Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Paintings, New York (City)
Languages : en
Pages : 348
Book Description
Catalogue of the Paintings in the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Paintings, New York (City)
Languages : en
Pages : 348
Book Description
Publisher:
ISBN:
Category : Paintings, New York (City)
Languages : en
Pages : 348
Book Description
Illustrated Catalogue
Author: George Henry Story
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 450
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 450
Book Description
Art Crossing Borders
Author: Jan Dirk Baetens
Publisher: BRILL
ISBN: 9004291997
Category : Social Science
Languages : en
Pages : 367
Book Description
Art Crossing Borders offers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Borders offers a crucial contribution to the field of art market studies.
Publisher: BRILL
ISBN: 9004291997
Category : Social Science
Languages : en
Pages : 367
Book Description
Art Crossing Borders offers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Borders offers a crucial contribution to the field of art market studies.
William H Vanderbilt's House and Collection Volume 7 thru 10
Author: Edward Strahan
Publisher: Lulu.com
ISBN: 1435755731
Category : History
Languages : en
Pages : 198
Book Description
Volumes 7 thru 10
Publisher: Lulu.com
ISBN: 1435755731
Category : History
Languages : en
Pages : 198
Book Description
Volumes 7 thru 10
Nineteenth- and Twentieth-century Paintings
Author: Richard R. Brettell
Publisher: Metropolitan Museum of Art
ISBN: 1588393496
Category : Painting, Modern
Languages : en
Pages : 482
Book Description
Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.
Publisher: Metropolitan Museum of Art
ISBN: 1588393496
Category : Painting, Modern
Languages : en
Pages : 482
Book Description
Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.
The New York Market for French Art in the Gilded Age, 1867–1893
Author: Leanne M. Zalewski
Publisher: Bloomsbury Publishing USA
ISBN: 1501358316
Category : Art
Languages : en
Pages : 265
Book Description
This transatlantic study analyses a missing chapter in the history of art collecting, the first art market bubble in the United States. In the decades following the Civil War, French art monopolized art collections across the United States. During this “Gilded Age picture rush,” the commercial art system-art dealers, galleries, auction houses, exhibitions, museums, art journals, press coverage, art histories, and collection catalogues-established a strong foothold it has not relinquished to this day. In addition, a pervasive concern for improving aesthetics and providing the best contemporary art to educate the masses led to the formation not only of private art collections, but also of institutions such as the Metropolitan Museum of Art and to the publication of art histories. Richly informed by collectors' and art dealers' diaries, letters, stock books, journals, and hitherto neglected art histories, The New York Market for French Art in the Gilded Age, 1867-1893 offers a fresh perspective on this trailblazing era.
Publisher: Bloomsbury Publishing USA
ISBN: 1501358316
Category : Art
Languages : en
Pages : 265
Book Description
This transatlantic study analyses a missing chapter in the history of art collecting, the first art market bubble in the United States. In the decades following the Civil War, French art monopolized art collections across the United States. During this “Gilded Age picture rush,” the commercial art system-art dealers, galleries, auction houses, exhibitions, museums, art journals, press coverage, art histories, and collection catalogues-established a strong foothold it has not relinquished to this day. In addition, a pervasive concern for improving aesthetics and providing the best contemporary art to educate the masses led to the formation not only of private art collections, but also of institutions such as the Metropolitan Museum of Art and to the publication of art histories. Richly informed by collectors' and art dealers' diaries, letters, stock books, journals, and hitherto neglected art histories, The New York Market for French Art in the Gilded Age, 1867-1893 offers a fresh perspective on this trailblazing era.
French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. Vol. 2, Nineteenth Century
Author:
Publisher: Metropolitan Museum of Art
ISBN:
Category : Painting
Languages : en
Pages : 256
Book Description
Publisher: Metropolitan Museum of Art
ISBN:
Category : Painting
Languages : en
Pages : 256
Book Description
Sargent Paintings
Author: John Singer Sargent
Publisher: Dover Publications
ISBN: 9780486410647
Category :
Languages : en
Pages : 0
Book Description
John Singer Sargent (1856–1925) produced works that helped establish the popular image of life among the rich and privileged. Sargent's skill in capturing a sense of aristocratic refinement, the dazzling richness of his brushwork, and his ability to flatter his subjects shine bright throughout this superb card collection. 24 full-color paintings include Oyster Gatherers of Cancale, Madame Gautreau Drinking a Toast, Garden Study of the Vickers Children, Self-Portrait, The Sons of Mrs. Malcolm Forbes, and more. Ready to frame or mail, these fine art cards have been meticulously reproduced at the highest possible standards.
Publisher: Dover Publications
ISBN: 9780486410647
Category :
Languages : en
Pages : 0
Book Description
John Singer Sargent (1856–1925) produced works that helped establish the popular image of life among the rich and privileged. Sargent's skill in capturing a sense of aristocratic refinement, the dazzling richness of his brushwork, and his ability to flatter his subjects shine bright throughout this superb card collection. 24 full-color paintings include Oyster Gatherers of Cancale, Madame Gautreau Drinking a Toast, Garden Study of the Vickers Children, Self-Portrait, The Sons of Mrs. Malcolm Forbes, and more. Ready to frame or mail, these fine art cards have been meticulously reproduced at the highest possible standards.
Victorian Artists' Autograph Replicas
Author: Julie F. Codell
Publisher: Routledge
ISBN: 0429628072
Category : Art
Languages : en
Pages : 381
Book Description
This book is a wide-ranging exploration of the production of Victorian art autograph replicas, a painting’s subsequent versions created by the same artist who painted the first version. Autograph replicas were considered originals, not copies, and were highly valued by collectors in Britain, America, Japan, Australia, and South Africa. Motivated by complex combinations of aesthetic and commercial interests, replicas generated a global, and especially transatlantic, market between the 1870s and the 1940s, and almost all collected replicas were eventually donated to US public museums, giving replicas authority in matters of public taste and museums’ modern cultural roles. This book will be of interest to scholars in art history, museum studies, and economic history.
Publisher: Routledge
ISBN: 0429628072
Category : Art
Languages : en
Pages : 381
Book Description
This book is a wide-ranging exploration of the production of Victorian art autograph replicas, a painting’s subsequent versions created by the same artist who painted the first version. Autograph replicas were considered originals, not copies, and were highly valued by collectors in Britain, America, Japan, Australia, and South Africa. Motivated by complex combinations of aesthetic and commercial interests, replicas generated a global, and especially transatlantic, market between the 1870s and the 1940s, and almost all collected replicas were eventually donated to US public museums, giving replicas authority in matters of public taste and museums’ modern cultural roles. This book will be of interest to scholars in art history, museum studies, and economic history.