Author: Paul Oskar Kristeller
Publisher: Pontifical Institute of Mediaeval Studies
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 402
Book Description
Considered a definitive source for scholars and students, this highly acclaimed series illustrates the impact of Greek and Latin texts on the Middle Ages and Renaissance.
Catalogus Translationum Et Commentariorum, Volume 8
Author: Paul Oskar Kristeller
Publisher: Pontifical Institute of Mediaeval Studies
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 402
Book Description
Considered a definitive source for scholars and students, this highly acclaimed series illustrates the impact of Greek and Latin texts on the Middle Ages and Renaissance.
Publisher: Pontifical Institute of Mediaeval Studies
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 402
Book Description
Considered a definitive source for scholars and students, this highly acclaimed series illustrates the impact of Greek and Latin texts on the Middle Ages and Renaissance.
Catalogus Translationum Et Commentariorum
Author: James Hankins
Publisher: CUA Press
ISBN: 0813217296
Category : Classical literature
Languages : en
Pages : 307
Book Description
Annotation This volume covers six classical authors: Damianus, Geminus Rhodius, Hanno, Sallust, Themistius & Thucydides. The articles explore the influence of each in the medieval & renaissance world, followed in each case by a listing & brief description of latin commentaries before 1600.
Publisher: CUA Press
ISBN: 0813217296
Category : Classical literature
Languages : en
Pages : 307
Book Description
Annotation This volume covers six classical authors: Damianus, Geminus Rhodius, Hanno, Sallust, Themistius & Thucydides. The articles explore the influence of each in the medieval & renaissance world, followed in each case by a listing & brief description of latin commentaries before 1600.
Catalogus Translationum Et Commentariorum
Author: Virginia Brown
Publisher: CUA Press
ISBN: 0813213002
Category : Classical literature
Languages : en
Pages : 390
Book Description
Considered a definitive source for scholars and students, this highly acclaimed series illustrates the impact of Greek and Latin texts on the Middle Ages and Renaissance. In publication since 1960 and now in its eighth volume, the Catalogus Translationum et Commentariorum furnishes concrete evidence of when, where, and how an ancient author was known and appreciated in monastic, university, and humanist circles. Each article presents a historical survey of the influence and circulation of a particular author down to the present, followed by an exhaustive listing and brief description of Latin commentaries before 1600 on each of his works. For Greek authors, a full listing of pre-1600 translations into Latin is also provided. Sources of translations and commentaries include both printed editions and texts available only in medieval and Renaissance manuscripts. In the newest addition to the series, Volume VIII, six authors are treated in separate articles: Damianus, Geminus Rhodius, Hanno, Sallust, Themistius, and Thucydides. This volume is especially notable for its variety. Thucydides and Sallust were major historians and the interest their works generated -- in such diverse figures as Macchiavelli, Thomas More, and Thomas Hobbes -- has continued unabated. Damianus and Geminus Rhodius influenced optics and astronomy. Themistius provided a useful service to later students of Aristotle by paraphrasing Aristotle's treatises on logic, psychology, and natural science. Hanno's account of a voyage around the coast of West Africa has been regarded as a motivating factor behind the explorations of Vasco da Gama and Pedro Alvares Cabral and was cited in controversies involving the Portugueseand Spanish claims to the coasts of Africa and America. A list of addenda and corrigenda to four previously published articles (Columella, Tacitus, Vegetius, Xenophon) concludes the volume.
Publisher: CUA Press
ISBN: 0813213002
Category : Classical literature
Languages : en
Pages : 390
Book Description
Considered a definitive source for scholars and students, this highly acclaimed series illustrates the impact of Greek and Latin texts on the Middle Ages and Renaissance. In publication since 1960 and now in its eighth volume, the Catalogus Translationum et Commentariorum furnishes concrete evidence of when, where, and how an ancient author was known and appreciated in monastic, university, and humanist circles. Each article presents a historical survey of the influence and circulation of a particular author down to the present, followed by an exhaustive listing and brief description of Latin commentaries before 1600 on each of his works. For Greek authors, a full listing of pre-1600 translations into Latin is also provided. Sources of translations and commentaries include both printed editions and texts available only in medieval and Renaissance manuscripts. In the newest addition to the series, Volume VIII, six authors are treated in separate articles: Damianus, Geminus Rhodius, Hanno, Sallust, Themistius, and Thucydides. This volume is especially notable for its variety. Thucydides and Sallust were major historians and the interest their works generated -- in such diverse figures as Macchiavelli, Thomas More, and Thomas Hobbes -- has continued unabated. Damianus and Geminus Rhodius influenced optics and astronomy. Themistius provided a useful service to later students of Aristotle by paraphrasing Aristotle's treatises on logic, psychology, and natural science. Hanno's account of a voyage around the coast of West Africa has been regarded as a motivating factor behind the explorations of Vasco da Gama and Pedro Alvares Cabral and was cited in controversies involving the Portugueseand Spanish claims to the coasts of Africa and America. A list of addenda and corrigenda to four previously published articles (Columella, Tacitus, Vegetius, Xenophon) concludes the volume.
