Author: National Gallery of Canada
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 90
Book Description
Bulletin - Galerie nationale du Canada
Author: National Gallery of Canada
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 90
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 90
Book Description
Index au Bulletin de la Galerie nationale du Canada et au Bulletin annuel
Author: Joanne Nordley Beglo
Publisher: Centre canadien des arts visuels
ISBN:
Category : Travel
Languages : en
Pages : 70
Book Description
Publisher: Centre canadien des arts visuels
ISBN:
Category : Travel
Languages : en
Pages : 70
Book Description
Annual Review - National Gallery of Canada
Author: National Gallery of Canada
Publisher:
ISBN:
Category :
Languages : en
Pages : 484
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 484
Book Description
Art Et Architecture Au Canada
Author: Loren Ruth Lerner
Publisher: University of Toronto Press
ISBN: 9780802058560
Category : Architecture
Languages : en
Pages : 1646
Book Description
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
Publisher: University of Toronto Press
ISBN: 9780802058560
Category : Architecture
Languages : en
Pages : 1646
Book Description
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
Canadiana
Colours of Impressionism: Masterpieces from the Musée d’Orsay
Author: Paul Perrin
Publisher: National Gallery Singapore
ISBN: 9811145156
Category : Art
Languages : en
Pages : 208
Book Description
One of the great innovations of the Impressionists was their radical use of colour: their application of strokes of complementary or contrasting hues captured the shifting effects of light and foregrounded the nature of vision. Using colour as the lens through which to magnify the movement’s intricacies, this catalogue sweeps us from Manet’s rich blacks, through green and blue landscapes of Monet and Cézanne, to the sensuous pinks of Renoir. Along this journey, scientific discoveries and emerging definitions of modernity are explored, illuminating the profound innovations of the Impressionists and the shifting preconceptions of their art.
Publisher: National Gallery Singapore
ISBN: 9811145156
Category : Art
Languages : en
Pages : 208
Book Description
One of the great innovations of the Impressionists was their radical use of colour: their application of strokes of complementary or contrasting hues captured the shifting effects of light and foregrounded the nature of vision. Using colour as the lens through which to magnify the movement’s intricacies, this catalogue sweeps us from Manet’s rich blacks, through green and blue landscapes of Monet and Cézanne, to the sensuous pinks of Renoir. Along this journey, scientific discoveries and emerging definitions of modernity are explored, illuminating the profound innovations of the Impressionists and the shifting preconceptions of their art.
Canadian Symbols of Authority
Author: Corinna A. W. Pike
Publisher: Dundurn
ISBN: 1554889014
Category : History
Languages : en
Pages : 363
Book Description
Canadian symbols of authority are not only emblems of democracy and authority but they are part of the diverse heraldic and artistic heritage of Canada. Despite Canada's rich symbolic and ceremonial heritage, little has been written about the nation's various symbols of authority or the offices that are associated with them ? until now!
Publisher: Dundurn
ISBN: 1554889014
Category : History
Languages : en
Pages : 363
Book Description
Canadian symbols of authority are not only emblems of democracy and authority but they are part of the diverse heraldic and artistic heritage of Canada. Despite Canada's rich symbolic and ceremonial heritage, little has been written about the nation's various symbols of authority or the offices that are associated with them ? until now!
The Social Context of James Ensor’s Art Practice
Author: Susan M. Canning
Publisher: Bloomsbury Publishing USA
ISBN: 1501339230
Category : Art
Languages : en
Pages : 313
Book Description
“Vive la Sociale”: This rousing, revolutionary statement, written on a bright red banner across the top of James Ensor's Christ's Entry into Brussels in 1889, served as a visual manifesto and call to action by the Belgian artist (1860-1949), one that announced with an insistent, public voice the centrality of his art practice to the cultural discourse of modern Belgium. This provocative declaration serves as the title for this new study of Ensor's art focusing on its social discourse and the artist's interaction with and at times satirical encounter with his contemporary milieu. Rather than the alienated and traumatized Expressionist given preference in modern art history, Ensor is presented here as an artist of agency and purpose whose art practice engaged the issues and concerns of middle class Belgian life, society and politics and was informed by the values and class, race and gendered perspectives of his time. Ensor's radical vision and oppositional strategy of resistance, self-fashioning and performance remains relevant. This book with its timely, nuanced reading of the art and career of this often misunderstood “artist's artist”, invites a re-evaluation not only of Ensor's social context and expressive critique but also his unique contribution to modernist art practice.
Publisher: Bloomsbury Publishing USA
ISBN: 1501339230
Category : Art
Languages : en
Pages : 313
Book Description
“Vive la Sociale”: This rousing, revolutionary statement, written on a bright red banner across the top of James Ensor's Christ's Entry into Brussels in 1889, served as a visual manifesto and call to action by the Belgian artist (1860-1949), one that announced with an insistent, public voice the centrality of his art practice to the cultural discourse of modern Belgium. This provocative declaration serves as the title for this new study of Ensor's art focusing on its social discourse and the artist's interaction with and at times satirical encounter with his contemporary milieu. Rather than the alienated and traumatized Expressionist given preference in modern art history, Ensor is presented here as an artist of agency and purpose whose art practice engaged the issues and concerns of middle class Belgian life, society and politics and was informed by the values and class, race and gendered perspectives of his time. Ensor's radical vision and oppositional strategy of resistance, self-fashioning and performance remains relevant. This book with its timely, nuanced reading of the art and career of this often misunderstood “artist's artist”, invites a re-evaluation not only of Ensor's social context and expressive critique but also his unique contribution to modernist art practice.
Index Des Catalogues Et Des Listes D'exposition Du Musée Des Beaux-arts Du Canada 1880-1930
Author: National Gallery of Canada
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 528
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 528
Book Description
Art Serials
Author: Carolyn S. Larson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 218
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 218
Book Description