Author: Marcel Detienne
Publisher: Stanford University Press
ISBN: 0804757496
Category : Social Science
Languages : en
Pages : 131
Book Description
A deliberately post-deconstructionist manifesto against the dangers of incommensurability, Marcel Detienne's book argues for and engages in the constructive comparison of societies of a great temporal and spatial diversity.
Comparing the Incomparable
Author: Marcel Detienne
Publisher: Stanford University Press
ISBN: 0804757496
Category : Social Science
Languages : en
Pages : 131
Book Description
A deliberately post-deconstructionist manifesto against the dangers of incommensurability, Marcel Detienne's book argues for and engages in the constructive comparison of societies of a great temporal and spatial diversity.
Publisher: Stanford University Press
ISBN: 0804757496
Category : Social Science
Languages : en
Pages : 131
Book Description
A deliberately post-deconstructionist manifesto against the dangers of incommensurability, Marcel Detienne's book argues for and engages in the constructive comparison of societies of a great temporal and spatial diversity.
The Translation Zone
Author: Emily Apter
Publisher: Princeton University Press
ISBN: 1400841216
Category : Literary Criticism
Languages : en
Pages : 311
Book Description
Translation, before 9/11, was deemed primarily an instrument of international relations, business, education, and culture. Today it seems, more than ever, a matter of war and peace. In The Translation Zone, Emily Apter argues that the field of translation studies, habitually confined to a framework of linguistic fidelity to an original, is ripe for expansion as the basis for a new comparative literature. Organized around a series of propositions that range from the idea that nothing is translatable to the idea that everything is translatable, The Translation Zone examines the vital role of translation studies in the "invention" of comparative literature as a discipline. Apter emphasizes "language wars" (including the role of mistranslation in the art of war), linguistic incommensurability in translation studies, the tension between textual and cultural translation, the role of translation in shaping a global literary canon, the resistance to Anglophone dominance, and the impact of translation technologies on the very notion of how translation is defined. The book speaks to a range of disciplines and spans the globe. Ultimately, The Translation Zone maintains that a new comparative literature must take stock of the political impact of translation technologies on the definition of foreign or symbolic languages in the humanities, while recognizing the complexity of language politics in a world at once more monolingual and more multilingual.
Publisher: Princeton University Press
ISBN: 1400841216
Category : Literary Criticism
Languages : en
Pages : 311
Book Description
Translation, before 9/11, was deemed primarily an instrument of international relations, business, education, and culture. Today it seems, more than ever, a matter of war and peace. In The Translation Zone, Emily Apter argues that the field of translation studies, habitually confined to a framework of linguistic fidelity to an original, is ripe for expansion as the basis for a new comparative literature. Organized around a series of propositions that range from the idea that nothing is translatable to the idea that everything is translatable, The Translation Zone examines the vital role of translation studies in the "invention" of comparative literature as a discipline. Apter emphasizes "language wars" (including the role of mistranslation in the art of war), linguistic incommensurability in translation studies, the tension between textual and cultural translation, the role of translation in shaping a global literary canon, the resistance to Anglophone dominance, and the impact of translation technologies on the very notion of how translation is defined. The book speaks to a range of disciplines and spans the globe. Ultimately, The Translation Zone maintains that a new comparative literature must take stock of the political impact of translation technologies on the definition of foreign or symbolic languages in the humanities, while recognizing the complexity of language politics in a world at once more monolingual and more multilingual.
The Types of the Folk-tale
The Hierarchies of Cuckoldry and Bankruptcy
Author: Charles Fourier
Publisher: Imagining Science
ISBN: 9780984115556
Category : Social Science
Languages : en
Pages : 93
Book Description
Admired by Marx and Engels, the Surrealists, the Situationists, Walter Benjamin and Roland Barthes, the great utopian socialist Charles Fourier (1772-1837) has been many things to many people: a proto-feminist, a Surrealist ancestor, a cantankerous cosmologist, a social critic and humorist and to this day one of France's truest visionary thinkers. He was also, as this volume demonstrates, a maniacal taxonomist. In this zoological guidebook to cuckoldry and commerce, Fourier offers a caustic critique of the bankruptcy of marriage and the prostitution of the economy, and the hypocrisies of a civilization that over-regulates sexual congress while allowing the financial sector to screw over the public. Gathered together here for the first time are Fourier's two "Hierarchies" --humorously regimented parades of civilization's cheaters and cheated-on in the domestic sphere of sex and the economic sphere of buying and selling commodities. "The Hierarchy of Cuckoldry" --translated into English for the first time--presents 72 species of the male cuckold, ranging from such "common class" cases as the Health-Conscious Cuckolds, to the short-horned Sympathetic, Optimist and Mystical Cuckolds, and the Long-horned varieties of the Irate, Disgraced and Posthumous Cuckolds. For Fourier, these amount to 72 manifestations of women's "secret insurrection" against the institution of marriage. "The Hierarchy of Bankruptcy" presents 36 species of the fraudulent bankrupt: a range of Light, Grandiose, and Contemptible shades of financial manipulators who force creditors, cities and even nations to bail them out of ultimately profitable bankruptcies. In these attacks on the morality of monogamy and the perils of laissez-faire capitalism, Fourier's "Hierarchies" resonate uncannily with our contemporary world.
