Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1392
Book Description
Athenaeum and Literary Chronicle
Athenaeum
The Athenaeum
The Athenæum
The Life of David Roberts, R.A.
Author: James Ballantine
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 332
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 332
Book Description
A Genealogical History of the Descendants of Joseph Peck
Author: Ira Ballou Peck
Publisher:
ISBN:
Category : England
Languages : en
Pages : 514
Book Description
Publisher:
ISBN:
Category : England
Languages : en
Pages : 514
Book Description
Turner's Golden Visions
Author: Charles Lewis Hind
Publisher: London ; Edinburgh : T. C. & E. C. Jack
ISBN:
Category :
Languages : en
Pages : 502
Book Description
Publisher: London ; Edinburgh : T. C. & E. C. Jack
ISBN:
Category :
Languages : en
Pages : 502
Book Description
History of Durham, Maine
Author: Everett Schermerhorn Stackpole
Publisher:
ISBN:
Category : History
Languages : en
Pages : 524
Book Description
Publisher:
ISBN:
Category : History
Languages : en
Pages : 524
Book Description
Athenaeum
Author: James Silk Buckingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 896
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 896
Book Description
William Blake's Printed Paintings
Author: Joseph Viscomi
Publisher: Paul Mellon Centre
ISBN: 9781913107208
Category : Monotype (Engraving)
Languages : en
Pages : 0
Book Description
An in-depth examination of William Blake's glorious and acclaimed series of twelve monoprints Among William Blake's (1757-1827) most widely recognized and highly regarded works as an artist are twelve color printed drawings, or monoprints, conceived and executed in 1795. This book investigates these masterworks, explaining Blake's technique--one he essentially reinvented, unaware of 17th-century precursors--to show that these works were produced as paintings, and played a crucial role in Blake's development as a painter. Using material and historical analyses, Joseph Viscomi argues that the monoprints were created as autonomous paintings rather than as illustrations for Blake's books with an intended viewing order. Enlivened with bountiful illustrations, the text approaches the works within the context of their time, not divorced from ideas expressed in Blake's writings but not illustrative of or determined by those writings.
Publisher: Paul Mellon Centre
ISBN: 9781913107208
Category : Monotype (Engraving)
Languages : en
Pages : 0
Book Description
An in-depth examination of William Blake's glorious and acclaimed series of twelve monoprints Among William Blake's (1757-1827) most widely recognized and highly regarded works as an artist are twelve color printed drawings, or monoprints, conceived and executed in 1795. This book investigates these masterworks, explaining Blake's technique--one he essentially reinvented, unaware of 17th-century precursors--to show that these works were produced as paintings, and played a crucial role in Blake's development as a painter. Using material and historical analyses, Joseph Viscomi argues that the monoprints were created as autonomous paintings rather than as illustrations for Blake's books with an intended viewing order. Enlivened with bountiful illustrations, the text approaches the works within the context of their time, not divorced from ideas expressed in Blake's writings but not illustrative of or determined by those writings.