en
Pages : 396
Book Description
Excerpt from Catullus Tibullus and Pervigilium Veneris Gaius valemus catullus, whose name stands not lower than third on the roll of Roman poets, was born at Verona b.c. 84; the son of a wealthy Veronese gentleman, a friend of Julius Caesar. He came from Verona to Rome about 62 Among his friends and contemporaries were C. Licinius Calvus, the poet, and M. Caelius Rufus, the latter of whom became his rival and enemy. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9781334377600
Category : Poetry
Languages : en
Pages : 396
Book Description
Excerpt from Catullus Tibullus and Pervigilium Veneris Gaius valemus catullus, whose name stands not lower than third on the roll of Roman poets, was born at Verona b.c. 84; the son of a wealthy Veronese gentleman, a friend of Julius Caesar. He came from Verona to Rome about 62 Among his friends and contemporaries were C. Licinius Calvus, the poet, and M. Caelius Rufus, the latter of whom became his rival and enemy. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Impotency Poem from Ancient Latin to Restoration English Literature
Author: Hannah Lavery
Publisher: Routledge
ISBN: 1317027671
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
The first book length study of the motif of impotency in poetry from early antiquity through to the late Restoration, this book explores the impotency poem as a recognisable form of poetry in the longer tradition of erotic elegy. Hannah Lavery’s central claim is that the impotency motif is adopted by poets in recognition of its potential to signify satirically through its use as symbol and allegory. By drawing together analysis of works in the tradition, Lavery shows how the impotency motif is used to engage with anxieties as to what it means to enact ’service’ within political and social contexts. She demonstrates that impotency poems can be seen on one level to represent bawdy escapism, but on the other to offer positions of resistance and opposition to social and political concerns contemporary to a particular time. Whilst the link between the 'Imperfect Enjoyment' poems by Ovid and Rochester is well known, Lavery here looks further back to the origins of the concept of male impotency as degradation in the works of earlier Roman poets. This is an important context for considering how the impotency poem then first appears in the French and English vernaculars during the sixteenth century, leading to translations and adaptations throughout the seventeenth century. Lavery's close readings of the poems consider both the nature of the literary form, and the political and social contexts within which the works appear, in order to chart the intertextual development of the impotency poem as a distinct form of writing in the early modern period.
Publisher: Routledge
ISBN: 1317027671
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
The first book length study of the motif of impotency in poetry from early antiquity through to the late Restoration, this book explores the impotency poem as a recognisable form of poetry in the longer tradition of erotic elegy. Hannah Lavery’s central claim is that the impotency motif is adopted by poets in recognition of its potential to signify satirically through its use as symbol and allegory. By drawing together analysis of works in the tradition, Lavery shows how the impotency motif is used to engage with anxieties as to what it means to enact ’service’ within political and social contexts. She demonstrates that impotency poems can be seen on one level to represent bawdy escapism, but on the other to offer positions of resistance and opposition to social and political concerns contemporary to a particular time. Whilst the link between the 'Imperfect Enjoyment' poems by Ovid and Rochester is well known, Lavery here looks further back to the origins of the concept of male impotency as degradation in the works of earlier Roman poets. This is an important context for considering how the impotency poem then first appears in the French and English vernaculars during the sixteenth century, leading to translations and adaptations throughout the seventeenth century. Lavery's close readings of the poems consider both the nature of the literary form, and the political and social contexts within which the works appear, in order to chart the intertextual development of the impotency poem as a distinct form of writing in the early modern period.
Bibliographical and Other Studies on the 'Pervigilium Veneris'
Author: Cecil Clementi
Publisher:
ISBN:
Category : Pervigilium Veneris
Languages : en
Pages : 70
Book Description
Publisher:
ISBN:
Category : Pervigilium Veneris
Languages : en
Pages : 70
Book Description
The Romaunt of the Rose
Author: Charles Dahlberg
Publisher: University of Oklahoma Press
ISBN: 9780806131474
Category : Poetry
Languages : en
Pages : 384
Book Description
The Romaunt of the Rose translates in abridged form a long dream vision, part elegant romance, part rollicking satire, written in France during the thirteenth century. The French original, Le Roman de la Rose, had a profound influence on Chaucer, who says he translated the work. From the sixteenth century to the mid-nineteenth, scholars assumed that the Romaunt comprised large fragments of that translation. Subsequent debates have divided the Romaunt into two or three segments, and proffered arguments that Chaucer was responsible for one or more of them, or for none. The current consensus is that he almost certainly wrote the first 1,705 lines. Charles Dahlberg’s edition of the Romaunt provides a full summary of scholarship on the question of authorship as well as other important topics, including a useful survey of the influence of the French poem on Chaucer.
Publisher: University of Oklahoma Press
ISBN: 9780806131474
Category : Poetry
Languages : en
Pages : 384
Book Description
The Romaunt of the Rose translates in abridged form a long dream vision, part elegant romance, part rollicking satire, written in France during the thirteenth century. The French original, Le Roman de la Rose, had a profound influence on Chaucer, who says he translated the work. From the sixteenth century to the mid-nineteenth, scholars assumed that the Romaunt comprised large fragments of that translation. Subsequent debates have divided the Romaunt into two or three segments, and proffered arguments that Chaucer was responsible for one or more of them, or for none. The current consensus is that he almost certainly wrote the first 1,705 lines. Charles Dahlberg’s edition of the Romaunt provides a full summary of scholarship on the question of authorship as well as other important topics, including a useful survey of the influence of the French poem on Chaucer.
