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Author: Bert Quint Publisher: iUniverse ISBN: 0595130143 Category : Fiction Languages : en Pages : 190
Book Description
Sam Sloane is an over-the-hill foreign correspondent still plagued by painful memories of his reporting days in Vietnam. He has refused to adapt to the cheapening of TV news and is called home to be fired. Back in the mahogany foxholes of New York, he finds himself confronting not only today’s corporate America, but the demons of his own past. A wounded cameraman helps him to deal with the nightmares and face the future. It’s a story of the intense friendship of comrades who live together and come close to dying together. It is also a poignant tale of Americans and Vietnamese, frightened men and lonely women, and of one little girl who is the symbol of wartime Vietnam. There is tragedy and profanity and dark humor but this story tells of more than man’s inhumanity to man. It speaks of man’s humanity to man.
Author: Bert Quint Publisher: iUniverse ISBN: 0595130143 Category : Fiction Languages : en Pages : 190
Book Description
Sam Sloane is an over-the-hill foreign correspondent still plagued by painful memories of his reporting days in Vietnam. He has refused to adapt to the cheapening of TV news and is called home to be fired. Back in the mahogany foxholes of New York, he finds himself confronting not only today’s corporate America, but the demons of his own past. A wounded cameraman helps him to deal with the nightmares and face the future. It’s a story of the intense friendship of comrades who live together and come close to dying together. It is also a poignant tale of Americans and Vietnamese, frightened men and lonely women, and of one little girl who is the symbol of wartime Vietnam. There is tragedy and profanity and dark humor but this story tells of more than man’s inhumanity to man. It speaks of man’s humanity to man.
Author: Christian McWhirter Publisher: Univ of North Carolina Press ISBN: 0807882623 Category : History Languages : en Pages : 332
Book Description
Music was everywhere during the Civil War. Tunes could be heard ringing out from parlor pianos, thundering at political rallies, and setting the rhythms of military and domestic life. With literacy still limited, music was an important vehicle for communicating ideas about the war, and it had a lasting impact in the decades that followed. Drawing on an array of published and archival sources, Christian McWhirter analyzes the myriad ways music influenced popular culture in the years surrounding the war and discusses its deep resonance for both whites and blacks, South and North. Though published songs of the time have long been catalogued and appreciated, McWhirter is the first to explore what Americans actually said and did with these pieces. By gauging the popularity of the most prominent songs and examining how Americans used them, McWhirter returns music to its central place in American life during the nation's greatest crisis. The result is a portrait of a war fought to music.
Author: Cynthia Wachtell Publisher: LSU Press ISBN: 0807145645 Category : Literary Criticism Languages : en Pages : 362
Book Description
Until now, scholars have portrayed America's antiwar literature as an outgrowth of World War I, manifested in the works of writers such as Ernest Hemingway and John Dos Passos. But in War No More, Cynthia Wachtell corrects the record by tracing the steady and inexorable rise of antiwar writing in American literature from the Civil War to the eve of World War I. Beginning with an examination of three very different renderings of the chaotic Battle of Chickamauga -- a diary entry by a northern infantry officer, a poem romanticizing war authored by a young southerner a few months later, and a gruesome story penned by the veteran Ambrose Bierce -- Wachtell traces the gradual shift in the late nineteenth century away from highly idealized depictions of the Civil War. Even as the war was under way, she shows, certain writers -- including Herman Melville, Walt Whitman, John William De Forest, and Nathaniel Hawthorne -- quietly questioned the meaning and morality of the conflict. As Wachtell demonstrates, antiwar writing made steady gains in public acceptance and popularity in the final years of the nineteenth century and the opening years of the twentieth, especially during the Spanish-American War and the war in the Philippines. While much of the era's war writing continued the long tradition of glorifying battle, works by Bierce, Stephen Crane, Mark Twain, William Dean Howells, William James, and others increasingly presented war as immoral and the modernization and mechanization of combat as something to be deeply feared. Wachtell also explores, through the works of Theodore Roosevelt and others, the resistance that the antiwar impulse met. Drawing upon a wide range of published and unpublished sources, including letters, diaries, essays, poems, short stories, novels, memoirs, speeches, magazine and newspaper articles, and religious tracts, Wachtell makes strikingly clear that pacifism had never been more popular than in the years preceding World War I. War No More concludes by charting the development of antiwar literature from World War I to the present, thus offering the first comprehensive overview of one hundred and fifty years of American antiwar writing.
