Author: Sir William TitePublisher:
ISBN:
Category :
Languages : en
Pages : 302
Book Description
Catalogue of the Extensive, Important and Valuable Collection of Books, Manuscripts, Autograph Letters, and Engravings, of the Late Sir William Tite ... Which Will be Sold by Auction by Messrs. Sotheby, Wilkinson & Hodge ... on ... the 18th of May, 1874, Etc
Author: Sir William TiteCatalogue of Autographs, Etc
Author: Dobell, P. J. & A. E., booksellers, LondonPublisher:
ISBN:
Category :
Languages : en
Pages : 1012
Book Description
P.J. & A.E. Dobell Book Sale Catalogs
Author: P.J. & A.E. Dobell (Firm)Publisher:
ISBN:
Category :
Languages : en
Pages : 588
Book Description
Catalogue of the ... Collection of Books, Manuscripts, Autograph Letters, and Engravings of the Late Sir William Tite
Author: Sir William TitePublisher:
ISBN:
Category : Autographs
Languages : en
Pages : 288
Book Description
English Book Collectors
Author: William Younger FletcherPublisher:
ISBN:
Category : Book collectors
Languages : en
Pages : 544
Book Description
Prices of Books
Author: Henry Benjamin WheatleyPublisher:
ISBN:
Category : Books
Languages : en
Pages : 300
Book Description
The Ancient and Present State of the County and City of Cork
Author: Charles SmithPublisher:
ISBN:
Category : Cork (Ireland : County)
Languages : en
Pages : 454
Book Description
Whistler V. Ruskin
Author: James McNeill WhistlerPublisher:
ISBN:
Category : Art criticism
Languages : en
Pages : 44
Book Description
Catalogue Of The Valuable Library And Collections Of Engraved & Other Portraits, And Autograph Letters, The Property Of The Well-known Amateur William Wright
Author: William Wright (Esq )Publisher: Wentworth Press
ISBN: 9781012720933
Category :
Languages : en
Pages : 218
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
POT OF PAINT
Author: Linda MerrillPublisher: Smithsonian Books (DC)
ISBN:
Category : Art
Languages : en
Pages : 442
Book Description
"A Pot of Paint reconstructs the lost transcript and revisits the highly contested issues surrounding one of the most celebrated trials in the history of art. A libel suit brought in the London courts by American expatriate artist James McNeill Whistler against John Ruskin, England's most powerful art critic, the trial was essentially a debate of aesthetic theory conducted at a critical hour in the evolution of modern art." "After viewing an 1877 exhibition that included some of Whistler's most abstract works, Ruskin declared in print that the artist had flung "a pot of paint in the public's face." He called Whistler a "coxcomb" and said that it was the height of "cockney impudence" to ask two hundred guineas for a painting such as Nocturne in Black and Gold: The Falling Rocket. The dispute was fully covered in the popular press. Using those newspaper accounts, as well as letters, legal papers, Ruskin's instructions to his counsel, and Whistler's later rendition of events in The Gentle Art of Making Enemies, Linda Merrill reveals the deeply held, contrary aesthetic ideals of the two parties, and shows that, in many ways, the real litigants in Whistler v. Ruskin were traditional, representational art and art that tended toward abstraction." "During eighteen months of pretrial delays and two days of testimony from Whistler and several well-known figures in the art world, London debated the value and the meaning of art. A Pot of Paint retrieves these debates for a society that continues to argue the merits of innovation in art and the place of art in the modern world."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved