Author: Publisher:
ISBN:
Category : Art
Languages : en
Pages : 888
Book Description
The Burlington Magazine
Author: Subject Index of the Modern Works Added to the British Museum Library
Author: Subject Index of Modern Books Acquired 1881/1900-.
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 654
Book Description
Subject Index of Modern Books Acquired
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : Best books
Languages : en
Pages : 670
Book Description
Objects of Vertu. Portraits Miniatures
Author: Trademarks on Base-metal Tableware
Author: Eileen WoodheadPublisher: National Historic Sites Parks Service Environment Canada
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 354
Book Description
Over the past decade the Metal Unit of the Material Culture Section, Archaeology Research Division, Canadian Parks Service, has maintained a reference file identifying marks found on metal artifacts. This document is a selection of marks on file that relate primarily to tableware items, from the late 18th century to about 1900.
Chats on Old Miniatures
Author: Joshua James FosterPublisher:
ISBN:
Category : Miniature painting
Languages : en
Pages : 384
Book Description
In Defiance of Painting
Author: Christine PoggiPublisher: Yale University Press
ISBN: 9780300051094
Category : Art
Languages : en
Pages : 318
Book Description
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.
Author: Henry Moore
Author: