Author: Pieter Van Der Lugt
Publisher: BRILL
ISBN: 9004148396
Category : Religion
Languages : en
Pages : 598
Book Description
A quantitative structural approach also helps to identify the focal message of the poems."--Jacket.
Cantos And Strophes in Biblical Hebrew Poetry
Author: Pieter Van Der Lugt
Publisher: BRILL
ISBN: 9004148396
Category : Religion
Languages : en
Pages : 598
Book Description
A quantitative structural approach also helps to identify the focal message of the poems."--Jacket.
Publisher: BRILL
ISBN: 9004148396
Category : Religion
Languages : en
Pages : 598
Book Description
A quantitative structural approach also helps to identify the focal message of the poems."--Jacket.
Reading the Cantos (Routledge Revivals)
Author: Noel Stock
Publisher: Routledge
ISBN: 1136836519
Category : Literary Criticism
Languages : en
Pages : 82
Book Description
First published in 1967, this is a study which tackles the central problem of meaning, within Ezra Pound's The Cantos. It deals with the question of important critical issues, as well as of interpretation and understanding. Students of modern poetry will derive great benefit from this vigorous and lucid analysis of Pound's masterpiece. Noel Stock's finding is radical: that The Cantos is not a really a poem at all, but rather notes towards a poem. It is a collection of fragments of varying quality - some of extraordinary power and beauty - but in no sense formed into a work of art.
Publisher: Routledge
ISBN: 1136836519
Category : Literary Criticism
Languages : en
Pages : 82
Book Description
First published in 1967, this is a study which tackles the central problem of meaning, within Ezra Pound's The Cantos. It deals with the question of important critical issues, as well as of interpretation and understanding. Students of modern poetry will derive great benefit from this vigorous and lucid analysis of Pound's masterpiece. Noel Stock's finding is radical: that The Cantos is not a really a poem at all, but rather notes towards a poem. It is a collection of fragments of varying quality - some of extraordinary power and beauty - but in no sense formed into a work of art.
Cantos and Strophes in Biblical Hebrew Poetry III
Author: P. van der Lugt
Publisher: BRILL
ISBN: 9004262792
Category : Religion
Languages : en
Pages : 634
Book Description
This volume deals with the rhetoric, the formal and thematic framework, of Psalms 90-150 (the Fourth and Fifth Book of the Psalter). It is the conclusion of the Psalms Project started with Psalms 1-41, OTS 53 (2006) , and continued with Psalms 42-89, OTS 57 (2010). Formal and thematic devices demonstrate that the psalms are composed of a consistent pattern of cantos (stanzas) and strophes. The formal devices especially include quantitative balance on the level of the cantos in terms of verselines, verbal repetitions, and (on the level of the strophes) transition markers. The quantitative approach to a psalm in terms of verselines, cola and/or words in most cases clearly discloses a focal message. This massive study is rounded off by an updated introduction to the canto design of biblical poetry (including the book of Job, Lamentations, the Songs of Songs, Deutero-Isaiah and other major poems of the Hebrew Bible).
Publisher: BRILL
ISBN: 9004262792
Category : Religion
Languages : en
Pages : 634
Book Description
This volume deals with the rhetoric, the formal and thematic framework, of Psalms 90-150 (the Fourth and Fifth Book of the Psalter). It is the conclusion of the Psalms Project started with Psalms 1-41, OTS 53 (2006) , and continued with Psalms 42-89, OTS 57 (2010). Formal and thematic devices demonstrate that the psalms are composed of a consistent pattern of cantos (stanzas) and strophes. The formal devices especially include quantitative balance on the level of the cantos in terms of verselines, verbal repetitions, and (on the level of the strophes) transition markers. The quantitative approach to a psalm in terms of verselines, cola and/or words in most cases clearly discloses a focal message. This massive study is rounded off by an updated introduction to the canto design of biblical poetry (including the book of Job, Lamentations, the Songs of Songs, Deutero-Isaiah and other major poems of the Hebrew Bible).
Cantos and Strophes in Biblical Hebrew Poetry II
Author: P. van der Lugt
Publisher: BRILL
ISBN: 9004182330
Category : Religion
Languages : en
Pages : 584
Book Description
This volume deals with the poetic framework and material content of the Second and Third Books of the Psalter (Psalms 42-72 and 73-89). It is a continuation of the Psalms Project started in OTS 53 (2006). Formal and thematic devices demonstrate that the psalms are composed of a consistent pattern of cantos (stanzas) and strophes. The formal devices include quantitative balance on the level of cantos in terms of the number of verselines, verbal repetitions and transition markers. A quantitative structural approach also helps to identify the focal message of the poems. Introductions to the design of biblical poetry and the rhetorical centre of the psalms conclude this massive study. The third volume, dealing with the Fourth and Fifth Books of the Psalter (Psalms 90-106 and 107-151), is in preparation.