Publisher: Imagining Science
ISBN: 9780984115556
Category : Social Science
Languages : en
Pages : 93
Book Description
Admired by Marx and Engels, the Surrealists, the Situationists, Walter Benjamin and Roland Barthes, the great utopian socialist Charles Fourier (1772-1837) has been many things to many people: a proto-feminist, a Surrealist ancestor, a cantankerous cosmologist, a social critic and humorist and to this day one of France's truest visionary thinkers. He was also, as this volume demonstrates, a maniacal taxonomist. In this zoological guidebook to cuckoldry and commerce, Fourier offers a caustic critique of the bankruptcy of marriage and the prostitution of the economy, and the hypocrisies of a civilization that over-regulates sexual congress while allowing the financial sector to screw over the public. Gathered together here for the first time are Fourier's two "Hierarchies" --humorously regimented parades of civilization's cheaters and cheated-on in the domestic sphere of sex and the economic sphere of buying and selling commodities. "The Hierarchy of Cuckoldry" --translated into English for the first time--presents 72 species of the male cuckold, ranging from such "common class" cases as the Health-Conscious Cuckolds, to the short-horned Sympathetic, Optimist and Mystical Cuckolds, and the Long-horned varieties of the Irate, Disgraced and Posthumous Cuckolds. For Fourier, these amount to 72 manifestations of women's "secret insurrection" against the institution of marriage. "The Hierarchy of Bankruptcy" presents 36 species of the fraudulent bankrupt: a range of Light, Grandiose, and Contemptible shades of financial manipulators who force creditors, cities and even nations to bail them out of ultimately profitable bankruptcies. In these attacks on the morality of monogamy and the perils of laissez-faire capitalism, Fourier's "Hierarchies" resonate uncannily with our contemporary world.
The Return of Thematic Criticism
Author: Werner Sollors
Publisher: Harvard University Press
ISBN: 9780674766877
Category : Literary Criticism
Languages : en
Pages : 356
Book Description
This performance of the Giuseppe Verdi opera La Traviata in the picturesque setting of the Sydney Harbour features vocalists such as Emma Matthews, Gianluca Terranova, and Jonathan Summers in the leading roles. ~ Cammila Collar, Rovi
Publisher: Harvard University Press
ISBN: 9780674766877
Category : Literary Criticism
Languages : en
Pages : 356
Book Description
This performance of the Giuseppe Verdi opera La Traviata in the picturesque setting of the Sydney Harbour features vocalists such as Emma Matthews, Gianluca Terranova, and Jonathan Summers in the leading roles. ~ Cammila Collar, Rovi
The Poetics of Translation
Author: Willis Barnstone
Publisher: Yale University Press
ISBN: 9780300063004
Category : Religion
Languages : en
Pages : 316
Book Description
In this volume, eminent poet, scholar and translator Willis Barnstone explores the history and theory of literary translations as an art form. Arguing that literary translation goes beyond the transfer of linguistic information, Barnstone emphasizes that the translation contains as much imaginative originality as the source text.
Publisher: Yale University Press
ISBN: 9780300063004
Category : Religion
Languages : en
Pages : 316
Book Description
In this volume, eminent poet, scholar and translator Willis Barnstone explores the history and theory of literary translations as an art form. Arguing that literary translation goes beyond the transfer of linguistic information, Barnstone emphasizes that the translation contains as much imaginative originality as the source text.
The Classic Fairy Tales
Author: Maria Tatar
Publisher: W. W. Norton
ISBN: 9780393972771
Category : Literary Criticism
Languages : en
Pages : 394
Book Description
Focusing on six types of tales in variants from around the world, essays explore the genre, cultural implications, and critical history.
Publisher: W. W. Norton
ISBN: 9780393972771
Category : Literary Criticism
Languages : en
Pages : 394
Book Description
Focusing on six types of tales in variants from around the world, essays explore the genre, cultural implications, and critical history.
Albert Camus and the Literature of Revolt
On the Universal
Author: Francois Jullien
Publisher: Polity
ISBN: 9780745646220
Category : Philosophy
Languages : en
Pages : 228
Book Description
François Jullien, the leading philosopher and specialist in Chinese thought, has always aimed at building on inter-cultural relations between China and the West. In this new book he focuses on the following questions: Do universal values exist? Is dialogue between cultures possible? To answer these questions, he retraces the history of the concept of the universal from its invention as an aspect of Roman citizenship, through its neutralization in the Christian idea of salvation, to its present day manifestations. This raises the question of whether the search for the universal is a uniquely Western preoccupation: do other cultures, like China, even have a notion of the universal, and if so, how does it differ from ours? Having considered the meaning of the concept in the East and West, Jullien argues that, if communication between cultures is to be meaningful, facile assumptions of universal values and complacent relativism need to be examined. It follows, therefore, that dialogue between cultures should not begin with issues of identity and difference, but rather by considering divergence and profusion. By no longer simply assuming universality, we allow for greater self-reflection. This wide-ranging and engaging study will be of particular interest to students and scholars of philosophy and of Chinese culture and society. It will also appeal to a wider readership interested in contemporary thought and the challenges of communication between East and West.
