Author: Le Maire-DemouyPublisher:
ISBN:
Category :
Languages : fr
Pages : 92
Book Description
Catalogue des meubles et bronzes d'art, bronzes d'ameublement et d'éclairage..., marbres, objets de curiosité, terres cuites, biscuits... provenant de la maison Millet pour cause de décès... deuxième vente... 30 avril... 5 mai 1906...
Author: Le Maire-DemouyCatalogue des objets d'art et d'ameublement, sculptures en marbre et en terre cuite ...
Author: Ph SichelCatalogue de sculptures en pierre, marbre et bois des XVIIe et XVIIIe siècles, bronzes
Author: CollectifPublisher:
ISBN: 9782329543376
Category :
Languages : fr
Pages : 18
Book Description
Catalogue des objets d'art et de curiosité, sculptures en terre cuite et en marbre, eventails, miniatures, bijoux, objets de vitrine, porcelaines, bronzes d'ameublement, meubles dont la vente aura lieu... le... 25 novembre 1899...
Author: Charles MannheimCatalog of the Avery Memorial Architectural Library of Columbia University
Author: Avery LibraryPublisher:
ISBN:
Category : Architecture
Languages : en
Pages : 846
Book Description
Bronzes d'art et d'ameublement, émaux cloisonnés, marbres, terres cuites suite à la liquidation
Author: CollectifPublisher:
ISBN: 9782329506449
Category :
Languages : fr
Pages : 56
Book Description
"Sculptors and Design Reform in France, 1848 to 1895 "
Author: Claire JonesPublisher: Routledge
ISBN: 1351549693
Category : Art
Languages : en
Pages : 403
Book Description
Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.
![Catalogue d'une belle collection de marbres, objets d'art et de curiosité, statues, bustes, bas-reliefs et groupes en marbre; bronze, bois et terre cuite; bronzes anciens, pendule, porcelaines anciennes, ivoires sculptés, boiseries du temps de Louis XV, cheminées en marbre sculpté, etc. etc. [1844]. PDF](https://books.google.com/books/content/images/frontcover/FBzWjgEACAAJ?fife=w80-h100)
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