Tenue est mendacium
Author: Klaus Lennartz
Publisher: Barkhuis
ISBN: 9493194507
Category : Social Science
Languages : en
Pages : 369
Book Description
Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes, forgeries, and questions of authenticity. The result is this volume, in which our aim is to display some of the many possibilities available to scholarship. The exposure of fraud and the pursuit of truth may still be valid scholarly goals, but they implicitly demand that we confront the status of any text as a focal point for matters of belief and conviction. Recent approaches to forgery have begun to ask new questions, some intended purely for the sake of debate: Ought we to consider any author to have some inherent authenticity that precludes the possibility of a forger's successful parody? If every fake text has a real context, what can be learned about the cultural circumstances which give rise to forgeries? If every real text can potentially engender a parallel history of fakes, what can this alternative narrative teach us? What epistemological prejudices can lead us to swear a fake is genuine, or dismiss the real thing as inauthentic? Following Splendide Mendax and Animo Decipiendi?, this is the latest installment of an ongoing inquiry, conducted by scholars in numerous countries, into how the ancient world - its literature and culture, its history and art - appears when viewed through the lens of fakes and forgeries, sincerities and authenticities, genuine signatures and pseudepigrapha. How does scholarship tell the truth if evidence doesn't? But fabula docet: The falsum does not simply make the great, annoying stone before the door of the truth (otherwise this here would really be a "council of antiquarians and paleographers"). The falsum makes a delicate, fine tissue. It allows the verum to shine through, in nuances and reliefs that were less noticeable without its counterpart, really tied at the head. And, treated differentiated, it becomes even itself perlucidum, shines out with "hidden values."
Publisher: Barkhuis
ISBN: 9493194507
Category : Social Science
Languages : en
Pages : 369
Book Description
Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes, forgeries, and questions of authenticity. The result is this volume, in which our aim is to display some of the many possibilities available to scholarship. The exposure of fraud and the pursuit of truth may still be valid scholarly goals, but they implicitly demand that we confront the status of any text as a focal point for matters of belief and conviction. Recent approaches to forgery have begun to ask new questions, some intended purely for the sake of debate: Ought we to consider any author to have some inherent authenticity that precludes the possibility of a forger's successful parody? If every fake text has a real context, what can be learned about the cultural circumstances which give rise to forgeries? If every real text can potentially engender a parallel history of fakes, what can this alternative narrative teach us? What epistemological prejudices can lead us to swear a fake is genuine, or dismiss the real thing as inauthentic? Following Splendide Mendax and Animo Decipiendi?, this is the latest installment of an ongoing inquiry, conducted by scholars in numerous countries, into how the ancient world - its literature and culture, its history and art - appears when viewed through the lens of fakes and forgeries, sincerities and authenticities, genuine signatures and pseudepigrapha. How does scholarship tell the truth if evidence doesn't? But fabula docet: The falsum does not simply make the great, annoying stone before the door of the truth (otherwise this here would really be a "council of antiquarians and paleographers"). The falsum makes a delicate, fine tissue. It allows the verum to shine through, in nuances and reliefs that were less noticeable without its counterpart, really tied at the head. And, treated differentiated, it becomes even itself perlucidum, shines out with "hidden values."
Geminos's Introduction to the Phenomena
Author: James Evans
Publisher: Princeton University Press
ISBN: 0691187150
Category : Science
Languages : en
Pages : 346
Book Description
This is the first complete English translation of Geminos's Introduction to the Phenomena--one of the most important and interesting astronomical works of its type to have survived from Greek antiquity. Gracefully and charmingly written, Geminos's first-century BC textbook for beginning students of astronomy can now be read straight through with understanding and enjoyment by a wider audience than ever before. James Evans and Lennart Berggren's accurate and readable translation is accompanied by a thorough introduction and commentary that set Geminos's work in its historical, scientific, and philosophical context. This book is generously illustrated with diagrams from medieval manuscripts of Geminos's text, as well as drawings and photographs of ancient astronomical instruments. It will be of great interest to students of the history of science, to classicists, and to professional and amateur astronomers who seek to learn more about the origins of their science. Geminos provides a clear view of Greek astronomy in the period between Hipparchos and Ptolemy, treating such subjects as the zodiac, the constellations, the theory of the celestial sphere, lunar cycles, and eclipses. Most significantly, Geminos gives us the earliest detailed discussion of Babylonian astronomy by a Greek writer, thus offering valuable insight into the cross-cultural transmission of astronomical knowledge in antiquity.
