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Author: Erik Larsen Publisher: ISBN: Category : Art Languages : en Pages : 92
Book Description
Building on Weber's notion that Protestantism fosters the accumulation of wealth, Larsen argues that social and economic forces influence the form, style and content of art. To demonstrate his point, he provides a compelling analysis of the creation of art in the Netherlands during the 17th century. He examines how growing capitalism spawned a wealthy middle class that shaped Dutch painting into a national style through its patronage. He contrasts this style with the Baroque school of Flanders to the south and explores the reasons behind the differences in artistic expression. Art Historians as well as other scholars interested in the social ramifications of capitalism will find much to their liking in this stimulating work.
Author: Erik Larsen Publisher: ISBN: Category : Art Languages : en Pages : 92
Book Description
Building on Weber's notion that Protestantism fosters the accumulation of wealth, Larsen argues that social and economic forces influence the form, style and content of art. To demonstrate his point, he provides a compelling analysis of the creation of art in the Netherlands during the 17th century. He examines how growing capitalism spawned a wealthy middle class that shaped Dutch painting into a national style through its patronage. He contrasts this style with the Baroque school of Flanders to the south and explores the reasons behind the differences in artistic expression. Art Historians as well as other scholars interested in the social ramifications of capitalism will find much to their liking in this stimulating work.
Author: David Freedberg Publisher: Getty Publications ISBN: 0892362014 Category : Art Languages : en Pages : 458
Book Description
Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.
Author: Helmer J. Helmers Publisher: Cambridge University Press ISBN: 1316780325 Category : History Languages : en Pages :
Book Description
During the seventeenth century, the Dutch Republic was transformed into a leading political power in Europe, with global trading interests. It nurtured some of the period's greatest luminaries, including Rembrandt, Vermeer, Descartes and Spinoza. Long celebrated for its religious tolerance, artistic innovation and economic modernity, the United Provinces of the Netherlands also became known for their involvement with slavery and military repression in Asia, Africa, and the Americas. This Companion provides a compelling overview of the best scholarship on this much debated era, written by a wide range of experts in the field. Unique in its balanced treatment of global, political, socio-economic, literary, artistic, religious, and intellectual history, its nineteen chapters offer an indispensable guide for anyone interested in the world of the Dutch Golden Age.
Author: MiaM. Mochizuki Publisher: Routledge ISBN: 1351541994 Category : Art Languages : en Pages : 424
Book Description
Debunking the myth of the stark white Protestant church interior, this study explores the very objects and architectural additions that were in fact added to Netherlandish church interiors in the first century after iconoclasm. In charting these additions, Mia Mochizuki helps explain the impact of iconoclasm on the cultural topography of the Dutch Golden Age, and by extension, permits careful scrutiny of a decisive moment in the history of the image. Focusing on the Great or St. Bavo Church in Haarlem, this interdisciplinary book draws on art history, history and theology to look at the impact of iconoclasm and reformation on the process of image-making in the early modern Netherlands. The new objects that began to appear in the early Dutch Reformed Church signaled a dramatic change in the form, function and patronage of church art and testified to new roles for church, government, guild and resident. Each chapter in the book introduces a major theme of the nascent Protestant church interior - the Word made material, the Word made memorial and the Word made manifest - which is then explored through the painting, sculpture and architecture of the early Dutch Reformed Church. The text is heavily illustrated with images of the objects under discussion, many of them never before published. A large number of these images are from the camera of prize-winning photographer Tjeerd Frederikse, with additional photography courtesy of E.A. van Voorden. This book unveils, defines and reproduces a host of images previously unaddressed by scholarship and links them to more familiar and long studied Dutch paintings. It provides a religious art companion to general studies of Dutch Golden Age art and lends greater depth to our understanding of iconoclasm, as well as the way in which cultural artifacts and religious material culture reflect and help to shape the values of a community. Taking up the challenge of an unusual category of objects for visual analysis, this
Author: R. Po-Chia Hsia Publisher: Cambridge University Press ISBN: 1139433903 Category : History Languages : en Pages : 197
Book Description
Dutch society has enjoyed a reputation, or notoriety, for permissiveness from the sixteenth century to present times. The Dutch Republic in the Golden Age was the only society that tolerated religious dissenters of all persuasions in early modern Europe, despite being committed to a strictly Calvinist public Church. Professors R. Po-chia Hsia and Henk van Nierop have brought together a group of leading historians from the US, the UK and the Netherlands to probe the history and myth of this Dutch tradition of religious tolerance. This 2002 collection of outstanding essays reconsiders and revises contemporary views of Dutch tolerance. Taken as a whole, the volume's innovative scholarship offers unexpected insights into this important topic in religious and cultural history.
Author: ElizabethA. Sutton Publisher: Routledge ISBN: 1351569058 Category : Art Languages : en Pages : 297
Book Description
Using Pieter de Marees' Description and Historical Account of the Gold Kingdom of Guinea (1602) as her main source material, author Elizabeth Sutton brings to bear approaches from the disciplines of art history and book history to explore the context in which De Marees' account was created. Since variations of the images and text were repeated in other European travel collections and decorated maps, Sutton is able to trace how the framing of text and image shaped the formation of knowledge that continued to be repeated and distilled in later European depictions of Africans. She reads the engravings in De Marees' account as a demonstration of the intertwining domains of the Dutch pictorial tradition, intellectual inquiry, and Dutch mercantilism. At the same time, by analyzing the marketing tactics of the publisher, Cornelis Claesz, this study illuminates how early modern epistemological processes were influenced by the commodification of knowledge. Sutton examines the book's construction and marketing to shed new light on the social milieus that shared interests in ethnography, trade, and travel. Exploring how the images and text function together, Sutton suggests that Dutch visual and intellectual traditions informed readers' choices for translating De Marees' text visually. Through the examination of early modern Dutch print culture, Early Modern Dutch Prints of Africa expands the boundaries of our understanding of the European imperial enterprise.
Author: National Gallery of Art (U.S.) Publisher: Oxford University Press, USA ISBN: 9780894682117 Category : Painting Languages : en Pages : 0
Book Description
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.
Author: Erik Larsen
Author: Erik Larsen
Author: Erik Larsen
Author: David Freedberg
Author: Helmer J. Helmers
Author: MiaM. Mochizuki
Author: R. Po-Chia Hsia
Author: ElizabethA. Sutton
Author: Wayne E. Franits
Author: Simon Schama
Author: National Gallery of Art (U.S.)