Author: Publisher:
ISBN:
Category : Painting, European
Languages : en
Pages : 86
Book Description
Catalogue of Important Old Master Paintings ...
Author: Old Master Prints and Drawings
Author: Carlo JamesPublisher: Amsterdam University Press
ISBN: 9789053562437
Category : Art
Languages : en
Pages : 502
Book Description
This long awaited English edition of Manuale per la conservazione e il restauro di disegni e stampe antichi (1991) offers a clear and complete manual for the preservation and conservation of old master prints and drawings. The authors throw light on the historical and scientific backgrounds concerning the problems of restoration techniques of arts on paper, from 1150, when paper was first introduced in Europe, until the middle of the nineteenth century. The book is indispensable for anyone occupied with the study and conservation of old prints and drawings. This richly illustrated, first English edition is revised and brought fully up to date.
History and Technique of Old Master Drawings
Author: Charles De TolnayPublisher: Conran Octopus
ISBN:
Category : Drawing
Languages : en
Pages : 296
Book Description
European Drawings
Author: J. Paul Getty MuseumPublisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380
Book Description
Old Master Drawings
Author: Karl Theodore ParkerPublisher:
ISBN:
Category : Drawing
Languages : en
Pages : 474
Book Description
Catalogue of Important Old Master Drawings, Fine Paintings, Etc. ...
Author: A Critical and Historical Corpus of Florentine Painting
Author: Richard OffnerPublisher:
ISBN:
Category : Painters
Languages : en
Pages : 272
Book Description
The Antonio II Badile Album of Drawings: The Origins of Collecting Drawings in Early Modern Northern Italy
Author: Evelyn KaretPublisher: Routledge
ISBN: 1351546678
Category : Art
Languages : en
Pages : 359
Book Description
Evelyn Karet's in-depth study of the Antonio II Badile Album - the earliest known example of an art collection pasted onto the pages of a book - is both focused and broad in its appeal to those interested in the early modern era. The provenance of the album is traced from its assemblage to the seventeenth-century collection of Conte Lodovico Moscardo to its dismantling by the dealer Francis Matthiesen in the 1950s, establishing that the volume conserved in the Frits Lugt Collection is not an original but a replica produced by Matthiesen. Although Antonio II must be celebrated as the collector of the drawings, new paleographic analysis has identified the actual compiler of the album after Antonio?s death providing a terminus post quem in the late 1530s or early 1540s. Karet enlarges the focus from the album itself to the historic tradition of collecting drawings in northern Italy in the early modern era before Vasari, for which the album provides a new point of reference. Throughout the book, Karet discusses the Badile family, examines the individual drawings in the book, investigates the contacts between artists and humanists, their rich, diverse collections and the humanist mind-set that fostered the appreciation of drawings. She explores notable early drawing collections in northern Italy and the role of northern Italy as a center of collection in the sixteenth and seventeenth centuries. The book concludes with two appendices: a reconstruction of the original album, including a discussion of the reconstruction process, suggestions about what the album originally looked like, and a page-by-page guide to its contents; and a detailed analysis of Francis Matthiesen's career. This book opens up new areas of inquiry into an overlooked subject.
Drawings in Midwestern Collections
Author: Burton Lewis DunbarPublisher: University of Missouri Press
ISBN: 9780826210623
Category : Art
Languages : en
Pages : 218
Book Description
Old master drawings kept in storage, their access limited to a few, will now be made widely accessible in this new series which will eventually include all drawings in some 70 midwestern collections. The first volume introduces a corpus of the rarest of European drawings through the year 1500, a time when artists had just begun to value drawings as works of art. It presents 30 entries written by 12 scholars, each a specialist in the art of the period, and each with immediate access to the artwork itself. Annotation copyright by Book News, Inc., Portland, OR
Italian Fifteenth- to Seventeenth-century Drawings
Author: Anna Forlani TempestiPublisher: Metropolitan Museum of Art
ISBN: 0870996061
Category : Art
Languages : en
Pages : 401
Book Description
Perhaps more than any other collector of his generation in the United States, Robert Lehman was interested in acquiring early drawings. He made a great effort to add drawings to the collection of paintings, sculpture, ceramics, glass, and other objects that his father, Philip Lehman, had begun assembling. The 116 Italian drawings analyzed and discussed in this volume are among the more than 2,000 works of art from the collection now housed in the Robert Lehman Wing of The Metropolitan Museum of Art. Robert Lehman's collection demonstrates the variety of drawings produced in Italy from the fifteenth to the seventeenth century, a period when the purposes and techniques of drawings, as well as the aims and abilities of the artist who made them, became increasingly sophisticated. The volume includes an elaborate design for an equestrian monument by Antonio Pollaiuolo, a magnificent study of a bear by Leonardo da Vinci, a cartoon by Luca Signorelli, a study for a vault fresco by Taddeo Zuccaro, and many other drawings that are among the best Italian examples to have survived from that era. Most types of drawings, in a wide variety of techniques, are represented—figure studies, grand compositions, landscapes, cartoons, modelli, and even sculptors' studies. -- Metropolitan Museum of Art website.