Publisher: Princeton University Press
ISBN: 0691187150
Category : Science
Languages : en
Pages : 346
Book Description
This is the first complete English translation of Geminos's Introduction to the Phenomena--one of the most important and interesting astronomical works of its type to have survived from Greek antiquity. Gracefully and charmingly written, Geminos's first-century BC textbook for beginning students of astronomy can now be read straight through with understanding and enjoyment by a wider audience than ever before. James Evans and Lennart Berggren's accurate and readable translation is accompanied by a thorough introduction and commentary that set Geminos's work in its historical, scientific, and philosophical context. This book is generously illustrated with diagrams from medieval manuscripts of Geminos's text, as well as drawings and photographs of ancient astronomical instruments. It will be of great interest to students of the history of science, to classicists, and to professional and amateur astronomers who seek to learn more about the origins of their science. Geminos provides a clear view of Greek astronomy in the period between Hipparchos and Ptolemy, treating such subjects as the zodiac, the constellations, the theory of the celestial sphere, lunar cycles, and eclipses. Most significantly, Geminos gives us the earliest detailed discussion of Babylonian astronomy by a Greek writer, thus offering valuable insight into the cross-cultural transmission of astronomical knowledge in antiquity.
Cicero's Catilinarians
Author: D. H. Berry
Publisher:
ISBN: 0195326466
Category : History
Languages : en
Pages : 305
Book Description
The Catilinarians are a set of four speeches that Cicero, while consul in 63 BC, delivered before the senate and the Roman people against the conspirator Catiline and his followers. Or are they? Cicero did not publish the speeches until three years later, and he substantially revised them before publication, rewriting some passages and adding others, all with the aim of justifying the action he had taken against the conspirators and memorializing his own role in the suppression of the conspiracy. How, then, should we interpret these speeches as literature? Can we treat them as representing what Cicero actually said? Or do we have to read them merely as political pamphlets from a later time? In this, the first book-length discussion of these famous speeches, D. H. Berry clarifies what the speeches actually are and explains how he believes we should approach them. In addition, the book contains a full and up-to-date account of the Catilinarian conspiracy and a survey of the influence that the story of Catiline has had on writers such as Sallust and Virgil, Ben Jonson and Henrik Ibsen, from antiquity to the present day.
Publisher:
ISBN: 0195326466
Category : History
Languages : en
Pages : 305
Book Description
The Catilinarians are a set of four speeches that Cicero, while consul in 63 BC, delivered before the senate and the Roman people against the conspirator Catiline and his followers. Or are they? Cicero did not publish the speeches until three years later, and he substantially revised them before publication, rewriting some passages and adding others, all with the aim of justifying the action he had taken against the conspirators and memorializing his own role in the suppression of the conspiracy. How, then, should we interpret these speeches as literature? Can we treat them as representing what Cicero actually said? Or do we have to read them merely as political pamphlets from a later time? In this, the first book-length discussion of these famous speeches, D. H. Berry clarifies what the speeches actually are and explains how he believes we should approach them. In addition, the book contains a full and up-to-date account of the Catilinarian conspiracy and a survey of the influence that the story of Catiline has had on writers such as Sallust and Virgil, Ben Jonson and Henrik Ibsen, from antiquity to the present day.
