Author: Sigismond MannheimPublisher:
ISBN:
Category :
Languages : fr
Pages : 27
Book Description
Catalogue d'une très jolie collection d'objets d'art et de curiosité... composant le cabinet de feu M. Champion... Vente 6 décembre 1852...
Author: Sigismond MannheimCatalogue d'une très jolie collection d'objets d'art et de curiosité ... composant le cabinet de feu M. Champion ... dont la vente ... aura lieu ... les lundi 6, mardi 7 et mercredi 8 décembre 1852 ... Par le ministère de Me Ridel, etc. Few MS. Prices
Author: Edme CHAMPION ("Le Petit Manteau Bleu.".)Publisher:
ISBN:
Category :
Languages : fr
Pages : 27
Book Description
General Catalogue of Printed Books
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 520
Book Description
Très jolie collection d'objets d'art et de curiosités
Author: The British Library General Catalogue of Printed Books to 1975
Author: British Library (London)Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 536
Book Description
Catalogue d'objets d'art et de curiosité... de feu Champion... Vente 6 déc. 1852...
Author: ChampionCatalogue d'une collection d'objets d'art et de curiosité, composant le cabinet de feu M. Auguste... Vente 28 mai 1850,...
Author: Théret (père.)Catalogue d'une belle réunion d'objets d'art et de curiosité... composant la collection de feu M. R***... [Richtenberg]
![Catalogue d'une belle réunion d'objets d'art et de curiosité... composant la collection de feu M. R***... [Richtenberg] PDF](https://books.google.com/books/content/images/frontcover/4617twAACAAJ?fife=w80-h100)
Author: Sigismond MannheimRevolutionary Paris and the Market for Netherlandish Art
Author: Darius A. SpiethPublisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Author: Emile Barre