Publisher: BRILL
ISBN: 9004182330
Category : Religion
Languages : en
Pages : 584
Book Description
This volume deals with the poetic framework and material content of the Second and Third Books of the Psalter (Psalms 42-72 and 73-89). It is a continuation of the Psalms Project started in OTS 53 (2006). Formal and thematic devices demonstrate that the psalms are composed of a consistent pattern of cantos (stanzas) and strophes. The formal devices include quantitative balance on the level of cantos in terms of the number of verselines, verbal repetitions and transition markers. A quantitative structural approach also helps to identify the focal message of the poems. Introductions to the design of biblical poetry and the rhetorical centre of the psalms conclude this massive study. The third volume, dealing with the Fourth and Fifth Books of the Psalter (Psalms 90-106 and 107-151), is in preparation.
Readings in the Cantos
Author: Richard Parker
Publisher: Liverpool University Press
ISBN: 1949979032
Category : Literary Criticism
Languages : en
Pages : 400
Book Description
The three volumes of Readings in the Cantos bring together, in a ground-breaking format, a number of critical readings by world-renowned scholars of the central modernist long poem, The Cantos of Ezra Pound. Each contributor approaches either a single Canto or a defined small group of Cantos in isolation, providing a clear, informative, and interpretive reading that includes an up-to-date assessment of sources and an idea of recent critical approaches. Together the contributors offer a remarkably diverse reading of The Cantos that at the same time demonstrates the coherence of Pound's text.
Publisher: Liverpool University Press
ISBN: 1949979032
Category : Literary Criticism
Languages : en
Pages : 400
Book Description
The three volumes of Readings in the Cantos bring together, in a ground-breaking format, a number of critical readings by world-renowned scholars of the central modernist long poem, The Cantos of Ezra Pound. Each contributor approaches either a single Canto or a defined small group of Cantos in isolation, providing a clear, informative, and interpretive reading that includes an up-to-date assessment of sources and an idea of recent critical approaches. Together the contributors offer a remarkably diverse reading of The Cantos that at the same time demonstrates the coherence of Pound's text.
Ideogram
Author: Laszlo K. Géfin
Publisher: University of Texas Press
ISBN: 0292772904
Category : Literary Criticism
Languages : en
Pages : 182
Book Description
The ideogram changed the course of modern American poetry, and Ideogram is the first history of this important poetic tradition. In modern poetry the ideogram is an idea presented to the reader by means of the juxtaposition of concrete particulars, usually without connective words or phrases. The poem is therefore presented in precise images, usually very tersely, and free from conventional form and meter. The idea of presenting a concept in this manner derives in part from Ernest Fenollosa's essay "The Chinese Character as a Medium for Poetry," the Chinese written character itself being a juxtaposition of pictographs to form a new meaning. Ezra Pound's search for an alternative to traditional forms of verse composition resulted in his use of the ideogrammic method which, Laszlo K. Géfin asserts, became the major mode of presentation in twentieth-century American poetry. Two generations of avant-garde, experimental poets since Pound have turned to it for inspiration, evolving their own methods from its principles. Géfin begins by tracing the development of Pound's poetics from the pre-Imagist stage through Imagism and Vorticism to the formulation of the ideogrammic method. He then examines the Objectivist poetics of Louis Zukofsky, Charles Reznikoff, and George Oppen; the contributions to the ideogrammic tradition of William Carlos Williams; and the Projectivist theories of Charles Olson, Robert Duncan, and Robert Creeley. He concludes with an exploration of Allen Ginsberg's theory of the ellipse and Gary Snyder's "riprap" method. Throughout, Géfin maintains that the ideogrammic mode is the literary representation of the twentieth-century post-logical—even post-humanist—world view.