Visual Translation
Author: Anne D. Hedeman
Publisher: University of Notre Dame Pess
ISBN: 0268202265
Category : History
Languages : en
Pages : 590
Book Description
Visual Translation breaks new ground in the study of French manuscripts, contributing to the fields of French humanism, textual translation, and the reception of the classical tradition in the first half of the fifteenth century. While the prominence and quality of illustrations in French manuscripts have attracted attention, their images have rarely been studied systematically as components of humanist translation. Anne D. Hedeman fills this gap by studying the humanist book production closely supervised by Laurent de Premierfait and Jean Lebègue for courtly Parisian audiences in the first half of the fifteenth century. Hedeman explores how visual translation works in a series of unusually densely illuminated manuscripts associated with Laurent and Lebègue circa 1404–54. These manuscripts cover both Latin texts, such as Statius’s Thebiad and Achilleid, Terence’s Comedies, and Sallust’s Conspiracy of Cataline and Jurguthine War, and French translations of Cicero’s De senectute, Boccaccio’s De casibus virorum illustrium and Decameron, and Bruni’s De bello Punico primo. Illuminations constitute a significant part of these manuscripts’ textual apparatus, which helped shape access to and interpretation of the texts for a French audience. Hedeman considers them as a group and reveals Laurent’s and Lebègue’s growing understanding of visual rhetoric and its ability to visually translate texts originating in a culture removed in time or geography for medieval readers who sought to understand them. The book discusses what happens when the visual cycles so carefully devised in collaboration with libraries and artists by Laurent and Lebègue escaped their control in a process of normalization. With over 180 color images, this major reference book will appeal to students and scholars of French, comparative literature, art history, history of the book, and translation studies.
Publisher: University of Notre Dame Pess
ISBN: 0268202265
Category : History
Languages : en
Pages : 590
Book Description
Visual Translation breaks new ground in the study of French manuscripts, contributing to the fields of French humanism, textual translation, and the reception of the classical tradition in the first half of the fifteenth century. While the prominence and quality of illustrations in French manuscripts have attracted attention, their images have rarely been studied systematically as components of humanist translation. Anne D. Hedeman fills this gap by studying the humanist book production closely supervised by Laurent de Premierfait and Jean Lebègue for courtly Parisian audiences in the first half of the fifteenth century. Hedeman explores how visual translation works in a series of unusually densely illuminated manuscripts associated with Laurent and Lebègue circa 1404–54. These manuscripts cover both Latin texts, such as Statius’s Thebiad and Achilleid, Terence’s Comedies, and Sallust’s Conspiracy of Cataline and Jurguthine War, and French translations of Cicero’s De senectute, Boccaccio’s De casibus virorum illustrium and Decameron, and Bruni’s De bello Punico primo. Illuminations constitute a significant part of these manuscripts’ textual apparatus, which helped shape access to and interpretation of the texts for a French audience. Hedeman considers them as a group and reveals Laurent’s and Lebègue’s growing understanding of visual rhetoric and its ability to visually translate texts originating in a culture removed in time or geography for medieval readers who sought to understand them. The book discusses what happens when the visual cycles so carefully devised in collaboration with libraries and artists by Laurent and Lebègue escaped their control in a process of normalization. With over 180 color images, this major reference book will appeal to students and scholars of French, comparative literature, art history, history of the book, and translation studies.
Portraying the Prince in the Renaissance
Author: Patrick Baker
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110472392
Category : Literary Criticism
Languages : en
Pages : 551
Book Description
The portrayal of princes plays a central role in the historical literature of the European Renaissance. The sixteen contributions collected in this volume examine such portrayals in a broad variety of historiographical, biographical, and poetic texts. It emerges clearly that historical portrayals were not essentially bound by generic constraints but instead took the form of res gestae or historiae, discrete or collective biographies, panegyric, mirrors for princes, epic poetry, orations, even commonplace books – whatever the occasion called for. Beyond questions of genre, the chapters focus on narrative strategies and the transformation of ancient, medieval, and contemporary authors, as well as on the influence of political, cultural, intellectual, and social contexts. Four broad thematic foci inform the structure of this book: the virtues ascribed to the prince, the cultural and political pretensions inscribed in literary portraits, the historical and literary models on which these portraits were based, and the method that underlay them. The volume is rounded out by a critical summary that considers the portrayal of princes in humanist historiogrpahy from the point of view of transformation theory.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110472392
Category : Literary Criticism
Languages : en
Pages : 551
Book Description
The portrayal of princes plays a central role in the historical literature of the European Renaissance. The sixteen contributions collected in this volume examine such portrayals in a broad variety of historiographical, biographical, and poetic texts. It emerges clearly that historical portrayals were not essentially bound by generic constraints but instead took the form of res gestae or historiae, discrete or collective biographies, panegyric, mirrors for princes, epic poetry, orations, even commonplace books – whatever the occasion called for. Beyond questions of genre, the chapters focus on narrative strategies and the transformation of ancient, medieval, and contemporary authors, as well as on the influence of political, cultural, intellectual, and social contexts. Four broad thematic foci inform the structure of this book: the virtues ascribed to the prince, the cultural and political pretensions inscribed in literary portraits, the historical and literary models on which these portraits were based, and the method that underlay them. The volume is rounded out by a critical summary that considers the portrayal of princes in humanist historiogrpahy from the point of view of transformation theory.