Publisher: Polity
ISBN: 9780745646220
Category : Philosophy
Languages : en
Pages : 228
Book Description
François Jullien, the leading philosopher and specialist in Chinese thought, has always aimed at building on inter-cultural relations between China and the West. In this new book he focuses on the following questions: Do universal values exist? Is dialogue between cultures possible? To answer these questions, he retraces the history of the concept of the universal from its invention as an aspect of Roman citizenship, through its neutralization in the Christian idea of salvation, to its present day manifestations. This raises the question of whether the search for the universal is a uniquely Western preoccupation: do other cultures, like China, even have a notion of the universal, and if so, how does it differ from ours? Having considered the meaning of the concept in the East and West, Jullien argues that, if communication between cultures is to be meaningful, facile assumptions of universal values and complacent relativism need to be examined. It follows, therefore, that dialogue between cultures should not begin with issues of identity and difference, but rather by considering divergence and profusion. By no longer simply assuming universality, we allow for greater self-reflection. This wide-ranging and engaging study will be of particular interest to students and scholars of philosophy and of Chinese culture and society. It will also appeal to a wider readership interested in contemporary thought and the challenges of communication between East and West.
Camus' Imperial Vision
Author: Anthony Rizzuto
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 174
Book Description
Although the young Camus celebrated his godlike difference, Anthony Rizzuto reveals here that this leading existentialist gradually embraced the community of man. In the early Camus (La Morte heureuse, Caligula, L’Etranger), Rizzuto identifies an imperial vision that requires utter detachment. It presumes the “ability to be reborn . . . purely out of one’s will.” Body and mind must be separated, memory stifled. In Le Mythe de Sisyphe the Camus hero evolves from a detached intellectual to a man of action. Camus urges commitment, argues against suicide. Yet the imperial vision persists; the protagonist is an actor-hero who creates himself, who shows himself not as he is but as he would be. The plague, a mad moral equivalent to the Nazi invasion, forms human ties in La Peste. Camus preaches solidarity, shifts focus from the self to the group. Dr. Rieux, the protagonist, reflects Camus’ new sense of commitment: he is not an elitist actor-hero but a man among equals. With L’Homme révolté, Camus affirms human nature and, for the first time, acknowledges the past: “The suppression of the past, whether historical or psychological, engenders not an emancipated future but a bloody fiction… Every modern revolution has… contributed to the further enslavement of man.” Camus’ last novel, La Chute, satirizes both Sartre and his own earlier work. Here Camus attacks the concept of monologue, calling instead for dialogue—a democratic exchange of ideas. He also recants his ridicule of the Socratic dictum, “Know thyself.” And reversing his earlier position, Camus concludes that the “division of sensation and intellect spawns cultural barbarism.” No longer an aloof god, Camus has become a man.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 174
Book Description
Although the young Camus celebrated his godlike difference, Anthony Rizzuto reveals here that this leading existentialist gradually embraced the community of man. In the early Camus (La Morte heureuse, Caligula, L’Etranger), Rizzuto identifies an imperial vision that requires utter detachment. It presumes the “ability to be reborn . . . purely out of one’s will.” Body and mind must be separated, memory stifled. In Le Mythe de Sisyphe the Camus hero evolves from a detached intellectual to a man of action. Camus urges commitment, argues against suicide. Yet the imperial vision persists; the protagonist is an actor-hero who creates himself, who shows himself not as he is but as he would be. The plague, a mad moral equivalent to the Nazi invasion, forms human ties in La Peste. Camus preaches solidarity, shifts focus from the self to the group. Dr. Rieux, the protagonist, reflects Camus’ new sense of commitment: he is not an elitist actor-hero but a man among equals. With L’Homme révolté, Camus affirms human nature and, for the first time, acknowledges the past: “The suppression of the past, whether historical or psychological, engenders not an emancipated future but a bloody fiction… Every modern revolution has… contributed to the further enslavement of man.” Camus’ last novel, La Chute, satirizes both Sartre and his own earlier work. Here Camus attacks the concept of monologue, calling instead for dialogue—a democratic exchange of ideas. He also recants his ridicule of the Socratic dictum, “Know thyself.” And reversing his earlier position, Camus concludes that the “division of sensation and intellect spawns cultural barbarism.” No longer an aloof god, Camus has become a man.