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Author: Chris Uhlenbeck Publisher: ISBN: 9780500239896 Category : Color prints, Japanese Languages : en Pages : 0
Book Description
In the winter of 1886-87, during his stay in Paris, Vincent van Gogh bought 660 Japanese prints at the art gallery of Siegfried Bing. His aim was to start dealing in them, but the exhibition he organized in the café-restaurant Le Tambourin was a total failure. However, he was now able to study his collection at ease and in close-up, and he gradually became captivated by their colourful, cheerful and unusual imagery. When he left for Arles, he took some prints with him, but the core remained in Paris with his brother Theo. Although some prints were later given away, the collection did not disperse. This book reveals new analyses of the collection, now held in the Van Gogh Museum, given as a long-term loan from the Vincent van Gogh Foundation. The authors delve into its history, and the role the prints played in Van Gogh's creative output. The book is illustrated with over 100 striking highlights from the collection.
Author: Chris Uhlenbeck Publisher: ISBN: 9780500239896 Category : Color prints, Japanese Languages : en Pages : 0
Book Description
In the winter of 1886-87, during his stay in Paris, Vincent van Gogh bought 660 Japanese prints at the art gallery of Siegfried Bing. His aim was to start dealing in them, but the exhibition he organized in the café-restaurant Le Tambourin was a total failure. However, he was now able to study his collection at ease and in close-up, and he gradually became captivated by their colourful, cheerful and unusual imagery. When he left for Arles, he took some prints with him, but the core remained in Paris with his brother Theo. Although some prints were later given away, the collection did not disperse. This book reveals new analyses of the collection, now held in the Van Gogh Museum, given as a long-term loan from the Vincent van Gogh Foundation. The authors delve into its history, and the role the prints played in Van Gogh's creative output. The book is illustrated with over 100 striking highlights from the collection.
Author: American Art Association Publisher: Forgotten Books ISBN: 9780365397762 Category : Art Languages : en Pages : 44
Book Description
Excerpt from Catalogue of Japanese Engravings: An Important Collection of Old Prints in Color Belonging to Mr. S. Bing, Paris A copy of this book will be found exhibited in this collection as No. 243. Moronobu, the great genius who knew how to translate latent aspirations into palpitating and personal works. He it was who cleared the way for artists of merit, supported by ever increasing success. The new formula which was. To break down the ancient barriers had been discovered. The people were about to rev1ve In art the external world as it was seen; an art which was to assimilate all crea tion and even the fantastic domain of that which had never been; which was going to bring all to its own like ness, bringing down even the gods and the most venerated saints from heaven, and to make all things subserve its abounding fancy. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Burlington Fine Arts Club Publisher: Forgotten Books ISBN: 9780265418574 Category : Art Languages : en Pages : 122
Book Description
Excerpt from Catalogue of Prints and Books, Illustrating the History of Engraving in Japan: Exhibited in 1888 It is well known that block printing was in use amongst the Chinese many centuries before its adoption in Europe, and as the same mechanical processes suffice for pictorial engraving, it might be inferred, and correctly, that in this respect also we have been in the rear of the Middle Kingdom. Not only was it so, but other Turanian nations, such as the Koreans and Japanese, have been able to take advantage of the labours of their neigh bours to anticipate us in the possession of an agency that in our hands has led the way to mighty strides of education. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Carnegie Museum of Art Publisher: ISBN: Category : Art Languages : en Pages : 224
Book Description
A selection of exemplary 20th-century Japanese woodblock prints from the collection of the Carnegie Museum of Art This volume presents more than 1,000 exemplary twentieth-century Japanese woodblock prints, from the collection of Carnegie Museum of Art in Pittsburgh. Taken together, the collection reflects the stylistic movements, aesthetic directions and historic changes of the past century, with particular emphasis on two significant movements: sosakuhanga (creative prints), represented by in-depth selections by Hiratsuka Un'ichi, Onchi Koshiro and Munakata Shiko; and shin-hanga (new prints), with works by Kawase Hasui and Hashiguchi Goyo. Carnegie Museum of Art also possesses several complete series of prints produced in such limited numbers that they are rarely seen today, including One Hundred Views of New Tokyo created between 1929 and 1932. In addition, an essay on the history and significance of the collection provides a brief introduction to Japanese printmaking in the twentieth century, making this illustrated guide an invaluable reference for researchers, curators, collectors and general enthusiasts of Japanese art.
Author: Burlington Fine Arts Club Publisher: Legare Street Press ISBN: 9781018216355 Category : Languages : en Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Sarah E. Thompson Publisher: Museum of Fine Arts Boston ISBN: 9780878468461 Category : ART Languages : en Pages : 151
Book Description
Reproduces ukiyo-e prints from the incomparable collection of Japanese art at the Museum of Fine Arts, Boston. Many tattoo connoisseurs consider the Japanese tradition to be the finest in the world for its detail, complexity, and compositional skill. Its style and subject matter are drawn from the visual treasure trove of Japanese popular culture, in particular the colour woodblock prints of the early nineteenth century known as ukiyo-e. This book tells the fascinating story of how ukiyo-e first inspired tattoo artists as the pictorial tradition of tattooing in Japan was just beginning. It explores the Japanese tattoo's evolving meanings, from symbol of devotion to punishment and even to crime, and reveals the tales behind specific motifs. With lush, colourful images of flowers blooming on the arm of a thief, sea monsters coiling across the back of a hero, and legendary warriors battling on the chests of actors, the tattoos in these Japanese prints can offer the same vivid inspiration today as they did two hundred years ago.
Author: Chris Uhlenbeck
Author: Chris Uhlenbeck
Author: American Art Association
Author: Burlington Fine Arts Club
Author: American Art Association
Author: Burlington Fine Arts Club
Author: Burlington Fine Arts Club
Author: Carnegie Museum of Art
Author: Burlington Fine Arts Club
Author: Sarah E. Thompson
Author: Roger S. Keyes