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Oud Holland

Oud Holland PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 230

Book Description


Oud Holland

Oud Holland PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 230

Book Description


The British Library General Catalogue of Printed Books to 1975

The British Library General Catalogue of Printed Books to 1975 PDF Author: British Library (London)
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 536

Book Description


General Catalogue of Printed Books to 1955

General Catalogue of Printed Books to 1955 PDF Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1292

Book Description


Revolutionary Paris and the Market for Netherlandish Art

Revolutionary Paris and the Market for Netherlandish Art PDF Author: Darius A. Spieth
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535

Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.

The Collections of The Nelson-Atkins Museum of Art

The Collections of The Nelson-Atkins Museum of Art PDF Author: Nelson-Atkins Museum of Art
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 496

Book Description
"This extraordinary book is the first in a projected series of specialized catalogues documenting the permanent collections of The Nelson-Atkins Museum of Art in Kansas City, Missouri. The collection of Italian paintings, a total of sixty works, is a representative one for the years 1300-1800 with significant examples from all major schools." "Each catalogue entry, written by Eliot W. Rowlands, includes a thorough and lively biography on the artist; complete technical notes and a detailed description; a fully documented commentary with a discussion of attribution, date, subject, and function; an exacting list of references that also summarizes the critical history of each work; and a full account of exhibition history and provenance. All the Italian paintings in the Nelson-Atkins collection are reproduced in full color, and there are over 200 black-and-white comparative illustrations."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Bibliography of Eighteenth Century Art and Illustrated Books

Bibliography of Eighteenth Century Art and Illustrated Books PDF Author: J. Lewine
Publisher:
ISBN:
Category : Art
Languages : fr
Pages : 722

Book Description


Catalogue d'une collection de tableaux anciens des écoles hollandaise, flamande, française & italienne arrivant de l'étranger

Catalogue d'une collection de tableaux anciens des écoles hollandaise, flamande, française & italienne arrivant de l'étranger PDF Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 24

Book Description


The J. Paul Getty Museum Journal

The J. Paul Getty Museum Journal PDF Author: The J. Paul Getty Muiseum
Publisher: Getty Publications
ISBN: 0892360062
Category : Art
Languages : en
Pages : 90

Book Description
The J. Paul Getty Museum Journal 4 is a compendium of articles and notes pertaining to the Museum’s permanent collections of decorative arts. This volume includes an introduction and two articles by Gillian Wilson, Curator of Decorative Arts. Volume 4 also features articles by Jiří Frel, the Museum’s Curator of Antiquities; Edith Standen, Curatorial Consultant, Department of Western European Art, the Metropolitan Museum of Art in New York; Geraldine Hussman, California State University at Northridge; Jean-Luc Bordeaux, Professor of Art History and Director of the Fine Arts Gallery, California State University at Northridge; and Faya Causey, University of California, Santa Barbara.

Our Fathers Have Told Us

Our Fathers Have Told Us PDF Author: John Ruskin
Publisher: Andesite Press
ISBN: 9781297790614
Category :
Languages : en
Pages : 338

Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Art Crossing Borders

Art Crossing Borders PDF Author: Jan Dirk Baetens
Publisher: Studies in the History of Coll
ISBN: 9789004291980
Category : Art
Languages : en
Pages : 351

Book Description
Art Crossing Bordersoffers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Bordersoffers a crucial contribution to the field of art market studies.