Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 530
Book Description
Bulletin of the Authors' League of America
Author: Monthly Bulletin
Author: New York Chamber of CommercePublisher:
ISBN:
Category : Business
Languages : en
Pages : 1270
Book Description
ALA Bulletin
Author: American Library AssociationPublisher:
ISBN:
Category : Library science
Languages : en
Pages : 684
Book Description
Bulletin ...
Author: Grand Rapids Public Library (Grand Rapids, Mich.)Publisher:
ISBN:
Category :
Languages : en
Pages : 410
Book Description
Bulletin of the International University Information Office
Author: Publisher:
ISBN:
Category : Intellectual cooperation
Languages : en
Pages : 624
Book Description
Catalog of Copyright Entries
Author: Library of Congress. Copyright OfficePublisher:
ISBN:
Category : Copyright
Languages : en
Pages : 778
Book Description
Bulletin des relations universitaires
Author: Publisher:
ISBN:
Category : Intellectual cooperation
Languages : en
Pages : 618
Book Description
Bulletin of the American Library Association
Author: American Library AssociationPublisher:
ISBN:
Category : Library science
Languages : en
Pages : 678
Book Description
The Author, Playwright and Composer
Author: Legal Stories
Author: Gregory SteirerPublisher: University of Michigan Press
ISBN: 047222171X
Category : Law
Languages : en
Pages : 327
Book Description
Tracing the emergence of what the media industries today call transmedia, story worlds, and narrative franchises, Legal Stories provides a dual history of copyright law and narrative-based media development between the Copyright Act of 1909 and the Copyright Act of 1976. Drawing on archival material, including legal case files, and employing the principles of actor-network theory, Gregory Steirer demonstrates how the meaning and form of narrative-based property in the twentieth century was integral to the letter and practice of intellectual property law during this time. Steirer’s expansive view of intellectual property law encompasses not only statutes and judicial opinions, but also the everyday practices and productions of authors, editors, fans, and other legal laypersons. The result is a history of the law as improvisatory and accident-prone, taking place as often outside the courtroom as inside, and shaped as much by laypersons as lawyers. Through the examination of influential legal disputes involving early properties such as Dashiell Hammett’s Sam Spade, H. P. Lovecraft’s Cthulhu Mythos, and Robert E. Howard’s Conan the Barbarian, Steirer provides a ground’s eye view of how copyright law has operated and evolved in practice.