Author: Baba Hari Dass
Publisher: Sri Rama Publishing
ISBN: 0918100275
Category : Body, Mind & Spirit
Languages : en
Pages : 187
Book Description
In Bronze Buddha, one of the earliest of Baba Hari Dass’s stories, we are transported to Tibet, India, and Nepal to witness the lives of a few great and powerful monks, the realization of Self of a sincere seeker, and the spiritual climate during the takeover of Tibet in the 20th Century.
Bronze Buddha
Author: Baba Hari Dass
Publisher: Sri Rama Publishing
ISBN: 0918100275
Category : Body, Mind & Spirit
Languages : en
Pages : 187
Book Description
In Bronze Buddha, one of the earliest of Baba Hari Dass’s stories, we are transported to Tibet, India, and Nepal to witness the lives of a few great and powerful monks, the realization of Self of a sincere seeker, and the spiritual climate during the takeover of Tibet in the 20th Century.
Publisher: Sri Rama Publishing
ISBN: 0918100275
Category : Body, Mind & Spirit
Languages : en
Pages : 187
Book Description
In Bronze Buddha, one of the earliest of Baba Hari Dass’s stories, we are transported to Tibet, India, and Nepal to witness the lives of a few great and powerful monks, the realization of Self of a sincere seeker, and the spiritual climate during the takeover of Tibet in the 20th Century.
The Buddha Image
Author: Yuvraj Krishan
Publisher: Bharatiya Vidya Bhavan
ISBN: 9788121505659
Category : Art
Languages : en
Pages : 176
Book Description
Illustrations: 247 b/w illustrations Description: This book deals with crucial though controversial questions in Buddhist art: the origin of the Buddha image and the iconography of the Buddha images. The earliest Buddhist art of Sanchi and Bharhut is aniconic : The Buddha is represented in symbols only. In the later Buddhist art of Gandhara and Mathura, the Buddha is represented in human form: he is the principal subject of sculptural art. The book seeks to explore the geographical area in which the image of the Buddha first emerged and whether the Buddhist doctrines-Hinayana or Mahayana-had anything to do with this transformation. The Buddha image, as developed eventually at Sarnath, became the model for the Buddha images in whole of Asia, south-east, central and eastern Asia. The iconographic features of the Buddha image are superficially an aberration, being in apparent conflict with the doctrine. The Buddha had cut off his hair at the time of his renunciation; the rules of the order enjoin that a monk must be tonsured and must discard and eschew all riches. However, in his images, the Buddha has hair on his head; later he is also endowed with a crown and jewels. After an exhaustive examination of the views of various scholars, the book answers these questions and resolves the controversies on the basis of literary, numismatic and epigraphic sources. More importantly it makes use of the valuable evidence from the contemporaneous Jaina art : Aniconism of early Jaina art and the iconographic features of Jaina images. The implications of this study are also important : Does India owe idolatry to Buddhism? Was this of foreign inspiration? Was the Buddha image fashioned after the Vedic Brahma and whether the Buddha's usnisa and Buddhist art motifs are rooted in the Vedic tradition? The book is profusely illustrated and provides rich and stimulating fare to students of Indian art in general and of Buddhist art in particular.
Publisher: Bharatiya Vidya Bhavan
ISBN: 9788121505659
Category : Art
Languages : en
Pages : 176
Book Description
Illustrations: 247 b/w illustrations Description: This book deals with crucial though controversial questions in Buddhist art: the origin of the Buddha image and the iconography of the Buddha images. The earliest Buddhist art of Sanchi and Bharhut is aniconic : The Buddha is represented in symbols only. In the later Buddhist art of Gandhara and Mathura, the Buddha is represented in human form: he is the principal subject of sculptural art. The book seeks to explore the geographical area in which the image of the Buddha first emerged and whether the Buddhist doctrines-Hinayana or Mahayana-had anything to do with this transformation. The Buddha image, as developed eventually at Sarnath, became the model for the Buddha images in whole of Asia, south-east, central and eastern Asia. The iconographic features of the Buddha image are superficially an aberration, being in apparent conflict with the doctrine. The Buddha had cut off his hair at the time of his renunciation; the rules of the order enjoin that a monk must be tonsured and must discard and eschew all riches. However, in his images, the Buddha has hair on his head; later he is also endowed with a crown and jewels. After an exhaustive examination of the views of various scholars, the book answers these questions and resolves the controversies on the basis of literary, numismatic and epigraphic sources. More importantly it makes use of the valuable evidence from the contemporaneous Jaina art : Aniconism of early Jaina art and the iconographic features of Jaina images. The implications of this study are also important : Does India owe idolatry to Buddhism? Was this of foreign inspiration? Was the Buddha image fashioned after the Vedic Brahma and whether the Buddha's usnisa and Buddhist art motifs are rooted in the Vedic tradition? The book is profusely illustrated and provides rich and stimulating fare to students of Indian art in general and of Buddhist art in particular.
Japan in a Nutshell
Author: Professor Solomon
Publisher:
ISBN: 9780912509068
Category : Travel
Languages : en
Pages : 151
Book Description
Publisher:
ISBN: 9780912509068
Category : Travel
Languages : en
Pages : 151
Book Description
Becoming the Buddha
Author: Donald K. Swearer
Publisher: Princeton University Press
ISBN: 9780691114354
Category : Religion
Languages : en
Pages : 364
Book Description
The process by which this transformation occurs through chant, sermon, meditation, and the presence of charismatic monks is at the heart of this book."--BOOK JACKET.
Publisher: Princeton University Press
ISBN: 9780691114354
Category : Religion
Languages : en
Pages : 364
Book Description
The process by which this transformation occurs through chant, sermon, meditation, and the presence of charismatic monks is at the heart of this book."--BOOK JACKET.
The Art of Eastern India
Author: Frederick M. Asher
Publisher: U of Minnesota Press
ISBN: 1452912254
Category : Art, Indic
Languages : en
Pages : 274
Book Description
Publisher: U of Minnesota Press
ISBN: 1452912254
Category : Art, Indic
Languages : en
Pages : 274
Book Description
Behold the Buddha
Author: James C. Dobbins
Publisher: University of Hawaii Press
ISBN: 0824879996
Category : Religion
Languages : en
Pages : 288
Book Description
Images of the Buddha are everywhere—not just in temples but also in museums and homes and online—but what these images mean largely depends on the background and circumstance of those viewing them. In Behold the Buddha, James Dobbins invites readers to imagine how premodern Japanese Buddhists understood and experienced icons in temple settings long before the advent of museums and the internet. Although widely portrayed in the last century as visual emblems of great religious truths or as exquisite works of Asian art, Buddhist images were traditionally treated as the very embodiment of the Buddha, his palpable presence among people. Hence, Buddhists approached them as living entities in their own right—that is, as awakened icons with whom they could interact religiously. Dobbins begins by reflecting on art museums, where many non-Buddhists first encounter images of the Buddha, before outlining the complex Western response to them in previous centuries. He next elucidates images as visual representations of the story of the Buddha’s life followed by an overview of the physical attributes and symbolic gestures found in Buddhist iconography. A variety of Buddhas, Bodhisattvas, and other divinities commonly depicted in Japanese Buddhism is introduced, and their “living” quality discussed in the context of traditional temples and Buddhist rituals. Finally, other religious objects in Japanese Buddhism—relics, scriptures, inscriptions, portraits of masters, and sacred sites—are explained using the Buddhist icon as a model. Dobbins concludes by contemplating art museums further as potential sites for discerning the religious character of Buddhist images. Those interested in Buddhism generally who would like to learn more about its rich iconography—whether encountered in temples or museums—will find much in this concise, well-illustrated volume to help them “behold the Buddha.”
Publisher: University of Hawaii Press
ISBN: 0824879996
Category : Religion
Languages : en
Pages : 288
Book Description
Images of the Buddha are everywhere—not just in temples but also in museums and homes and online—but what these images mean largely depends on the background and circumstance of those viewing them. In Behold the Buddha, James Dobbins invites readers to imagine how premodern Japanese Buddhists understood and experienced icons in temple settings long before the advent of museums and the internet. Although widely portrayed in the last century as visual emblems of great religious truths or as exquisite works of Asian art, Buddhist images were traditionally treated as the very embodiment of the Buddha, his palpable presence among people. Hence, Buddhists approached them as living entities in their own right—that is, as awakened icons with whom they could interact religiously. Dobbins begins by reflecting on art museums, where many non-Buddhists first encounter images of the Buddha, before outlining the complex Western response to them in previous centuries. He next elucidates images as visual representations of the story of the Buddha’s life followed by an overview of the physical attributes and symbolic gestures found in Buddhist iconography. A variety of Buddhas, Bodhisattvas, and other divinities commonly depicted in Japanese Buddhism is introduced, and their “living” quality discussed in the context of traditional temples and Buddhist rituals. Finally, other religious objects in Japanese Buddhism—relics, scriptures, inscriptions, portraits of masters, and sacred sites—are explained using the Buddhist icon as a model. Dobbins concludes by contemplating art museums further as potential sites for discerning the religious character of Buddhist images. Those interested in Buddhism generally who would like to learn more about its rich iconography—whether encountered in temples or museums—will find much in this concise, well-illustrated volume to help them “behold the Buddha.”
Buddhist Sculpture of Northern Thailand
Author: Carol Stratton
Publisher: Serindia Publications, Inc.
ISBN: 9781932476095
Category : Art
Languages : en
Pages : 430
Book Description
Publisher: Serindia Publications, Inc.
ISBN: 9781932476095
Category : Art
Languages : en
Pages : 430
Book Description
Treasures of the Buddha
Author: Tom Lowenstein
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781844833214
Category : Architecture
Languages : en
Pages : 236
Book Description
Treasures of the Buddha presents, in stunning color photographs, a vivid portrait of Buddhism including its teachings and its great treasures -- from its place of origin in northern India and out among the different kingdoms and empires of central, southern and eastern Asia.
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781844833214
Category : Architecture
Languages : en
Pages : 236
Book Description
Treasures of the Buddha presents, in stunning color photographs, a vivid portrait of Buddhism including its teachings and its great treasures -- from its place of origin in northern India and out among the different kingdoms and empires of central, southern and eastern Asia.
Buddhism and Iconoclasm in East Asia
Author: Fabio Rambelli
Publisher: A&C Black
ISBN: 1441199020
Category : Religion
Languages : en
Pages : 273
Book Description
This is a cross-cultural study of the multifaceted relations between Buddhism, its materiality, and instances of religious violence and destruction in East Asia, which remains a vast and still largely unexplored field of inquiry. Material objects are extremely important not just for Buddhist practice, but also for the conceptualization of Buddhist doctrines; yet, Buddhism developed ambivalent attitudes towards such need for objects, and an awareness that even the most sacred objects could be destroyed. After outlining Buddhist attitudes towards materiality and its vulnerability, the authors propose a different and more inclusive definition of iconoclasm-a notion that is normally not employed in discussions of East Asian religions. Case studies of religious destruction in East Asia are presented, together with a new theoretical framework drawn from semiotics and cultural studies, to address more general issues related to cultural value, sacredness, and destruction, in an attempt to understand instances in which the status and the meaning of the sacred in any given culture is questioned, contested, and ultimately denied, and how religious institutions react to those challenges.
Publisher: A&C Black
ISBN: 1441199020
Category : Religion
Languages : en
Pages : 273
Book Description
This is a cross-cultural study of the multifaceted relations between Buddhism, its materiality, and instances of religious violence and destruction in East Asia, which remains a vast and still largely unexplored field of inquiry. Material objects are extremely important not just for Buddhist practice, but also for the conceptualization of Buddhist doctrines; yet, Buddhism developed ambivalent attitudes towards such need for objects, and an awareness that even the most sacred objects could be destroyed. After outlining Buddhist attitudes towards materiality and its vulnerability, the authors propose a different and more inclusive definition of iconoclasm-a notion that is normally not employed in discussions of East Asian religions. Case studies of religious destruction in East Asia are presented, together with a new theoretical framework drawn from semiotics and cultural studies, to address more general issues related to cultural value, sacredness, and destruction, in an attempt to understand instances in which the status and the meaning of the sacred in any given culture is questioned, contested, and ultimately denied, and how religious institutions react to those challenges.
Middle Land, Middle Way
Author: Shravasti Dhammika
Publisher: Buddhist Publication Society
ISBN: 9552401976
Category : Buddhist pilgrims and pilgrimages
Languages : en
Pages : 246
Book Description
A comprehensive guidebook to the places in India made sacred by the Buddha’s presence. Beginning with an inspiring account of Buddhist pilgrimage, the author then covers sixteen places in detail. With maps and colour photos, an essential companion for pilgrim and traveler.
Publisher: Buddhist Publication Society
ISBN: 9552401976
Category : Buddhist pilgrims and pilgrimages
Languages : en
Pages : 246
Book Description
A comprehensive guidebook to the places in India made sacred by the Buddha’s presence. Beginning with an inspiring account of Buddhist pilgrimage, the author then covers sixteen places in detail. With maps and colour photos, an essential companion for pilgrim and traveler.