Les Cahiers Britanniques Et Americains PDF Download

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 712

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ISBN:
Category : Africa
Languages : fr
Pages : 496

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Author: Russell Williams
Publisher: Brill
ISBN: 9789004416895
Category :
Languages : en
Pages : 0

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In Pathos, Poetry and Politics, Russell Williams examines the literary style in the work of Michel Houellebecq. This book underlines the extent to which the author's notorious provocations are key to the texture of his novels.

Author: Edwin A. Lovatt
Publisher: Routledge
ISBN: 1134930623
Category : Foreign Language Study
Languages : en
Pages : 574

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First published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.

Author: Jim Hillier
Publisher: Harvard University Press
ISBN: 9780674090613
Category : Performing Arts
Languages : en
Pages : 332

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The Cahiers du Cinéma has played a major role in establishing film theory and criticism as an essential part of the late 20th century culture. This volume contains articles from the 1950s.

Author: Andrew W.M. Smith
Publisher: UCL Press
ISBN: 1911307746
Category : History
Languages : en
Pages : 257

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Looking at decolonization in the conditional tense, this volume teases out the complex and uncertain ends of British and French empire in Africa during the period of ‘late colonial shift’ after 1945. Rather than view decolonization as an inevitable process, the contributors together explore the crucial historical moments in which change was negotiated, compromises were made, and debates were staged. Three core themes guide the analysis: development, contingency and entanglement. The chapters consider the ways in which decolonization was governed and moderated by concerns about development and profit. A complementary focus on contingency allows deeper consideration of how colonial powers planned for ‘colonial futures’, and how divergent voices greeted the end of empire. Thinking about entanglements likewise stresses both the connections that existed between the British and French empires in Africa, and those that endured beyond the formal transfer of power.

Author: Frédéric Barbier
Publisher: Librairie Droz
ISBN: 9782600001984
Category : Authors
Languages : fr
Pages : 848

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Etudes réunies en quatre grandes séquences historiques : L'apparition du livre : du manuscrit au livre (Moyen Age-XVIe siècle) ; Histoire et pouvoirs de l'écrit : l'Ancien Régime typographique (XVIIe siècle-années 1760) ; La seconde révolution du livre et le temps de l'industrialisation ; Le monde contemporain (années 1860-XXe siècle).

Author: Saverio Giovacchini
Publisher: Univ. Press of Mississippi
ISBN: 1628468882
Category : Performing Arts
Languages : en
Pages : 407

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Contributions by Nathaniel Brennan, Luca Caminati, Silvia Carlorosi, Caroline Eades, Saverio Giovacchini, Paula Halperin, Neepa Majumdar, Mariano Mestman, Hamid Naficy, Sada Niang, Masha Salazkina, Sarah Sarzynski, Robert Sklar, and Vito Zagarrio Intellectual, cultural, and film historians have long considered neorealism the founding block of post-World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of fascism. Lasting from 1945 to the early 1950s, neorealism produced world-renowned masterpieces such as Roberto Rossellini's Roma, città aperta (Rome, Open City, 1945) and Vittorio De Sica's Ladri di biciclette (Bicycle Thieves, 1947). These films won some of the most prestigious film awards of the immediate postwar period and influenced world cinema. This collection brings together distinguished film scholars and cultural historians to complicate this nation-based approach to the history of neorealism. The traditional story notwithstanding, the meaning and the origins of the term are problematic. What does neorealism really mean, and how Italian is it? Italian filmmakers were wary of using the term and Rossellini preferred "realism." Many filmmakers confessed to having greatly borrowed from other cinemas, including French, Soviet, and American. Divided into three sections, Global Neorealism examines the history of this film style from the 1930s to the 1970s using a global and international perspective. The first section examines the origins of neorealism in the international debate about realist esthetics in the 1930s. The second section discusses how this debate about realism was “Italianized” and coalesced into Italian “neorealism” and explores how critics and film distributors participated in coining the term. Finally, the third section looks at neorealism’s success outside of Italy and examines how film cultures in Latin America, Africa, Asia, and the United States adjusted the style to their national and regional situations.

Author: Ronald Bergan
Publisher: DK Publishing (Dorling Kindersley)
ISBN: 9780241484838
Category : Biography & Autobiography
Languages : en
Pages : 0

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Story of cinema -- How movies are made -- Movie genres -- World cinema -- A-Z directors -- Must-see movies.

Author:
Publisher:
ISBN:
Category : Former Soviet republics
Languages : fr
Pages : 896

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