Author: Publisher:
ISBN:
Category :
Languages : fr
Pages : 0
Book Description
Catalogue d'une belle collection de dessins anciens des écoles italienne, hollandaise, flamande, espagnole et française dont la vente aura lieu a l'Hotel des Commissaire-priseurs Rue Drouot, no 5 salle no 3 les jeudi 26 et vendredi 27 mars 1863 ... Me Delbergue-Cormont, commissaire-priseur ... assisté de M. Clement
Author: Catalogue de dessins anciens et modernes appartenant a un amateur allemand et provenant des célèbres collections ... dessins d'ornement ... un grand nombre de lots de gravures, lithographies et photographies, cette vente aura lieu Hotel des Commissaires priseurs, rue Drouot ... les mercredi 11, jeudi 12 & vendredi 13 décembre 1867... par le ministère de Me Philippe Lechat, commissaire-priseur ... assisté de M. Blaisot, expert ...
Author: Catalogue d'une nombreuse collection de dessins ancients et modernes des écoles française, italienne, hollandaise et flamande provenant de la collection d'un amateur de province dont la vente ... aura lieu Hotel des Commissaire-priseurs Rue Drouot, no 5 ... les lundi 13, mardi 14, mercredi 15 et jeudi 16 avril 1863 ... Me Delbergue-Cormont, commissaire-priseur ... assisté de M. Clement ...
Author: "Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris "
Author: Ting ChangPublisher: Routledge
ISBN: 1351538454
Category : Art
Languages : en
Pages : 210
Book Description
Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris examines a history of contact between modern Europe and East Asia through three collectors: Henri Cernuschi, Emile Guimet, and Edmond de Goncourt. Drawing on a wealth of material including European travelogues of the East and Asian reports of the West, Ting Chang explores the politics of mobility and cross-cultural encounter in the nineteenth century. This book takes a new approach to museum studies and institutional critique by highlighting what is missing from the existing scholarship -- the foreign labors, social relations, and somatic experiences of travel that are constitutive of museums yet left out of their histories. The author explores how global trade and monetary theory shaped Cernuschi's collection of archaic Chinese bronze. Exchange systems, both material and immaterial, determined Guimet's museum of religious objects and Goncourt's private collection of Asian art. Bronze, porcelain, and prints articulated the shifting relations and frameworks of understanding between France, Japan, and China in a time of profound transformation. Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris thus looks at what Asian art was imagined to do for Europe. This book will be of interest to scholars and students interested in art history, travel imagery, museum studies, cross-cultural encounters, and modern transnational histories.
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