The National Union Catalog, Pre-1956 Imprints
Catullus
Author: Charles Martin
Publisher: Yale University Press
ISBN: 9780300052008
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
The most popular of the Roman poets, Catullus is known for the accessibility of his witty and erotic love poems. In this book Charles Martin, himself a poet, offers a deeper reading of Catullus, revealing the art and intelligence behind the seemingly spontaneous verse. Martin considers Catullus's life, habits of composition, and the circumstances in which he worked. He places him among the modernists of his age, who created a new ironic and subjective poetics, and he shows the affinity between Catullus and the modernists of our own age. Martin offers original interpretations of Catullus's poems, viewing the love poems to "Lesbia" as a unified, artfully arranged poetic sequence, and the short poems, often dismissed as unworthy of serious critical attention, as the irreverent products of a sophisticated poetic innovator. Unlike Horace, Virgil, and Ovid, Catullus did not influence our literary culture until the beginning of the modern era, but he is now regarded as a poet who speaks to our age with a singular directness. Pointing to Catullus's self-awareness, playfulness, and comic invention and to the elaborate complexity of his experiments in poetic form, Martin gives both the scholar and the general reader a fresh appreciation of his poetic art.
Publisher: Yale University Press
ISBN: 9780300052008
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
The most popular of the Roman poets, Catullus is known for the accessibility of his witty and erotic love poems. In this book Charles Martin, himself a poet, offers a deeper reading of Catullus, revealing the art and intelligence behind the seemingly spontaneous verse. Martin considers Catullus's life, habits of composition, and the circumstances in which he worked. He places him among the modernists of his age, who created a new ironic and subjective poetics, and he shows the affinity between Catullus and the modernists of our own age. Martin offers original interpretations of Catullus's poems, viewing the love poems to "Lesbia" as a unified, artfully arranged poetic sequence, and the short poems, often dismissed as unworthy of serious critical attention, as the irreverent products of a sophisticated poetic innovator. Unlike Horace, Virgil, and Ovid, Catullus did not influence our literary culture until the beginning of the modern era, but he is now regarded as a poet who speaks to our age with a singular directness. Pointing to Catullus's self-awareness, playfulness, and comic invention and to the elaborate complexity of his experiments in poetic form, Martin gives both the scholar and the general reader a fresh appreciation of his poetic art.
How to Read World Literature
Author: David Damrosch
Publisher: John Wiley & Sons
ISBN: 1444356798
Category : Literary Criticism
Languages : en
Pages : 153
Book Description
How to Read World Literature addresses the unique challenges faced by a reader confronting foreign literature. Accessible and enlightening, Damrosch offers readers the tools to navigate works as varied as Homer, Sophocles, Kalidasa, Du Fu, Dante, Murasaki, Moliere, Kafka, Soyinka, and Walcott. Offers a unique set of "modes of entry” for readers encountering foreign literature Provides readers with the tools to think creatively and systematically about key issues such as reading across time and cultures, reading translated works, and emerging global perspectives Covers a wide variety of genres, from lyric and epic poetry to drama and prose fiction and discusses how these forms have been used in different eras and cultures
Publisher: John Wiley & Sons
ISBN: 1444356798
Category : Literary Criticism
Languages : en
Pages : 153
Book Description
How to Read World Literature addresses the unique challenges faced by a reader confronting foreign literature. Accessible and enlightening, Damrosch offers readers the tools to navigate works as varied as Homer, Sophocles, Kalidasa, Du Fu, Dante, Murasaki, Moliere, Kafka, Soyinka, and Walcott. Offers a unique set of "modes of entry” for readers encountering foreign literature Provides readers with the tools to think creatively and systematically about key issues such as reading across time and cultures, reading translated works, and emerging global perspectives Covers a wide variety of genres, from lyric and epic poetry to drama and prose fiction and discusses how these forms have been used in different eras and cultures
The Country House in English Renaissance Poetry
Author: William A. McClung
Publisher: Univ of California Press
ISBN: 9780520031371
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
Publisher: Univ of California Press
ISBN: 9780520031371
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
Intertextuality and the Reading of Roman Poetry
Author: Lowell Edmunds
Publisher: JHU Press
ISBN: 0801875404
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
How can we explain the process by which a literary text refers to another text? For the past decade and a half, intertextuality has been a central concern of scholars and readers of Roman poetry. In Intertextuality and the Reading of Roman Poetry, Lowell Edmunds proceeds from such fundamental concepts as "author," "text," and "reader," which he then applies to passages from Vergil, Horace, Ovid, and Catullus. Edmunds combines close readings of poems with analysis of recent theoretical models to argue that allusion has no linguistic or semiotic basis: there is nothing in addition to the alluding words that causes the allusion or the reference to be made. Intertextuality is a matter of reading.
Publisher: JHU Press
ISBN: 0801875404
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
How can we explain the process by which a literary text refers to another text? For the past decade and a half, intertextuality has been a central concern of scholars and readers of Roman poetry. In Intertextuality and the Reading of Roman Poetry, Lowell Edmunds proceeds from such fundamental concepts as "author," "text," and "reader," which he then applies to passages from Vergil, Horace, Ovid, and Catullus. Edmunds combines close readings of poems with analysis of recent theoretical models to argue that allusion has no linguistic or semiotic basis: there is nothing in addition to the alluding words that causes the allusion or the reference to be made. Intertextuality is a matter of reading.