Bibliography of Eighteenth Century Art and Illustrated Books PDF Download

Author: J. Lewine
Publisher:
ISBN:
Category : Art
Languages : fr
Pages : 722

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Author: Charles-Alphonse Dufresnoy
Publisher: Librairie Droz
ISBN: 9782600009034
Category : Art
Languages : fr
Pages : 566

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Edition commentée de ce poème latin de 549 vers sur l'art de la peinture qui connut un succès considérable aux XVIIe et XVIIIe siècles.

Author: Roy Porter
Publisher: Polity
ISBN: 9780745612799
Category : History
Languages : en
Pages : 224

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Languages and Jargons is a contribution to the social history of language. This volume is particularly concerned with the special semi-private languages, dialects or jargons developed by different social groups, whether they are professions, like lawyers, doctors and teachers, voluntary associations like the Masons, social classes, or groups on the margin of society, such as beggars or Gypsies. The contributors are concerned to describe these jargons as they were spoken in particular places and times, to analyse their functions (which range from keeping secrets from outsiders to reinforcing a sense of collective identity), and to account for change over time. They also study the relations between these forms of speech and their speakers and the outside world - the rejection of jargon, the domestication of technical terms, and the transformation of former jargons into ordinary languages. The volume is mainly concerned with different forms of English from the 16th to the 20th century, but some contributors range further afield, from Calo to Urdu. Languages and Jargons will be of particular interest to students and scholars in social and cultural history, linguistics and sociolinguistics, and anthropology.

Author: Melissa Lee Hyde
Publisher: Getty Publications
ISBN: 9780892368259
Category : Art
Languages : en
Pages : 304

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"Unequivocally a modern, Francois Boucher (1703-70) defined the French artistic avant-garde throughout his career. Yet the triumph of modernist aesthetics - with its focus on the self-critical, the autonomous, and the intellectually challenging - has long discouraged art historians and other viewers from taking Boucher's playful and alluring works seriously. Rethinking Boucher revisits the cultural meanings and reception of his diverse oeuvre, inviting us to revise the interpretive cliches by which we have sought to tame this artist and his epoch."--BOOK JACKET.

Author: Charles-François Tiphaigne de La Roche
Publisher: BoD – Books on Demand
ISBN: 3368900536
Category : Fiction
Languages : en
Pages : 90

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Reproduction of the original.

Author: Ernst van de Wetering
Publisher: Amsterdam University Press
ISBN: 9789053562390
Category : Art
Languages : en
Pages : 378

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Rembrandts paintings have been admired throughout centuries because of their artistic freedom. But Rembrandt was also a craftsman whose painting technique was rooted the tradition. Rembrandt—The Painter at Work is the result of a lifelong search for Rembrandt's working methods, his intellectual approach to the art of painting and the way in which his studio functioned. Ernst van de Wetering demonstrates how this knowledge can be used to tackle questions about authenticity and other art-historical issues. Approximately 350 illustrations, half of which are reproduced in colour, make this book into a monumental tribute to one of the worlds most important painters. "The book is—if one may be allowed to say such a thing about a serious scholarly work—a gripping good-read.' Christopher White, The Burlington Magazine "This is a very rich book, a deeply felt analysis of an artist whom the author knows better than almost any other living scholar." Christopher Brown, Times Literary Supplement

Author: Michael Baxandall
Publisher: Yale University Press
ISBN: 9780300097498
Category : Art
Languages : en
Pages : 216

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He offers seven thought-provoking pieces, three of which are new and written specifically for this book. While Baxandall focuses on works of the fifteenth century, his essays transcend this period and show with fresh insight how words match the experience of looking at paintings and sculptures."--BOOK JACKET.

Author: Thomas Puttfarken
Publisher:
ISBN: 9780300033564
Category : Art
Languages : en
Pages : 144

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Author: Thomas DaCosta Kaufmann
Publisher: University of Chicago Press
ISBN: 9780226133119
Category : Art
Languages : en
Pages : 512

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Book Description
Art history traditionally classifies works of art by country as well as period, but often political borders and cultural boundaries are highly complex and fluid. Questions of identity, policy, and exchange make it difficult to determine the "place" of art, and often the art itself results from these conflicts of geography and culture. Addressing an important approach to art history, Thomas DaCosta Kaufmann's book offers essays that focus on the intricacies of accounting for the geographical dimension of art history during the early modern period in Europe, Latin America, and Asia. Toward a Geography of Art presents a historical overview of these complexities, debates contemporary concerns, and completes its exploration with a diverse collection of case studies. Employing the author's expertise in a variety of fields, the book delves into critical issues such as transculturation of indigenous traditions, mestizaje, the artistic metropolis, artistic diffusion, transfer, circulation, subversion, and center and periphery. What results is a foundational study that establishes the geography of art as a subject and forces us to reconsider assumptions about the place of art that underlie the longstanding narratives of art history.

Author: Meredith Martin
Publisher: Routledge
ISBN: 1351576062
Category : Art
Languages : en
Pages : 428

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Book Description
Architectural Space in Eighteenth-Century Europe: Constructing Identities and Interiors explores how a diverse, pan-European group of eighteenth-century patrons - among them bankers, bishops, bluestockings, and courtesans - used architectural space and décor to shape and express identity. Eighteenth-century European architects understood the client's instrumental role in giving form and meaning to architectural space. In a treatise published in 1745, the French architect Germain Boffrand determined that a visitor could "judge the character of the master for whom the house was built by the way in which it is planned, decorated and distributed." This interdisciplinary volume addresses two key interests of contemporary historians working in a range of disciplines: one, the broad question of identity formation, most notably as it relates to ideas of gender, class, and ethnicity; and two, the role played by different spatial environments in the production - not merely the reflection - of identity at defining historical and cultural moments. By combining contemporary critical analysis with a historically specific approach, the book's contributors situate ideas of space and the self within the visual and material remains of interiors in eighteenth-century Europe. In doing so, they offer compelling new insight not only into this historical period, but also into our own.