Catechism of Musical Aesthetics PDF Download

Author: Hugo Riemann
Publisher: London : Augener
ISBN:
Category : Music
Languages : en
Pages : 92

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Author: Riemann Hugo
Publisher:
ISBN: 9780259619581
Category :
Languages : en
Pages :

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Author: Hugo Riemann
Publisher: Forgotten Books
ISBN: 9780267791910
Category : Music
Languages : en
Pages : 156

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Excerpt from Catechism of Musical History, Vol. 1 Certainly; it is even widely assumed that vocal music is older than instrumental, at least if by the latter we are to understand the production of melodies instrumentally. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Hugo Riemann
Publisher: Scholar's Choice
ISBN: 9781298358905
Category :
Languages : en
Pages : 74

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Carl Wilhelm Julius Hugo RIEMANN
Publisher:
ISBN:
Category :
Languages : en
Pages : 67

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Author: Hugo Riemann
Publisher: Cambridge University Press
ISBN: 1108057306
Category : History
Languages : en
Pages : 77

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Published in 1895, three engaging lectures aiming to establish aesthetics as an aid to the performance and appreciation of music.

Author: Hugo Riemann
Publisher: Forgotten Books
ISBN: 9780282404727
Category : Music
Languages : en
Pages : 120

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Excerpt from Catechism of Orchestration: Introduction to Instrumentation The Catechism of Musical Instruments, while dealing primarily with the compass, the technical possibilities, and the aesthetic effects of the single instruments, concerns itself also with the more important and usual combinations of instruments into special contrasting groups (strings, wood wind, brass), and makes occasional references to the rele these groups as well as the single instruments play in the Orchestra and the Ensemble. It is thus the sub title Guide to Instrumentation is justified. If, therefore, in the present little volume I give a special introduction to Instrumentation, a few explanatory remarks may be required. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Richard Runciman Terry
Publisher: Forgotten Books
ISBN: 9780265851982
Category : Music
Languages : en
Pages : 220

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Excerpt from Catholic Church Music Roman Pontificate, We consider it Our first duty, without further delay, to raise Our voice at once in reproof and condemnation of all that is seen to be out of harmony with the right rule above indicated, in the functions of public worship and in the performance of the ecclesiastical oflices. Filled as We are with a most ardent desire to see the true Christian spirit flourish in every respect and be preserved by all the faithful, We deem it necessary to provide before aught else for the sanctity and dignity of the temple, in which the faithful assemble for no other object than that of acquiring this spirit from its foremost and indispens able fount, which is the active participation in the most holy mysteries and in the public and solemn prayer of the Church. And it is vain to hope that the blessing Of Heaven will descend abundantly upon us, when our homage to the Most High, instead of ascending in the odour of sweetness, puts into the hand of the Lord the scourges wherewith of old the Divine Redeemer drove the unworthy profaners from the Temple. Hence, in order that no one for the future may be able to plead in excuse that he did not clearly under stand his duty and that all vagueness may be eliminated from the interpretation of matters which have already been commanded, We have deemed it expedient to point out briefly the principles regulating sacred music in the functions of public worship, and to gather together in a general survey the principal prescriptions of the Church against the more common abuses in this subject. We do therefore publish, moln proprio and with certain knowledge, Our present Instruction to which, as to a juridical code of sacred music (quasi a codice ginn'dice della mnsica sacra), We will with the fulness of Our Apostolic Authority that the force of law be given, and We do by Our present handwriting impose its scrupulous observance on all. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Richard J. Hentz
Publisher: Forgotten Books
ISBN: 9780259807421
Category : Religion
Languages : en
Pages : 20

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Excerpt from Music in Today's Catholic Liturgy The history of music in worship indicates that musicians have never been at ease taking the humble role of servant in the liturgy, i.e., perform ing a ministerial function. Ecclesiastical legislation on music in worship bears witness to the fact that music has a strong propensity to be the lord and master rather than the servant. Instead of coming to the worship experi ence, asking what may I do for it has, and still does all too often, come with the bold statement: This is what I can do. Take it or leave it! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Edward Dickinson
Publisher: Forgotten Books
ISBN: 9780331174083
Category : Music
Languages : en
Pages : 446

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Excerpt from Music in the History of the Western Church: With an Introduction on Religious Music Among Primitive and Ancient Peoples The practical administration of music in public wor ship is one of the most interesting of the secondary problems with which the Christian Church has been called upon to deal. Song has proved such a universal necessity in worship that it may almost be said, no music no Church. The endless diversity of musical forms and styles involves the perennial question, How shall music contribute most effectually to the ends which church worship has in view without renouncing those attributes upon which its freedom as fine art depends? The present volume is an attempt to show how this problem has been treated by different confessions and in different nations and times; how music, in issuing from the bosom of the Church, has been moulded under the influence of varying ideals of devotion, liturgic usages, national temperaments, and types and methods of ex pression current in secular art. It is the author's chief purpose and hope to arouse in the minds of ministers and non-professional lovers of music, as well as of church musicians, an interest in this branch of art such as they cannot feel so long as its history is unknown to them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.