Author: Bernard Quaritch (Firm)Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1028
Book Description
Catalogue
Author: Bernard Quaritch (Firm)Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1028
Book Description
Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum
Author: Harvard University. Fine Arts LibraryPublisher: Macmillan Reference USA
ISBN:
Category : Art
Languages : en
Pages : 700
Book Description
Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 1060
Book Description
Library Catalog
Author: Metropolitan Museum of Art (New York, N.Y.). LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 1062
Book Description
A Catalogue of Rare and Valuable Books on the Fine Arts
Author: Bernard QuaritchCatalogue of Works on the Fine Arts
Author: Bernard Quaritch (Firm)Publisher:
ISBN:
Category : Art
Languages : en
Pages : 388
Book Description
Knoedler Library: Christie's Sales 1903-1919
Author: M. Knoedler & CoPublisher:
ISBN:
Category : Art
Languages : en
Pages : 342
Book Description
CATALOGUE OF WORKS ON THE FINE ARTS
Author: Catalogues of Works on the Fine Arts... by Bernard Quaritch
Author: Bernard QuaritchFashionability, Exhibition Culture and Gender Politics
Author: Meaghan ClarkePublisher: Routledge
ISBN: 135102776X
Category : Art
Languages : en
Pages : 233
Book Description
Fair Women was the Victorian equivalent of a ‘blockbuster’ exhibition. Organised by a committee of women, it opened to great fanfare in the Grafton Galleries in London, and was comprised of both historical and contemporary portraits of women as well as decorative objects. Meaghan Clarke argues that the exhibition challenged contemporary assumptions about the representation of women and the superficiality of female collectors. The Fair Women phenomenon complicated gender stereotypes and foregrounded women as cultural arbiters. This book uncovers a wide range of texts and images to reveal that Fair Women brought together fashion, modernity and gender politics in new and surprising ways. It shows that, while invariably absent in institutional histories, women were vital to the development of the modern blockbuster exhibition. This book will be of interest to scholars in art and gender studies, museum studies, feminist art history, women artists and art history.