Author: Abigail Shupe Publisher: Taylor & Francis ISBN: 1000644677 Category : Music Languages : en Pages : 156
Book Description
This book studies George Crumb’s The Winds of Destiny (2004) and Black Angels (1970) as artifacts of collective memory and cultural trauma. It situates these two pieces in Crumb’s output and unpacks the complex methodologies needed to understand these pieces as contributions and challenges to traditional narratives of the Civil War and the Vietnam War. The Winds of Destiny is shown to be a critical commentary on the legacy of American wars and militarism, both concepts crucial to American identity. The Winds of Destiny also acts as an ironic war memorial as a means of critiquing such concepts. Black Angels has long been associated with the Vietnam War. This book shows how this association began and how it endures through connections to iconic Vietnam War media, including films and books. Together these analyses show the legacy of trauma in American collective memory, which is in a continuous crisis. Crumb’s musical critiques point to a need to resist conventional narratives and to begin to heal trauma on a collective level. This book will be of interest to students of contemporary American music, American studies, and memory studies. It benefits readers by newly situating Crumb’s music within these three fields of study.
Author: Geoffrey P. Nash Publisher: Cambridge University Press ISBN: 1108585566 Category : Literary Criticism Languages : en Pages : 674
Book Description
Orientalism and Literature discusses a key critical concept in literary studies and how it assists our reading of literature. It reviews the concept's evolution: how it has been explored, imagined and narrated in literature. Part I considers Orientalism's origins and its geographical and multidisciplinary scope, then considers the major genres and trends Orientalism inspired in the literary-critical field such as the eighteenth-century Oriental tale, reading the Bible, and Victorian Oriental fiction. Part II recaptures specific aspects of Edward Said's Orientalism: the multidisciplinary contexts and scholarly discussions it has inspired (such as colonial discourse, race, resistance, feminism and travel writing). Part III deliberates upon recent and possible future applications of Orientalism, probing its currency and effectiveness in the twenty-first century, the role it has played and continues to play in the operation of power, and how in new forms, neo-Orientalism and Islamophobia, it feeds into various genres, from migrant writing to journalism.
Author: Katya Hokanson Publisher: University of Toronto Press ISBN: 080209306X Category : Literary Criticism Languages : en Pages : 313
Book Description
It is often assumed that cultural identity is determined in a country's metropolitan centres. Given Russia's long tenure as a geographically and socially diverse empire, however, there is a certain distillation of peripheral experiences and ideas that contributes just as much to theories of national culture as do urban-centred perspectives. Writing at Russia's Border argues that Russian literature needs to be reexamined in light of the fact that many of its most important nineteenth-century texts are peripheral, not in significance but in provenance. Katya Hokanson makes the case that the fluid and ever-changing cultural and linguistic boundaries of Russia's border regions profoundly influenced the nation's literature, posing challenges to stereotypical or territorially based conceptions of Russia's imperial, military, and cultural identity. A highly canonical text such as Pushkin's Eugene Onegin (1831), which is set in European Russia, is no less dependent on the perspectives of those living at the edges of the Russian Empire than is Tolstoy's The Cossacks (1863), which is explicitly set on Russia's border and has become central to the Russian canon. Hokanson cites the influence of these and other 'periphera' texts as proof that Russia's national identity was dependent upon the experiences of people living in the border areas of an expanding empire. Produced at a cultural moment of contrast and exchange, the literature of the periphery represented a negotiation of different views of Russian identity, an ingredient that was ultimately essential even to literature produced in the major cities. Writing at Russia's Border upends popular ideas of national cultural production and is a fascinating study of the social implications of nineteenth-century Russian literature.
Author: Bert Quint
Author: Bert Quint
Author: Christian McWhirter
Author: Cynthia Wachtell
Author: Thomas Alexander Barns
Author: 
Author: Sir William Francis Butler
Author: Abigail Shupe
Author: Geoffrey P. Nash
Author: Mabel Fitzroy Wilson
Author: Katya Hokanson