Modernity's Classics
Author: Sarah C. Humphreys
Publisher: Springer Science & Business Media
ISBN: 3642330711
Category : Social Science
Languages : en
Pages : 351
Book Description
This book presents critical studies of modern reconfigurations of conceptions of the past, of the 'classical', and of national heritage. Its scope is global (China, India, Egypt, Iran, Judaism, the Greco-Roman world) and inter-disciplinary (textual philology, history of art and architecture, philosophy, gardening). Its emphasis is on the complexity of the modernization process and of reactions to it: ideas and technologies travelled from India to Iran and from Japan to China, while reactions show tensions between museumization and the recreation of 'presence'. It challenges readers to rethink the assumptions of the disciplines in which they were trained
Publisher: Springer Science & Business Media
ISBN: 3642330711
Category : Social Science
Languages : en
Pages : 351
Book Description
This book presents critical studies of modern reconfigurations of conceptions of the past, of the 'classical', and of national heritage. Its scope is global (China, India, Egypt, Iran, Judaism, the Greco-Roman world) and inter-disciplinary (textual philology, history of art and architecture, philosophy, gardening). Its emphasis is on the complexity of the modernization process and of reactions to it: ideas and technologies travelled from India to Iran and from Japan to China, while reactions show tensions between museumization and the recreation of 'presence'. It challenges readers to rethink the assumptions of the disciplines in which they were trained
Caffaro, Genoa and the Twelfth-Century Crusades
Author: Mr Martin Hall
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472401425
Category : History
Languages : en
Pages : 436
Book Description
This volume provides the first comprehensive English translation, with a substantial introduction and notes, of the writings of Caffaro of Genoa, as well as related texts and documents on Genoa and the crusades. The majority of early crusading historiography is from a northern European and clerical perspective. Here is a very different voice, one with a more secular, Mediterranean tone. To see the similarities and differences with the mainstream sources offers an exciting new dimension to our understanding of the reception of crusading ideas in the Mediterranean and, given Genoa’s prominence in the commercial world, can help to illuminate the complex and controversial relationship between holy war and financial gain. Caffaro’s main composition, the ‘Annals’ of Genoa, began with the First Crusade and extended down to 1163. It also covers the city’s dealings with the Papacy, the German Empire, Sicily, Muslim Spain, and Pisa, as well as the development of Genoa itself. Sections from Caffaro’s continuators take the story down to the Third Crusade. Caffaro’s two other texts are exclusively about the crusades: ‘The Liberation of the Cities of the East’ and ‘The Capture of Almería and Tortosa’, while associated with him but of a later date is the ‘Short History of Jerusalem’. Alongside these narratives are a number of charters and letters that relate to, and complement, the main texts. These relate to matters such as Genoese privileges in the Holy Land and form a valuable resource in their own right. Placed alongside Caffaro’s narratives they can show the blend of commercial energy, civic pride and religious conviction that were the basis of Genoese activity in the complex world of the medieval Mediterranean.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472401425
Category : History
Languages : en
Pages : 436
Book Description
This volume provides the first comprehensive English translation, with a substantial introduction and notes, of the writings of Caffaro of Genoa, as well as related texts and documents on Genoa and the crusades. The majority of early crusading historiography is from a northern European and clerical perspective. Here is a very different voice, one with a more secular, Mediterranean tone. To see the similarities and differences with the mainstream sources offers an exciting new dimension to our understanding of the reception of crusading ideas in the Mediterranean and, given Genoa’s prominence in the commercial world, can help to illuminate the complex and controversial relationship between holy war and financial gain. Caffaro’s main composition, the ‘Annals’ of Genoa, began with the First Crusade and extended down to 1163. It also covers the city’s dealings with the Papacy, the German Empire, Sicily, Muslim Spain, and Pisa, as well as the development of Genoa itself. Sections from Caffaro’s continuators take the story down to the Third Crusade. Caffaro’s two other texts are exclusively about the crusades: ‘The Liberation of the Cities of the East’ and ‘The Capture of Almería and Tortosa’, while associated with him but of a later date is the ‘Short History of Jerusalem’. Alongside these narratives are a number of charters and letters that relate to, and complement, the main texts. These relate to matters such as Genoese privileges in the Holy Land and form a valuable resource in their own right. Placed alongside Caffaro’s narratives they can show the blend of commercial energy, civic pride and religious conviction that were the basis of Genoese activity in the complex world of the medieval Mediterranean.