Publisher: University of Texas Press
ISBN: 0292772904
Category : Literary Criticism
Languages : en
Pages : 182
Book Description
The ideogram changed the course of modern American poetry, and Ideogram is the first history of this important poetic tradition. In modern poetry the ideogram is an idea presented to the reader by means of the juxtaposition of concrete particulars, usually without connective words or phrases. The poem is therefore presented in precise images, usually very tersely, and free from conventional form and meter. The idea of presenting a concept in this manner derives in part from Ernest Fenollosa's essay "The Chinese Character as a Medium for Poetry," the Chinese written character itself being a juxtaposition of pictographs to form a new meaning. Ezra Pound's search for an alternative to traditional forms of verse composition resulted in his use of the ideogrammic method which, Laszlo K. Géfin asserts, became the major mode of presentation in twentieth-century American poetry. Two generations of avant-garde, experimental poets since Pound have turned to it for inspiration, evolving their own methods from its principles. Géfin begins by tracing the development of Pound's poetics from the pre-Imagist stage through Imagism and Vorticism to the formulation of the ideogrammic method. He then examines the Objectivist poetics of Louis Zukofsky, Charles Reznikoff, and George Oppen; the contributions to the ideogrammic tradition of William Carlos Williams; and the Projectivist theories of Charles Olson, Robert Duncan, and Robert Creeley. He concludes with an exploration of Allen Ginsberg's theory of the ellipse and Gary Snyder's "riprap" method. Throughout, Géfin maintains that the ideogrammic mode is the literary representation of the twentieth-century post-logical—even post-humanist—world view.
Inter-American Yearbook on Human Rights / Anuario Interamericano de Derechos Humanos, Volume 18 (2002)
Author: Inter-American Commission on Human Rights
Publisher: BRILL
ISBN: 9004530231
Category : Law
Languages : en
Pages : 845
Book Description
Publisher: BRILL
ISBN: 9004530231
Category : Law
Languages : en
Pages : 845
Book Description
Dante's Comedy: Introductory Readings of Selected Cantos
Author: Uberto Limentani
Publisher: Cambridge University Press
ISBN: 9780521155069
Category : Literary Criticism
Languages : en
Pages : 178
Book Description
Professor Limentani offers a well-informed commentary on the individual Cantos of The Divine Comedy. He offers a scrupulous exposition of each of the ten Cantos, ironing out linguistic difficulties. The volume is genuinely introductory and could be profitably read by all non-specialists approaching Dante's poem for the first time.
Publisher: Cambridge University Press
ISBN: 9780521155069
Category : Literary Criticism
Languages : en
Pages : 178
Book Description
Professor Limentani offers a well-informed commentary on the individual Cantos of The Divine Comedy. He offers a scrupulous exposition of each of the ten Cantos, ironing out linguistic difficulties. The volume is genuinely introductory and could be profitably read by all non-specialists approaching Dante's poem for the first time.
Writing Australian Unsettlement
Author: Michael Farrell
Publisher: Springer
ISBN: 1137465417
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
A bold work of synthetic scholarship, Writing Australian Unsettlement argues that the history of Australian literature contains the rough beginnings of a new literacy. Michael Farrell reads songs, letters and visual poems by Indigenous farmers and stockmen, the unpunctuated journals of early settler women, drover tree-messages and carved clubs, and a meta-commentary on settlement from Moore River (the place escaped from in The Rabbit-Proof Fence) in order to rethink old forms. The book borrows the figure of the assemblage to suggest the active and revisable nature of Australian writing, arguing against the "settling" effects of its prior editors, anthologists, and historians. Avoiding the advancement of a new canon, Farrell offers instead an unsettled space in which to rethink Australian writing.
Publisher: Springer
ISBN: 1137465417
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
A bold work of synthetic scholarship, Writing Australian Unsettlement argues that the history of Australian literature contains the rough beginnings of a new literacy. Michael Farrell reads songs, letters and visual poems by Indigenous farmers and stockmen, the unpunctuated journals of early settler women, drover tree-messages and carved clubs, and a meta-commentary on settlement from Moore River (the place escaped from in The Rabbit-Proof Fence) in order to rethink old forms. The book borrows the figure of the assemblage to suggest the active and revisable nature of Australian writing, arguing against the "settling" effects of its prior editors, anthologists, and historians. Avoiding the advancement of a new canon, Farrell offers instead an unsettled space in which to rethink Australian writing.
Inter-American Yearbook on Human Rights / Anuario Interamericano de Derechos Humanos, Volume 19 (2003)
Author: Inter-American Commission on Human Rights
Publisher: BRILL
ISBN: 9004530258
Category : Law
Languages : en
Pages : 795
Book Description
Publisher: BRILL
ISBN: 9004530258
Category : Law
Languages : en
Pages : 795
Book Description