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Author: Bernhard Siegert Publisher: Fordham Univ Press ISBN: 0823263770 Category : Social Science Languages : en Pages : 287
Book Description
In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.
Author: Bernhard Siegert Publisher: Fordham Univ Press ISBN: 0823263770 Category : Social Science Languages : en Pages : 287
Book Description
In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.
Author: DK Publisher: Penguin ISBN: 1465421203 Category : Art Languages : en Pages : 402
Book Description
Experience the uplifting power of art on this breathtaking visual tour of 2,500 paintings and sculptures created by more than 700 artists from Michelangelo to Damien Hirst. This beautiful book brings you the very best of world art from cave paintings to Neoexpressionism. Enjoy iconic must-see works, such as Leonardo da Vinci's Last Supper and Monet's Waterlilies and discover less familiar artists and genres from all parts of the globe. Art That Changed the World covers the full sweep of world art, including the Ming era in China, and Japanese, Hindu, and Indigenous Australian art. It analyses recurring themes such as love and religion, explaining key genres from Romanesque to Conceptual art. Art That Changed the World explores each artist's key works and vision, showing details of their technique, such as Leonardo's use of light and shade. It tells the story of avant-garde works like Manet's Le Dejeuner sur l'herbe (Lunch on the Grass), which scandalized society, and traces how one genre informed another - showing how the Impressionists were inspired by Gustave Courbet, for example, and how Van Gogh was influenced by Japanese prints. Lavishly illustrated throughout, look no further for your essential guide to the pantheon of world art.
Author: Maureen Anderson Publisher: Jacaranda ISBN: 9780731409938 Category : World history Languages : en Pages : 378
Book Description
The Retroactive series continues to set the standard as a complete resource package for the History Years 7-10 Syllabus in New South Wales. The third edition of the series takes a fresh approach to course requirements with engaging new content, appealing formats and exciting digital resources in the new eBookPLUS. Full-colour Teacher Guides and eGuides supplement the student books. In this new edition of Retroactive 1, additional topics, new sources and an increased focus on skills mean students and teachers can be assured of a comprehensive and authoritative coverage of the most popular Stage 4 World History topics. Features of Retroactive 1 student book include: ? In-depth coverage of syllabus outcomes ? Highlighted sections with a civics and citizenship focus ? Integrated history skills, including a Working historically feature within chapters to aid in analysis of sources ? Clear text with a strong literacy focus ? Glossary terms defined on the page at point of use ? Clearly labelled colour diagrams and artwork ? Carefully- graded and categorised activities with scaffolded parts ? Working historically end of chapter sections to begin preparation for School Certificate ? Content in manageable ?chunks' using a double-page for chapter sub-topics ? Detailed artwork to bring to life people of the past and their societies ? Focus on key personalities in ancient and medieval societies ? Retrofiles with high-interest facts ? Varied and stimulating activities using sources Retroactive 1 3E features eBookPLUS which is provided FREE with the textbook, but is also available for purchase separately. eBookPLUS is an electronic version of the textbook and a complementary set of targeted digital resources. These flexible and engaging ICT activities are available online at the JacarandaPLUS website (www.jacplus.com.au). Your eBookPLUS resources include: ? ProjectsPLUS, an exciting new research management system featuring media, templates, and video introductions to a unique ICT project for each chapter; specifically designed to inspire and engage students while providing quality assessment support for teachers ? Student worksheets designed in Word for easy customisation and editing ? Weblinks to useful support material on the internet Click to view Retroactive 1 Stage 4 World History eBookPLUS.
Author: Mark Bence-Jones Publisher: Trans-Atlantic Publications ISBN: 9780094699908 Category : Travel Languages : en Pages : 320
Book Description
Nearly 2000 Irish country houses are feature d in this book, each having an alphabetical entry describing it. Almost all the entries give information on the history and ownership of the houses; many of them are enlivened with anecdotes and details. '
Author: Bernhard Siegert
Author: Bernhard Siegert
Author: DK
Author: 
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: LORENZ E. A. EITNER
Author: Jacob Simon
Author: Arthur Mayger Hind
Author: Maureen Anderson
Author: Maureen Anderson
Author: Mark Bence-Jones