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The Athenaeum

The Athenaeum PDF Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 862

Book Description


The Athenaeum

The Athenaeum PDF Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 862

Book Description


The Athenaeum

The Athenaeum PDF Author: James Silk Buckingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 856

Book Description


European Drawings

European Drawings PDF Author: J. Paul Getty Museum
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380

Book Description


German Paintings of the Fifteenth Through Seventeenth Centuries

German Paintings of the Fifteenth Through Seventeenth Centuries PDF Author: John Oliver Hand
Publisher: Cambridge University Press
ISBN: 9780521450935
Category : Painting
Languages : en
Pages : 215

Book Description
A catalogue of fifteenth and sixteenth century German paintings in the National Gallery of Art, Washington DC.

A History of Wood-engraving

A History of Wood-engraving PDF Author: George Edward Woodberry
Publisher:
ISBN:
Category : Wood-engraving
Languages : en
Pages : 218

Book Description


Fake?

Fake? PDF Author: Mark Jones
Publisher: Univ of California Press
ISBN: 9780520070875
Category : Art
Languages : en
Pages : 316

Book Description
Describes the methods used to make artistic, literary, documentary, and political forgeries and the recent scientific advances in their detection. Includes over 600 objects from the British Museum and many other major collections, from ancient Babylonia to the present day.

Rethinking Rembrandt

Rethinking Rembrandt PDF Author: Alan Chong
Publisher:
ISBN: 9789040096730
Category : Art, Dutch
Languages : en
Pages : 264

Book Description
Tien essays, naar aanleiding van een in oktober 2000 in het Isabella Stewart Gardner Museum in Boston gehouden symposium met als titel "Rethinking Rembrandt", waarin jonge wetenschappers een nieuwe en frisse kijk op Rembrandt geven.

Cyclopedia of Painters and Paintings

Cyclopedia of Painters and Paintings PDF Author: John Denison Champlin
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 448

Book Description


Roman Charity

Roman Charity PDF Author: Jutta Gisela Sperling
Publisher: transcript Verlag
ISBN: 3839432847
Category : Art
Languages : en
Pages : 431

Book Description
»Roman Charity« investigates the iconography of the breastfeeding daughter from the perspective of queer sexuality and erotic maternity. The volume explores the popularity of a topic that appealed to early modern observers for its eroticizing shock value, its ironic take on the concept of Catholic »charity«, and its implied critique of patriarchal power structures. It analyses why early modern viewers found an incestuous, adult breastfeeding scene »good to think with« and aims at expanding and queering our notions of early modern sexuality. Jutta Gisela Sperling discusses the different visual contexts in which »Roman Charity« flourished and reconstructs contemporary horizons of expectation by reference to literary sources, medical practice, and legal culture.

Rembrandt and His Critics 1630–1730

Rembrandt and His Critics 1630–1730 PDF Author: Seymour Slive
Publisher: Springer Science & Business Media
ISBN: 9401508380
Category : Art
Languages : en
Pages : 278

Book Description
My greatest debt in the writing of this book is to my teacher Dr. Ulrich Middeldorf, who taught me the methodology of research in art history, and who guided my studies of art theory and criticism. This study, which in an earlier form was accepted as a doctoral dissertation by the University of Chicago, was begun under Dr. Middeldorf's guidance, and during all stages of its preparation I benefited from his invaluable suggestions and criticism. A United States Government Grant enabled me to complete my researches on Rembrandt in the Netherlands, where I studied at the Rijksuniversiteit te Utrecht with Dr. J.G. van Gelder, who was particularly generous with his knowledge and time. He read the manuscript and proofs, and offered numerous suggestions and additions which have been of great benefit to me. Special acknowledgement is made to the Kunsthistorisch lnstituut der Rijksuniversiteit te Utrecht for generously finding a place for this study in the Utrechtse Bij dragen tot de Kunstgeschiedenis. I am also much indebted to Dr. H. Schulte Nordholt of the Kunsthistorisch lnstituut for his valuable advice and his help inseeing the book through the press.