Author: Bernard PierreusePublisher: Editions Jobert : Distribution, Editions musicales transatlantiques
ISBN:
Category : Music
Languages : fr
Pages : 524
Book Description
Catalogue général de l'édition musicale en France
Author: Bernard PierreusePublisher: Editions Jobert : Distribution, Editions musicales transatlantiques
ISBN:
Category : Music
Languages : fr
Pages : 524
Book Description
General Catalogue of Printed Books
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1362
Book Description
G. Schirmer's General Catalogue of English, German, and French Musical Literature and Theoretical Works
Author: G. Schirmer, firm, publishers, New YorkPublisher:
ISBN:
Category : Music
Languages : en
Pages : 196
Book Description
Music, Books on Music, and Sound Recordings
Author: Library of CongressPublisher:
ISBN:
Category : Music
Languages : en
Pages : 928
Book Description
Catalogue
Author: Sotheby, Wilkinson & HodgePublisher:
ISBN:
Category : Art
Languages : en
Pages : 322
Book Description
Bibliographic Guide to Music
Author: New York Public Library. Music DivisionPublisher:
ISBN:
Category : Music
Languages : en
Pages : 658
Book Description
Dictionary Catalog of the Music Collection
Author: New York Public Library. Reference DepartmentPublisher:
ISBN:
Category : Music
Languages : en
Pages : 788
Book Description
Music Reference and Research Materials
Author: Vincent Harris DucklesPublisher: MacMillan Publishing Company
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 778
Book Description
Catalogue
Author: Bernard Quaritch (Firm)Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1028
Book Description
The Social Worlds of Nineteenth-Century Chamber Music
Author: Marie Sumner LottPublisher: University of Illinois Press
ISBN: 0252097270
Category : Music
Languages : en
Pages : 329
Book Description
Music played an important role in the social life of nineteenth-century Europe, and music in the home provided a convenient way to entertain and communicate among friends and colleagues. String chamber music, in particular, fostered social interactions that helped build communities within communities. Marie Sumner Lott examines the music available to musical consumers in the nineteenth century, and what that music tells us about their tastes, priorities, and activities. Her social history of chamber music performance places the works of canonic composers such as Schubert, Brahms, and Dvoøák in relation to lesser-known but influential peers. The book explores the dynamic relationships among the active agents involved in the creation of Romantic music and shows how each influenced the others' choices in a rich, collaborative environment. In addition to documenting the ways companies acquired and marketed sheet music, Sumner Lott reveals how the publication and performance of chamber music differed from that of ephemeral piano and song genres or more monumental orchestral and operatic works. Several distinct niche markets existed within the audience for chamber music, and composers created new musical works for their use and enjoyment. Insightful and groundbreaking, The Social Worlds of Nineteenth-Century Chamber Music revises prevailing views of middle-class influence on nineteenth-century musical style and presents new methods for interpreting the meanings of musical works for musicians both past and present.