Author: Ashok Mitra
Publisher: Psychology Press
ISBN: 9780714630823
Category : History
Languages : en
Pages : 228
Book Description
First Published in 1977. Routledge is an imprint of Taylor & Francis, an informa company.
Calcutta Diary
Author: Ashok Mitra
Publisher: Psychology Press
ISBN: 9780714630823
Category : History
Languages : en
Pages : 228
Book Description
First Published in 1977. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Psychology Press
ISBN: 9780714630823
Category : History
Languages : en
Pages : 228
Book Description
First Published in 1977. Routledge is an imprint of Taylor & Francis, an informa company.
The Early Annals of the English in Bengal
Author: Charles Robert Wilson
Publisher:
ISBN:
Category : Bengal (India)
Languages : en
Pages : 464
Book Description
Publisher:
ISBN:
Category : Bengal (India)
Languages : en
Pages : 464
Book Description
A Catalogue of Books Arranged in Classes, Comprising All Departments of Literature, Many of Them Rare, Valuable, and Curious Offered for Sale by Bernard Quaritch
A Catalogue of Books, Arranged in Classes
Author: Bernard Quaritch
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 598
Book Description
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 598
Book Description
The Evils of Disunity in Civic Or County Local Administration
Engineer's Journal and Railway, Public Works, Mining Gazette, of India and the Colonies
Luzac's Oriental List and Book Review
The Review of Applied Entomology
Partisan Aesthetics
Author: Sanjukta Sunderason
Publisher: Stanford University Press
ISBN: 1503613003
Category : History
Languages : en
Pages : 386
Book Description
Partisan Aesthetics explores art's entanglements with histories of war, famine, mass politics and displacements that marked late-colonial and postcolonial India. Introducing "partisan aesthetics" as a conceptual grid, the book identifies ways in which art became political through interactions with left-wing activism during the 1940s, and the afterlives of such interactions in post-independence India. Using an archive of artists and artist collectives working in Calcutta from these decades, Sanjukta Sunderason argues that artists became political not only as reporters, organizers and cadre of India's Communist Party, or socialist fellow travelers, but through shifting modes of political participations and dissociations. Unmooring questions of Indian modernism from its hitherto dominant harnesses to national or global affiliations, Sunderason activates, instead, distinctly locational histories that refract transnational currents. She analyzes largely unknown and dispersed archives—drawings, diaries, posters, periodicals, and pamphlets, alongside paintings and prints—and insists that art as archive is foundational to understanding modern art's socialist affiliations during India's long decolonization. By bringing together expanding fields of South Asian art, global modernisms, and Third World cultures, Partisan Aesthetics generates a new narrative that combines political history of Indian modernism, social history of postcolonial cultural criticism, and intellectual history of decolonization.
Publisher: Stanford University Press
ISBN: 1503613003
Category : History
Languages : en
Pages : 386
Book Description
Partisan Aesthetics explores art's entanglements with histories of war, famine, mass politics and displacements that marked late-colonial and postcolonial India. Introducing "partisan aesthetics" as a conceptual grid, the book identifies ways in which art became political through interactions with left-wing activism during the 1940s, and the afterlives of such interactions in post-independence India. Using an archive of artists and artist collectives working in Calcutta from these decades, Sanjukta Sunderason argues that artists became political not only as reporters, organizers and cadre of India's Communist Party, or socialist fellow travelers, but through shifting modes of political participations and dissociations. Unmooring questions of Indian modernism from its hitherto dominant harnesses to national or global affiliations, Sunderason activates, instead, distinctly locational histories that refract transnational currents. She analyzes largely unknown and dispersed archives—drawings, diaries, posters, periodicals, and pamphlets, alongside paintings and prints—and insists that art as archive is foundational to understanding modern art's socialist affiliations during India's long decolonization. By bringing together expanding fields of South Asian art, global modernisms, and Third World cultures, Partisan Aesthetics generates a new narrative that combines political history of Indian modernism, social history of postcolonial cultural criticism, and intellectual history of decolonization.
Bulletin of the Free Library of Philadelphia
Author: Free Library of Philadelphia
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 340
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 340
Book Description